Whew - basically I've been going through a cycle of trying to upgrade things in pursuit of tying things together again, and that Russound QT-1 just threw me to the breaking point.
Here I am a few days later, and in reality a $20 A/V switch box did the essential job that I needed the Russound box for. The only downside is that, the Russound would have given me a little more routing flexibility. But in reality, that hardly matters for my purposes. Kinda kicking myself for buying it in the first place. Although - it is a cool box, and ought to be serviceable being that it's just a passive switchbox. Just a nightmare in chasing down signal. So, onto the pile it goes.
It just leaves me with the never-ending dilemmas that sometimes overwhelm me. Because, as much as I swore off vintage equipment, the reality it - vintage stuff is cool. And the marantz 4400 in the basement is the dream amp - so I really just need to get to it, and get that thing restored. Sound-smith seems a good option, I suppose I could drop it off in person on my way to the Jersey shore on one of my many drives down there during the summer. It's time to just do it - this summer, I swear. (didn't I say that last year?)
Meanwhile - I finally got the Signet singing again on a 2nd NAD C588 turntable. Which felt a bit excessive to buy 2 brand new turntables for this - but once I got stuck on the 2 cartridge solution for Stereo/SQ and CD-4, that turned into the logical option. But then some facebook chatter and recent sharings got the old goal I never achieved back on my mind, and then I went onto eBay, bought an Ortofon MCA-76 head amp (I should have never sold the one I had - isn't it always frustrating you never remember what you did with the money you made from selling something, just that you no longer have this cool thing you once had?), and now knowing what I should have known when I bought the first one, bought an Ortofon MC-20 cartridge, and sent it off to Sound-Smith for a retipping. Shipping cartridges is much easier than shipping amplifiers. And I picked up cables from blue jeans to connect the turntable to the headamp to the CD-400 - if there's anyplace that needs the expensive cables, it's between the turntable and demodulator. An so, I suppose we'll see how that all comes together. Of course, with my luck, I'll put it together, calibrate things, and will find "Well, crap! This isn't nearly as good as the Signet I already have..." But, I suppose the problem of already having the better option in your possession is not the worst problem to have.
So - put together a MC CD-4 solution, and get the 4400 restored seem to be the next checklist items. Which leaves the never-ending dilemmas still swimming around in my head...
If the MC-20 is as good as my Rondo Bronze for stereo playback, do I make the MC-20 my only cartridge, and sell off one of the brand new turntables that I recently bought? Perhaps have some money to play with elsewhere? Or will I regret that. Is a retipped Rondo Bronze with some hours (don't measure, so can only give a vague description) worth selling? I mean - I only bought a used cartridge because I expected and intended to retip it. Selling things is such a hassle - that's why I have equipment I have no intention of ever using piling up in the basement next to the stuff that is "totally getting fixed up someday"
Is the Marantz 4400 really the dream amp? Does this mean going back to a speaker switching solution? Or - could I somehow make the 4400 do everything and be my go to amp in the setup? Sure, the oppo has analog outs I could hook into it - but what about the HDMI out from the computer, or firestick, or optical from the TV? Are there devices that will take in modern inputs, apply the dolby/dts/whatever processing, and output at analog line level, and downmix to 4.0 to tie that into the 4400? I mean, if I'm going to drop the cash to restore it, I ought to really use it. And - am I satisfied with 4.0 - would a center speaker for modern mixes that use it be something to consider, and perhaps building a nice subwoofer? But then - now I'm going beyond the channels of the quad amp I'm thinking of putting so much effort into - so am I back to a multi receiver solution here? Or perhaps grab a complimentary stereo Marantz amp of equal power, and use that as a center/sub amp? Which means balancing the volumes? But wait - atmos playback in this room would be nice, sure I have it downstairs - but this is where my serious quad speakers are....maybe upgrade the receiver here as well to an atmos one, and have more fun putting holes in this place? But this room is so small - I mean, that's really one of my major problems that I can't address - the bedrooms are small, I really ought to have a bigger listening room, cramming more speakers in here only adds to the problem. Maybe I need a bigger house? I need to get back to work - ok, lets pick a record.....hmmmmm.....hmmmmm.......crap, need to get on this call.
Lather, rinse, repeat - I spend more time thinking about the "next thing" than enjoying the fruits of the labor. But, it's getting better, with the 2nd turntable and the demodulator working again, I have listened to a lot of cd-4 records in the past month, so there's that. And now with things wired into the EQs and switchbox, I should be spinning more tapes and records. And I replaced the ugly futon with a la-z-boy recliner - so I can chillax in comfort here with some tunage.
So, I suppose I should leave it at seeing what the Ortofon CD-4 system brings, plan on trying to get the 4400 restored this summer, and see what joys that brings.
Oh, and of course, there's still the Victor CD4-10 that I bought to modify/have modified to a CD4-10S that sits in the "totally will get done someday" pile. And the questions of, how would I even callibrate it if it were to be modified? Which brings to mind the expensive piece of equipment for Fisher cd-4 callibration on ebay, which leads one to find that the documentation on how to callibrate a fisher demodulator exists. Which leads you to find there are documents for callibrating a marantz cd-400. Which sure, it references equipment that probably doesn't exist, but it also references using a test record. Although that will not be as accurate as using the appropriate equipment. But - if the equipment is generating tones, and an acceptable backup solution is using a record version of those tones - wouldn't one be able to make digital hi-res versions of the appropriate tones, and come up with a modern way to fine tune and callibrate these pieces of equipment? Might that be the next thing to take cd-4 up a notch, since as of today everyone is relying on 50 year old equipment that the general rule is, buy something that's working, and don't mess around with it too much, or you'll never be able to calibrate it again - which means we're just relying on the best surviving equipment. So maybe today cd4 can never be as good as it was?
Anyways - that's the type of stuff I get stuck on all the time. It's an overwhelming hobby.