Well....have been listening to this one the past few days, giving it more time than any Ringo album since...GOODNIGHT VIENNA, probably.
First, can't imagine anyone bitching about the sound and mix, both of which are superb; the latter very appropriate for the material, and even more creative than one might have expected. And Ringo, not being much of a singer(and certainly aware of this), never seems to mind that he's kinda exposed in that regard, and here, even more so.
The problem for me remains the material, which at best I consider pleasant listening, but little more. Ringo's problem all along hasn't been with his singing(barely average)or musical talent(far better than generally believed, IMO)--it's been the lackluster nature of the majority of his material. His few compositions with the Beatles suggested this, and by the time of RINGO, his limitations were obvious, even if an earlier single, "It Don't Come Easy"/"Early 1970"(1971)was a real surprise(of course George Harrison was of no small help there; indeed, what solo career highlights Ringo has had can be directly traced to help from his other three Beatle friends, one way or t'other, or been inspired by them in some fashion).
Ringo's more recent material, while not dull, is nonetheless lackluster, IMO--and worse, fairly derivative, what with the very basic rocking sound and softer rock stylings he continues to indulge in, pushing nothing, very content, it would seem, in his skin, his place in history. For a long time he has seemed relaxed, content just to be alive, rocking, vital, just doing things, not sweating stuff large or small. Unlike Paul McCartney, one doesn't sense that he worries about much of anything, nor feel he has to keep pushing himself, as if the vast glories of his past history were always going to be a barometer of his talent, that he has something 'to live up to.' That's Ringo's blessing, of course: he isn't Paul, John, or George; he doesn't have the highs'n'lows of the others' solo output, and expectations for his work have always been correspondingly lower. That said, it's a bit tiresome to hear the continued lyrical references to the work of others, the platitudes; and the obvious nature of the arrangements and performances--nothing surprises, it's all very workmanlike. Of course, the reason we get Ringo at all is probably because he
can; I'm sure than an ex-Beatle, even if a label weren't forthcoming, has the bucks to start his own and make sure his work is heard. So we can consider these projects, to some degree, vanity in nature, but a nice kind of vanity, the sound of a man who just likes to do his thing, unfettered and without worries of outside meddling. He does it with enthusiasm, and seems very happy about it all. Overall, this comp gives off very positive vibes. Unfortunately, positivity doesn't automatically translate into anything especially memorable.
The overall effect of this collection, for me, is mixed. On the one hand, it's kinda amazing Ringo even bothered, given how few performers of any magnitude are bothering with MC these days. I mean, how many copies is this really gonna sell? Ringo's been a 'niche' artist, as many aging rockers invariably become, with a dedicated following, yet out of the pop mainstream. So this was someone's labor of love, and I'm glad they did it, and hope others will follow suit, because there's a lot of worthwhile music(which this is, whatever my misgivings)out there that would garner more listeners IF there were MC mixes.
On the other hand, listening to this made me pine, more than ever, for some MC Beatles beyond LOVE; and, for that matter, something--anything--from Ringo's Apple catalog, which, while not brilliant, would nonetheless make a fairly potent compilation of tracks, from "It Don't Come Easy" and "Photograph" to "Goodnight Vienna" and others. Hell, even thrown in a few Atlantic sides like "A Dose Of Rock'n'Roll," wouldn't mind...
ED