I just loaded up via Amazon UK, This Was, Marillion, Imagine plus two CD box sets, Mott The Hoople and REM at BBC. Whats the story on the White Album and Hendrix 5.1 and when am I goona get my two SACD stereo Hendrix?
The opening track Sirius sounds exactly like a tune on Rush's A Farewell To Kings. So far sounds great, and I agree IRobot is my favorite, I have another one I like, can't remember the name, has stained glass on the cover.
I just loaded up via Amazon UK, This Was, Marillion, Imagine plus two CD box sets, Mott The Hoople and REM at BBC. Whats the story on the White Album and Hendrix 5.1 and when am I goona get my two SACD stereo Hendrix?
Aw, come on..."Tiiiiiime flowing like a riveeeerrrrr"... the trademark APP song by one of the best voices EVER, Eric W (RIP)...I have heard it a gazillion times and I still get goosebumps...
IIRC that's an indicator of lots of dynamic range which is a good thing.In Sirius the secondary melody is lost at very low volume
Eh... I disagree. A mix can be dynamic as you please, but if the melody does not pass the "dim" test, then that fader needs to be pushed.IIRC that's an indicator of lots of dynamic range which is a good thing.
In Sirius the secondary melody is lost at very low volume
https://www.ebay.com/itm/Alan-Parso...item3fadab512f:g:-xwAAOSwfxFbkWCU:rk:101:pf:0
Is this already OOP and expensive?
Is this already OOP and expensive?[/QUOTE
Just checked and the Amazon price on the new single disc blu-ray is only 14.59. I paid 19.99 for it when it was released. Not a favorite of mine. Only bought it because of the surround. Would much rather have had I Robot or Pyramid in surround. Listened to Tales Of Mystery And Imagination blu-ray tonight for Halloween and then watched Bone Tomahawk. Great western/horror movie.
I'm happy giving this one a 9 after a couple of listens. The music stands the test of time, I just love stuff like this that makes me smile decades later. As Jon mentioned early on, this is basically a quad mix with the centre channel almost non existent, a la Andy Jackson.
I think the choice of center speaker has a lot to do with the center channel experience. I think for music the center speaker should be identical to the front left and front right.The more I get into this hobby, the more I’m agreeing that the quad mixes tend to be the best. I think it was Andy Jackson who said in his thread that the center channel was invented for movie dialogue and music engineers have never really known what to do with it. That certainly seems true to me. And I do think these mixes where they don’t really use the center for much more than to “fill” the mix a bit seem to be best. The isolated-vocal approach can be nice but often too much. And is going to vary from system to system. It seems that if I’m fiddling with anything, it’s usually the center channel.
This mix is just about perfect, IMO. As is Andy’s on The Division Bell.