Charging extra for multichannel releases would expose Audio Fidelity to a whole Internet full of potentially unreasonable critique. A lot of fanboys spend a nonsensical amount of time picking releases apart ... using scope traces and computer analysis. If that floats your boat, fine ... but most buyers just listen and enjoy. It is about the music, after all. Charging a premium would entitle the fringe to one more thing to critique. Like it or not, multichannel was a 'nice-to-have' afterthought as it relates to SACD. That is why the first releases were stereo-only.
Even though evaluation of MC releases is extremely subjective, the lunatic fringe would still unleash a torrent of unrealistic (remember that some of these multichannel tapes are decades old) expectations and criticism that would make AF think twice about opening up that 'can of worms'. The Internet is full of armchair experts that can cause a lot of damage to a company's reputation ... whether it is deserved or not ... and everybody has an opinion, whether it is valid or not. Let's be thankful for what we get. MC SACDs are not Insulin or Soylent Green.
I should think by now that Audio Fidelity is well acquainted with its customer base and will, IMO, do what they want anyway without any 'outside interference.'
Ironically, over the past few months we have seen quality 4.0/5.1 remixes with pricing all over the map [Nosound 'Scintilla' BD~A 5.1/RBCD for as little as $10, Topographic Oceans BD~A/3 RBCDs for roughly $26, Temple of the Dog $119, Mirage $100, Tull's Stand~Up for $30, Dutton~Vocalion two~fers for $20, Beck's Wired for $50, Chicago's QUADIO boxset for $120, etc.] and as we've learned [or should've] over the years....they are ALL LIMITED EDITIONS which means if you want them.....you WILL pay the price or risk seeing them on ebay for outrageous sums.
We've ALWAYS paid a premium for MUSIC (in contrast to BD~V movies) so what else is new? And if we don't buy them, they'll stop producing them. That Audio Fidelity managed to release roughly 30 QUAD/5.1 titles over the past few years in this current market should be a cause for celebration but methinks at this juncture whether they charge more or less what difference does it REALLY make?
And lest we forget, Audio Fidelity [and MoFi for that matter] was charging the same price for 24k Gold RBCDs as they are for their QUAD/5.1/STEREO SACDs so I should think that we're WAY ahead of the game since LOSSY RBCDs have, IMO, been far exceeded by LOSSLESS SACDs....depending, of course, on your respective systems!