I'm sure I'm not the only one in these parts who gets exercised about issues of copyright and ownership. (FWIW: I'm partial to what people like Cory Doctorow have had to say about such issues. Google him if you're not familiar with his work. I also like the work of the Center for the Public Domain at Duke's School of Law.) But at the risk of sounding tendentious: regardless of the practical and technical and jurisprudence aspects of current relevant laws, and regardless of the long history of powerful corporations gaming the system and changing the law to ensure that it will always work to their advantage: the reason there's an issue here at all is that at some point in the not-so-distant past, it was decided that music and other products of the intellect & the imagination should be inserted into the regime of "property." The question of whether I have a legal right to copy a recording I've purchased and then keep that copy after reselling the "original" is rooted in that historically peculiar, culturally specific conceptual/discursive framework. And I'm not convinced that such a framework is sufficient to govern how people--creators, audiences, and "middlemen" alike--relate to things like music.