- Joined
- Jan 9, 2013
- Messages
- 25,967
Is there a new website for HRA? I just tried going to it but got nowhere.
Try this:
https://www.hraudio.net/music.php
Is there a new website for HRA? I just tried going to it but got nowhere.
Weirder? Why?There was also a recent surround from them that I got as well, a performance of one of Mozart's weirder compositions.
I agree! I have several TACET SACD and Blu Ray discs. But I don't have the Tacet Mozart Sinfonia Concertante KV 364/Symphony in G minor KV 550 SACD. I just ordered it. Thanks for the tip!Any surround TACET is well worth getting!
Weirder? Why?
okLots of mood changes.
Nice, although the rear of this is showing 5.1 DTS-HD MA 24X192?Sorry if I'm beating @mwhealton to the punch on this one, but Cappella Romana just announced a new Blu-Ray to be released towards the end of next month. (No Atmos mix on this one, just 5.0.)
https://cappellaromana.org/sheehanliturgy/
Nice, although the rear of this is showing 5.1 DTS-HD MA 24X192?
Ah hell, another one me musta have
View attachment 56729
I did a similar analysis on the Kleiber Beethoven DVD-Audio, which shows similar results - the rears are a bit lower than the fronts but much louder than the center, which strongly suggests a quad mix with a fake center (fourth movement pictured, because that's a good test of max levels).
View attachment 50993
Yeah, I think the SACD was 5.1 too? Haven't checked, but I think a lot of DG SACDs were 5.1, which was part of why a lot of them required 2 SACDs for the same program that was on 1 CD.The DVD-A is 5.1, no? IIRC the .1 is just doubled bass. Has anyone tried stripping the C and .1 channels , reverting this back to its original (unreleased) quad?
ISTR measuring EQ differences on the different surround releases (SACD , DVD-A, BluRay) but I can't recall the details.
Thanks for pointing out this release. I like these pieces by John Luther Adams, bought the download and got the 5.1 files.Cross-posting here from the Dolby Atmos forum:
Cantaloupe Music announced yesterday the September 25th release of a new box set of pieces by John Luther Adams, comprising Become Ocean, Become Desert, and the never-before-released Become River. The physical box set is RBCD-only, although it will include new remasterings of the first two pieces. Ocean and Desert were previously released in lossy 5.1 (on DVD-V) and Desert in Dolby Atmos (as an MP4 download).
BUT:
Details on Cantaloupe's Bandcamp site:
- All three pieces will also be available as downloads only in remixed & remastered 5.1 and Atmos versions.
https://johnlutheradams.bandcamp.com/album/the-become-trilogy
Happy to spread the word @mkt (and welcome to QQ!). I love JLA, Cantaloupe, and the Bang on a Can collective (whose member-composers founded the label), and I want to see them continue.Thanks for pointing out this release. I like these pieces by John Luther Adams, bought the download and got the 5.1 files.
I need to check, but I'm pretty sure this is a DVD-A with lossless 24/48 audio? (I think it's 48 but haven't checked - I think most Naxos recordings were at that rate).A couple of months ago, I was amazed to discover, after someone mentioned it casually here on QQ, a) that there was a surround version (DD and DTS 5.1) of American composer William Bolcom's settings of William Blake's Songs of Innocence and Experience (a Grammy-winning recording with Bolcom champion Leonard Slatkin conducting) and b) that it was still available cheaply, both new and used. (It was released on Naxos in 2005.)
This past week, I finally got around to giving it a more-than-casual audition, and I think it's superb. First of all, the music: if you like Charles Ives, or Bernstein's Mass, then this is for you. Yeah, it's orchestral, and yeah, it's choral (with mostly classically trained vocalists), but it's also got elements of jazz, rock (hard and soft), and even reggae. Parts of it are hummably melodic, parts jarringly dissonant. Expansive scope; broad musical palette; huge, multi-faceted ensemble (nearly 450 performers). Demanding listening, but worth it. Mix: even though it's a live recording, it was carefully mic'd with surround in mind. At times you'll think it's three channels across the fronts with big ambience in the rears. Other times--much of the time, actually--the rears are highly active and/or discrete. Highly recommended.
Review (of the piece, not the recording):
http://bq.blakearchive.org/21.4.disalvo
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