This is my favorite SDE blu ray so far. The mix is excellent and brings out a lot of detail in the music. 5.1 mix, no Atmos yet for me.
That is interesting. For myself, I find The Tipping Point quite easy to listen to. Probably because it quickly became one of my recent favorites? Not sure.About that part of this Sal1950 quote. First time I had a multichannel record, it was the deluxe re edition of Tubular Bells.
I clearly remember first listening to a multichannel record felt like multitasking !
It took a great deal of concentration to mentally reconstruct in one entity the audio sources that came from everywhere.
And that was not easy for me.
It is a bit easier now, but all 5.1 (for me) mixes are not made equal.
Since we are talking Tears For Fears, I listened of course with delight to The Hurting.
This morning I did the same with Tipping Point.
What jumped in my face is that it was harder on me to listen to, it required more effort then the Hurting Wilson's mix which is a kind of a lesson in transparency.
Another complex example is the Boulez Firebird with it incomprehensible position decisions (and the noise) which makes it is hard for me to mentally unify.
(typo edit) I understand we are all pretty different on that matter, and even if we share the same experience, it won't be on the same albums.That is interesting (...)
Well I started with Quad in the early 70's. I don't believe it makes any difference whether 2/4/6/8/12 channels, I just fall right into whatever I'm listening to.I understand we are all pretty different on that matter, and even if we share the same experience, it won't be on the same albums.
To ad furthermore confusion, I love quand transfers as I find them to have bolder placement decisions (not to mention a rawer sound to to the absence in the 70's of multi channel effects. That should make it harder for me to listen to. It is the contrary
Adding to my post above, this is the difference between the FLAC file of the album and the split I get using MakeMKV and MMH (and a similar result with DVD Audio Extractor). There must be something strange with the cue sheet... but of course the disc plays gapless.I've had issues with ripping this disc correctly. No problem with the actual ripping, either via DVDAudioExtractor or MakeMKV and MMH. However, the track split done by MMH or DVDAudioExtractor didn't work 'gapless' in those tracks that require gapless playback (Mad World to Pale Shelter, to Ideas as Opiates, to Memories Fade). The only system that worked for me was to extract a single FLAC file and split manually in audacity using labels. Also Foobar with a cue sheet didn't work for gapless playback. I haven't checked the 5.1. Don't know what I am doing wrong, it's the first time it happens to me.
Great Blu-ray by the way, probably the best SDE so far.
No, I haven't.Have you tried audiomuxer?
Same here. But I find "The Tipping Point" newer album more engaging personally.I listened to side one again yesterday in Atmos. It is really good, but the problem with this...and other albums that I didn't own back in the day...is that it is not rooted in my "consciousness." So the songs don't stick in my brain and I often totally forget about these albums when considering what to play.
Me too. But again, I have to remember that I have it in my quiver.Same here. But I find "The Tipping Point" newer album more engaging personally.
But an example of older vs newer....early Aerosmith, before they went bubble gum pop. We have every album until stopping at night in the ruts except Pump for the ONE song "Janie's Got a Gun" This from first albumI mean of course the Tipping Point is more engaging. I would hope their latest album after 40 years in music is more engaging than their first. When they were like 20. Lol
That's a pretty generalized observation. Doesn't always work that way.I mean of course the Tipping Point is more engaging. I would hope their latest album after 40 years in music is more engaging than their first. When they were like 20. Lol
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