I am often attracted to professional equipment for a number of reasons. Balanced inputs and rack mount cases being two of them.
Vintage quad receivers always had headphone jacks fed off the main amplifier via dropping resistors. Modern equipment lacks that feature. A headphone amplifier becomes a necessity and as well provides better sound. For quad you would require two stereo headphone amplifiers but what about a professional unit? I recently purchased a "Rolls RA62C 6-Ch Pro Headphone Amp". That particular unit features RCA, XLR and TRS stereo inputs and has outputs for six sets of phones.
What makes it useful for multi channel sound is that each output amplifier also has a separate input via TRS jack on the rear panel. I take a longish dual RCA cable and cut it in half soldering a TRS (1/4" phone) on the cut ends to make up two input cables, one for front and one for the back channels. Plug in your quad phones and you're ready to go! That particular model has 1/4" output jacks for vintage/professional phones and 1/8" jacks for more modern phones.
Vintage quad receivers always had headphone jacks fed off the main amplifier via dropping resistors. Modern equipment lacks that feature. A headphone amplifier becomes a necessity and as well provides better sound. For quad you would require two stereo headphone amplifiers but what about a professional unit? I recently purchased a "Rolls RA62C 6-Ch Pro Headphone Amp". That particular unit features RCA, XLR and TRS stereo inputs and has outputs for six sets of phones.
What makes it useful for multi channel sound is that each output amplifier also has a separate input via TRS jack on the rear panel. I take a longish dual RCA cable and cut it in half soldering a TRS (1/4" phone) on the cut ends to make up two input cables, one for front and one for the back channels. Plug in your quad phones and you're ready to go! That particular model has 1/4" output jacks for vintage/professional phones and 1/8" jacks for more modern phones.