A new one? Not Panopticom (inside-mix) that we've been chatting about already (this thread and main one)? I don't see any.Listening now via Apple4K streaming Atmos, new, one song Peter Gabriel.
A new one? Not Panopticom (inside-mix) that we've been chatting about already (this thread and main one)? I don't see any.Listening now via Apple4K streaming Atmos, new, one song Peter Gabriel.
Sorry, meant the new one as of this new one on this new thread. Panopticom.A new one? Not Panopticom (inside-mix) that we've been chatting about already (this thread and main one)? I don't see any.
Really cool to be getting gifts of PG music in Atmos on a schedule like this!It's not here and there. It's each full moon.
Our opinions aren't important, this is PG!
Can't be sure of course, but seems to me it's a brilliant way of releasing the album while you're still working on the album.
I'm guessing he's still re-writing lyrics and changing things.
He just released a longer making-of video and Panopticom was Panopticon when it was recorded with the band.
I feel lucky to be alive at the same time as him and a happy to be around for this album's long release.
dittoI may be in the minority here, but I'd much rather have the whole album all-at-once, rather than get one track here; one track there.
In fact, i have not even listened to Panopticom. I'd rather have the whole album experience 1st, and then go back later for individual tracks.
It seems that many artists have released a song or two well ahead of the album release. I understand releasing a "single" for radio play. But, do the albums we wait for on here have singles? Sometimes, but not really....
I can wait for the whole album release of "I/O". It's been forever and a year already.
Blame it on the moon (phase).ditto
I had to make an important correction in my wordingReally cool to be getting gifts of PG music in Atmos on a schedule like this!
Could it be he’s been working on this album for years now, thinking 5.1; but since Atmos has come on strong for music in the past few years he’s going back and tweaking the arrangements/mix to better take advantage ofmore channelsmore interesting soundscapes from object based spatial audio .
There are lot of output in the surround back channels also.Something interesting is that the side channels in the Atmos mix has substantially greater volume than the fronts! I have seen similarly equal before, but never larger by this degree. I am comparing the 5.1.4 channels, after decoded, which is how I output all the streaming (lossy) Atmos. Maybe if we get a Blu-ray version, it will be spread between the sides AND the back channels, I don't know. Really am digging this mix. No issue here with his voice getting buried as someone suggested. The dynamics are very high, especially compared to the two channel, bright-side mix, 13 dr vs 6 dr!
Already reached out to them when the “Panopticom” Atmos mix came out a few days agoIt would be cool if PG partnered with IAA…
Obviously the PG camp are climbing a bunch of learning curves all at once here. (I'm still doing a giant eye-roll at the byzantine release schedule. Somebody on the Genesis discussion boards was wondering on which phases of the moon we'd get the upside, downside, and inside-out mixes.) Glad to hear IAA is on the case, though!Interesting situation in the i/o bandcamp subscription (anyone else on it?). From PG's team:
"Hi there,
A few people have messaged here and on social media asking why the In-Side Mix in Dolby Atmos is not available on Bandcamp.
We have checked with Bandcamp to see whether this is possible and, unfortunately, they've replied to say that it isn't.
We're told that they only support stereo and that Atmos mixes would either receive an error during upload or be switched to stereo during the encoding process. That being the case we'd much rather you heard the stereo mixes available as the Bright-Side and Dark-Side Mixes.
Sorry for the disappointment but we hope you continue to enjoy the stereo mixes that are available."
....of course folks have been trying to get bandcamp to support MCH for years, and still the workaround is providing a link to a dropbox/google drive folder that has the files. Then the issue becomes playing the files. @sjcorne I know you've had success with folks playing mkv and mp4 files with IAA. I personally haven't figured it out on a PC with foobar or VLC, and I wonder how many of these PG/bandcamp folks could - or if most just want a binaural mix via headphones.
Someone in the comments said it sounded great through amazon and an AVR. I didn't even know amazon could play on anything other than the echo things. The meaning of the song as an inversion of the Panopticon spy theme loses a little potency when it is distributed via amazon...
Not sure why PG didn't also give it to Tidal.
Anyway, it's still the wild west. It would be cool if PG partnered with IAA, or put files in a folder in the cloud, or built a site that could play the files...but I'm not sure they need to do anything more than have it on Apple.
Thoughts?
Uhmm.. It was on Tidal just the other day, I just heard it there. I went to link it here and it's gone now.. weird..Not sure why PG didn't also give it to Tidal.
Post #3 here is helping me to understand it much more."Truly discrete channels" isn't really the right way to look at it, as the use of objects allows the mix to expand beyond even the number of speakers used in the studio it was created in. Steven Wilson uses a 7.1.4 setup, but some guitar parts in his Grateful Dead Atmos mixes appear partially in the wide speakers on a 9.1.x setup because he assigned them to objects positioned somewhere between the front & side channels.
The Dolby Atmos Renderer software used at the mixing stage is the same thing as that 'tiny chip' in our AVRs, allowing the mix to expand and contract based on the # of available speakers in one's setup. I guess I could understand the skepticism around this, but there's really no trickery involved - what you hear from the streaming services on speakers is absolutely the same as what they heard in the studio (albeit with less detail and some artifacts from the low bitrate). Take my word for it, I have the ADM masters for a number of albums to compare directly.
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