Rooftop concert coming in IMAX
I don't mean to pick on @fetchmybeer here. (In fact I'm sympathetic to pretty much everything he says in the second paragraph of the post above.) But there's been a whole spate of critical comments about Yoko lately that got me thinking.
I know it's not the issue here, but I always found the "Yoko broke up the Beatles" idea dumb, not to mention misogynist. And while I was never a fan of her work, especially, a retrospective at MOMA a few years ago gave me a genuine appreciation for its significance that I'd never had before. Just the same: watching The Beatles: Get Back, I think I had the same reaction as everybody: why the hell is she there? Her constant presence came off as strange, and distracting, and inappropriate, and ickily codependent. But cultural critic Amanda Hess made me question that reaction and gave me a different perspective; starting in the same place as me, more or less, she wound up in a much different one. (A sample: “The documentary’s shaggy run-time reveals Ono’s provocation in all its intensity. It’s as if she is staging a marathon performance piece, and in a way, she is.” She also has a much different interpretation of Heather Eastman's mimicry.)
If you're not a subscriber and you've already read several NYT articles for free this month, then you won't be able to get past the paywall. But if you can, then I think it's a brilliant piece, worth reading all the way through.
https://www.nytimes.com/2021/12/08/arts/music/yoko-ono-beatles-get-back.html
(In fact it's a good companion piece to Ann Powers's riff on Get Back at NPR Music, "The Fellowship of the Rockers." And for those of a certain disposition who see the subheader and might be tempted to dismiss the essay as PC SJW posturing, I'd just plead: read the whole piece. If you enjoy long-form journalism, anyway.)
https://www.npr.org/2021/12/21/1066022789/beatles-get-back-band-guys
Don't you guys think Yoko Ono was there because John Lennon WANTED her there?
Now this is something I can get behind and will not mind seeing more than once.
Well, IMAX is out. Tickets are $18 each and our local theater is not requiring masks or vax cards. I'll enjoy the Blu-Ray.
It says Dolby Atmos. In watching the Disney+ version, I don't recall much content that lent itself to credible surround sound. Am I mistaken?View attachment 75016
No extras so I guess the original Let It Be movie will still not be released
Not showing in my area in Florida but I guess that’s a good thing, don’t need exposure to COVID
But, But, But.... it says INCREDIBLE Atmos soundIt says Dolby Atmos. In watching the Disney+ version, I don't recall much content that lent itself to credible surround sound. Am I mistaken?
Price is 30 GBP, so reasonable.
Also, “Collector’s Cards”- I bet those will be of Incredible value iBut, But, But.... it says INCREDIBLE Atmos sound
I suspect it will be the typical concert style mixing, ambience and Yoko in the rearsIt says Dolby Atmos. In watching the Disney+ version, I don't recall much content that lent itself to credible surround sound. Am I mistaken?
Price is 30 GBP, so reasonable.
So according to The Digital Bits:Yes you heard it correctly Peter Jackson’s GET BACK is going to have a get this A 14 HOUR Directors Cut, how, when is still up to the people in control……Guess more news to follow…heard about this on VOLUME on Sirius/XM
Is this OVERKILL!! Could be for some but not for others, judging how the 1st 3 episodes went
And speaking about OVERKILL, with the recent Pink Floyd and David Bowie Museum tours why not one for The Beatles?
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