Tribby2001
400 Club - QQ All-Star
I don't, and never will purchase ANY "files"<period>
You have nothing to hold in your hand. I have copies of discs on my hard drive that I did not purchase either because they are no longer available or are too highly priced but it is just not the same as owning the actual disc. Downloads for me do not carry the same value. I have many HD track releases that I did purchase (for their supposed high quality) but have not purchased any more in a long while as they are often brickwalled just like the CD releases. In many/most cases I also have the vinyl LP or a CD copy as well.Wow, I'm kind of baffled at the negativity here towards the idea of downloads. You get to own them, they sound just as good as Blu-Rays, there's no extra charge for shipping or having to wait for the disc to arrive, and the labels get to save on authoring/manufacturing. What's the downside?
One reason I like to be transparent about DR readings on all the mixes I do...it attracts customers! I personally don't even bother mastering...digital has enough headroom, let there be no limiter! (I realize some original mixes may have been compressed, but that was BEFORE I knew about this whole DR thing, and I even went back and reissued them without...and then noted the changes here!).How true. It's very annoying to pay for a HiRez download, like from HDTracks, then looking at the file and seeing it maxed out by Loudness peaks. Ugh! Very distressing, actually.
I think usually they skip out of proper verification because of deadlines. Also because authoring in Scenarist is practically like coding, and it's very easy to get lost, especially when authoring advanced features.I enjoy good blu ray authoring. But we don't always get it. Some just make me wonder if they know what they are doing? Of course, some are very well done.
Some of us don't do or can't do the download thing. But everyone seems to be able to play the Blu-rayWow, I'm kind of baffled at the negativity here towards the idea of downloads. You get to own them, they sound just as good as Blu-Rays, there's no extra charge for shipping or having to wait for the disc to arrive, and the labels get to save on authoring/manufacturing. What's the downside?
Wow, I'm kind of baffled at the negativity here towards the idea of downloads. You get to own them, they sound just as good as Blu-Rays, there's no extra charge for shipping or having to wait for the disc to arrive, and the labels get to save on authoring/manufacturing. What's the downside?
THIRDED! Screw the downloads. Edit: I'm going to walk back this comment a bit. I must have been half asleep and was thinking streaming rather than downloads when I typed this. If a lossless download is the only option for a record I really like, I might go for it, although I'm a definite physical media person I realize not every quad title will see a hard copy release. Streaming I'll probably never do.Please don't! I want physical releases!
I would certainly be willing to purchase Quad downloads, especially if it means more releasesAll 4 of these new Quadioās are totally not in my normal listening bracket, but Iām somehow more excited for these 4 than I was for the last batch. I auditioned a little bit of Sundown having only known the title track, and while the stereo mix is what it is, sonics wise, Iām sure the quad will be beautiful.
@ForagingRhino since the market for these unreleased quads I would think is pretty niche, have you guys considered the purchase of lossless downloads of the quad master and skipping the Blu-ray manufacturing process entirely?
Maybe by some divine miracle, the remaining Eagle with all the power will sanction the first two records to be candidates for the newly mixed quad program. How awesome would that be?
Theyāre alive and well for stereo music (via sites like HDTracks, Qobuz, Bandcamp, etc), but for multichannel the concept had never really been attempted on a similar scale until IAA.Downloads are essentially dead
I'd be curious as to their sales numbers; I have to imagine the market share is tiny. I use them, as do many others here, and it's likely going to endure (fixed costs aren't that high) but it's not the future.Theyāre alive and well for stereo music (via sites like HDTracks, Qobuz, Bandcamp, etc), but for multichannel the concept had never really been attempted on a similar scale until IAA.
You could say the same thing about MCH discs, hence why they tend to be bundled as part of a larger package and standalones (such as the SDE Surround Series) are pressed in very small quantities. Or why a very, very small percentage of the Atmos content available on the streaming services has been released physically.ā¦in truth the demand just isn't there.
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