Well, I've given this a fair crack of the whip, I've read a lot about what people have to say about it, it's pretty much universally panned from a surround mix perspective, so I thought I'd really take the time to analyse the mix and here's my surround mix observations, specifically as to what there actually is in the rears, with a rather interesting outcome..
- Track 1 = muted strings in the rears,
- Track 2 = muted synth effects in the rears towards the very end of the song,
- Track 3 = muted but rather nice strings all the way through,
- Track 4 = muted backing vocals & acoustic guitar in the rears,
- Track 5 = muted synth in the rears (Black Cowboys),
- Track 6 = a muted lone tambourine in the rears (Maria's Bed),
- Track 7 = muted strings in rears (Silver Palomino),
- Track 8 = muted backing vocals in rears (Jesus Was An Only Son),
- Track 9 = the most horrid distortion in front L&R (something somewhere was seriously overdriven was my first thought but now I'm not sure.. more on that in a minute.. this is the one and only song with absolutely nothing in the rears..),
- Track 10 = muted synth horn & strings in the rears (may be the real thing but its hard to tell even when cranked!),
- Track 11 = muted backing vocals in the rears,
- Track 12 = muted strings.
So.. in a nutshell, the rears are always muted.. its not as if there's nothing in the rears, there's stuff going on there all the time I wonder if something went awry with the authoring of this?
Why? Well, not only is the 5.1 weird/lacking on first listen but here's what I've found -
- the LFE level is way too high,
- front L&R are way too loud too (so they distort at times),
- the rears and the centre channel DO have things happening in them.. the centre has lead vocals on every song right there in the centre.. but centre and rears are so seriously muted compared to the crazy loud fronts & sub you'd never know.
Cai made a good point here in this thread all those years back = raise the rears..
..but I'd go further,
- if you boost the rears and centre to just below their absolute max (+8db on my AVR),
- drop the volume on front L&R and sub approx 50% from where you have them calibrated (so they're set -4db on my AVR, which equates to 12db lower than my centre and rears)..
.. and you suddenly get a rather nice surround mix.
Track 9 is the one anomaly, which I believe suffered the biggest authoring goof on the whole disc, distortion in front L&R plus no rear activity at all when all 11 other tracks have rear channel info, too much of a coincidence?
Anyhoo.. Maybe give it a try if you have this DualDisc, is all I'm saying.
I'm certainly enjoying it a lot more now in surround, with just a bit of (rather extreme volume level, admittedly) tweaking