I'm not a big fan of the album...it's really just a lot of cheese, and some of it--well, a lot of it--is faintly ridiculous, even though it can be evocative and haunting in places("Forever Autumn" is the album's only true masterpiece). Having Richard Burton do the narration from the professor's POV was a great coup(even when he didn't act well he had a marvelous voice). Of course I've never been a big fan of rock operas or concept albums like this, though to be fair, this holds together much better than things like Reizner's TOMMY, or ALL THIS & WORLD WAR II.
That said...this is one of the most intelligent 5.1 mixes I've ever heard! :51banana: Obviously it was remixed in a sense of the cinematic: Burton front and center, main instrumentation in front, and some very active action in the backs, and some nice woofer action! :banana:
WOTW is a great example of a dubious project that is made more enjoyable--even at times delightful in its fashion--because of the multichannel mix(I think of my old Quad-8 of Steve Miller's FLY LIKE AN EAGLE: I was never a Miller fan, and didn't particularly like the album or the lightweight, derivative material, but the Quad mix won me over to the point where I really like it now in spite of myself...
)
And so I rate this a '10' strictly by the fact that I can't really imagine a mix that would be more fitting or sensible for this album...which is also my opinion of BROTHERS IN ARMS...I tried, listening many times, to find something different that could have been done. But I still can't, and I've played it beyond a dozen times(and WOTW three times thus far).
ED