- Joined
- Jan 9, 2013
- Messages
- 25,823
Thanks for sharing that dissertation on 3D, sellerbird. Unfortunately, the titles he cited as MUST HAVE 3D have little 'content' appeal to me, personally. Flicker Alley's 3D Rarities which he cites as the best in 3D holds no 'sex' appeal....at least for me. Unfortunately, shooting in NATIVE 3D is akin to the old Hollywood Technicolor 3 strip process......a VERY expensive and arduous, not to mention bulky task. The big question today for Hollywood....shoot in film or video. 35mm/70mm film shoots adds a lot to the budget and ironically, with 4K and especially with 8K, video WILL be the only way to fly (35mm film has about 3500 lines of resolution so it's maxed out at 4K).
I disagree regarding post conversion from 2D to 3D. The technology has advanced significantly and films like Predator, Wizard of Oz [the original], Top Gun, Titanic, etc., look pretty convincing and with the addition of LOSSLESS surround soundtracks, even downright startling at times.
What I do find objectionable is the up conversion of existing 2K masters to 4K for supposed 4K releases. As I mentioned, 35mm negatives have approximately 3500 lines of resolution so new 4K masters SHOULD be struck from the original camera negatives [whenever available] before slapping 4K on the BD~V. Now, that's CHEATING!
I disagree regarding post conversion from 2D to 3D. The technology has advanced significantly and films like Predator, Wizard of Oz [the original], Top Gun, Titanic, etc., look pretty convincing and with the addition of LOSSLESS surround soundtracks, even downright startling at times.
What I do find objectionable is the up conversion of existing 2K masters to 4K for supposed 4K releases. As I mentioned, 35mm negatives have approximately 3500 lines of resolution so new 4K masters SHOULD be struck from the original camera negatives [whenever available] before slapping 4K on the BD~V. Now, that's CHEATING!