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March 10, 1973

Cleveland 'Q' Fest Success Spurs Pittsburgh Campaign

PITTSBURGH
-
The month-long
manufacturer-distriutor-retailer 4-channel promotion in Cleveland (Billboard, Feb, 3) was so successful that it turns into a "road show," opening here under the same auspices March 15.
Shelly Tirk, Midwest Dist., and Harvey Korman, Piks Dist., both independent distributors in Cleveland, who also cover here for their labels, report that the 4-week quadrasonic fest in northern Ohio moved 6,000 LP's and 3,000 tapes for the participating approximately 35 retailers. WDBN-FM, Cleveland supported the program. Two large print ads were purchased cooperatively in a local paper.
Three manufacturers, Project 3, Quad Spectrum and Ovation, will also support the Pittsburgh program.
Thirty-seven accounts, including National Record Mart, 12 stores;
Kaufmann's department
stores, 5; Horne's department stores, 4; Gimbels, 6; Wander, 6; and about five independent retailers have agreed to carry the 4-channel inventory and point-of-purchase material created for the program. Radio spots and print ads are being ordered.
 
RE: Videodisc (and videotape), it seems the quad proponents forgot about putting quad sound with the home video systems, none of them mentioned it (RCA stated in late 1972 that they planned to have discrete quad sound on their videodisc system, but by the time it was introduced [1981-03] quad sound was at a low point and CED only had stereo).


Kirk Bayne
 
March 10, 1973

Schory's Ovation Backs
Sansui Matrix QS 100%

CHICAGO
-
There's such a hunger in the marketplace for quadrasonic records that Ovation Records is selling "four or five times what we might normally sell,”said Ovation president Dick Schory.
"And I believe this is
strictly because all of our product is in 4-channel."
When he says "all product," he means even singles. Although the label on the singles says stereo, they're really Sansui matrix quadrasonic. And Schory is a firm advocate of the Sansui matrix system.
He had a QRX 6500 4-channel unit in his suite during the annual convention of the National Association of Recording Merchandisers in Los Angeles last week and demonstrated his product to distributors and rackjobbers in quadrasonic. He has been involved in quadrasonic even as early as 1961 in experiments with audio engineer Jim Cunningham on specially-built 4-channel tape machines; Schory and Cimningham unveiled their 4-channel recordings to RCA Records in May 1965. Schory started Ovation in March 1959. His early product was in the matrix Electro Voice system; he switched in early 1972 to Sansui's QS matrix system. Today, Ovation has 31 albums in matrix disks, matrix stereo 8 cartridges, discrete Q-8 cartridges, and discrete 4-channel open reel tapes.
He claimed that the Sansui system allows him to put anything within a 360-degree radius and “it will reproduce on the disk." He said that he doesn't pan any discrete disk system, but he felt the need for discrete wasn't there.
"Anything I need to do, I can do with Sansui and with a lot less pressing problems and lower costs." He felt that the discrete album was not practical for mass production and that the vast majority of product on the market within the foreseeable future would not be discrete. He was strongly put out that the WEA group had announced commitment to a discrete system, but felt that labels already into matrix, such as himself, would not "roll over and play dead and neither will CBS Records with their SQ matrix system.
"My allegiance," he said, “is to my company and distributors . . to provide a product they can sell today and tomorrow. There's lots of hardware out there and most of it's some form of matrix.
My major concern, as a manufacturer, is who is going to be able to play the record. And it's nonsense to feel that everybody is going to go discrete just because of the WEA commitment to discrete." He said he was currently working with eight hardware manufacturers as a consultant ..“and they are going with the regular matrix system like Sansui.”
 
1694406355636.jpeg
 
March 10, 1973

RCA Discrete
Seen by Labels

LOS ANGELES
.
RCA Records here offered a demonstration of its discrete Ouadradise to a number of producers, engineers, a&r men and artists from various labels in its studios last week.
John Pudwell, director of the firm's new products division also explained marketing strategy for the product, saying that retailers should display quadrasonic prominently, that RCA will have a one inventory system in the configuration and saying that another seven to ten releases will be added to the current 13 by the end of this quarter. By July, RCA hopes to have every other release in Quadradisc form and all will be new product.
Pudwell also pointed out that the label could have marketed its product a year earlier, but waited for full compatibility with stereo.
A Shibata stylus is ideal for discrete disk, he said, but a standard stylus can also be used.
Explanations of the CD-4 discrete system developed by JVC were offered as well as a brief history of the quadrasonic medium.
Several samples of RCA product were played, including the new Elvis Presley Quadradise recorded live in concert.
 
March 10, 1973

Hitachi 'Q' Compacts

NEW YORK
-
The Hitachi Sales Corp. of America has added three new 4-channel systems to its product line. The compacts feature, in addition to the quadrasonic systems, 8-track tape players, and FM/AM/FM multiplex radio.
Top-of-the new line is the SP-2950 which combines a discrete 4/2 channel phonograph system with an 8-track tape player, FM/AM/ FM multiplex radio.
The unit is supplied with four two-way air suspension speakers and a built-in illuminated balance display, targeting the best listening position.
Each speaker enclosure contains a 6½" woofer and a two-inch tweeter. The FM front end utilizes FET circuitry to squelch interference. The unit carries a suggested list price of $349.95. An optional remote control 4-channel balancer is available at $27.95 list.
Next in Hitachi's 4-channel line is the model SDP-2830, featuring matrix 4-channel speaker terminals, BSR automatic record changer, FM/AM/FM multiplex stereo radio, and an 8-track stereo tape player. The unit is tuned RF and FET on FM, and carries a suggested list price of $339.95.
The model SDT-3430 incorporates a BSR record changer and FM/AM/FM multiplex stereo radio, along with matrix 4-channel speaker terminals and two air suspension speakers. List price on this unit is $389.95.
Next there is the model SP-2811, which Hitachi officials call a basic system that includes FM/AM/FM multiplex stereo and 8-track stereo tape player, along with phono and tape inputs and record outputs.
Suggested list on the unit is $169.95.
Also included in the new product line is a compact stereo system incorporating cassette recorder/ player unit. The model ST-3411 features a combination of FM/ AM/FM multiplex stereo radio with cassette recorder-player. The cassette unit has three digit tape counters, two VU meters and automatic stop mechanism. It lists for $199.95.
The SD-2311 features a four speed BSR record changer with ceramic cartridge and diamond/ sapphire stylus. Also included are FM/AM/FM stereo radio and FM stereo indicator light. The unit which comes complete with air suspension speakers list for $169.95.
The new Hitachi line of cassette recorders incorporate a number of advanced features, which, according to Hitachi officials make them easier to operate.
In the line is the TRQ-258 with built-in condenser mike, push-button operation and auto alarm stop, allowing the unit to turn off itself at the end of the tape. List price on this unit is $54.95.
Next is the TRO.233 which is a stereo unit with a double lock on fast forward and rewind. It also has an auto alarm stop, and lists for $149.95.
 
March 10, 1973

Inland Dynatronics-
'Q' Car Player Push

By ANNE DUSTON

SOUTH HACKENSACK, N.J.

Inland Dynatronics is introducing 4-channel car stereos to its line of car tape players this month, according to national sales manager Frank Fusaro. “Quadrasonic car players are the up and coming thing for true stereo buffs," Fusaro said. Three matrix models being introduced have a convertible feature, so they can be used either as stereo or enhanced 4-channel players.
One discrete model is being introduced to satisfy true 4-channel enthusiasts, but Fusaro noted that the price is less competitive than the matrix models in the car sound system market.
Matrix models include the S-400, listing at $49.95 and featuring indicator light, fine tuning and push-button selection; the S-4000, listing at $59.95, with slide rule control, automatic head cleaner and digital readout; and the S-4200, listing at $79.95, and featuring 12V positive/negative. and bass and treble boost.
The discrete model QK 48, listing at $119.95, features stereo and four channel light indicator.
 
March 10, 1973

Lake Tahoe Is Cited As
Recording Mecca

LAKE TAHOE, Nev.

"Tahoe is to be taken seriously," said Tony Atchley, executive of the Sahara Tahoe Hotel. His statement regarded the hotel's stress on a strong line-up of recording artists and emphasis on singers recording live at the hotel.
Isaac Hayes recorded an album live at the Sahara Tahoe due for March release. Negotiations are currently under way for live albums to be recorded in the 1,800-seat showroom by Johnny Cash and Elvis Presley.
"We have complete recording facilities," Atchley stressed.
"The only other room comparable to our showroom is the Las Vegas Hilton.
We have an open sound booth that equals the Hilton's sound equipment." Gary Stillwell is the hotel's sound man.
"The Sahara Tahoe has been an innovator of entertainment," Atchley said. "We have the only hotel where Presley, Tom Jones and Engelbert Humperdinck play.”
Atchley pointed out that while many of Nevada's hotels have closed their lounges "the Sahara Tahoe's lounge is one of the few in the state that is really doing well,"
"We have a really strong lineup with never less than five groups. The lounge pays for itself and we spend a lot of money for entertainment. We pay what it takes to get the top people, either for the mainroom or for the lounge," Atchley explained adding that the "hotel also caters to the stars. In many instances money isn't important to the entertainer, but a question of fringe benefits and the courtesy shown by the hotel."
"Tahoe does have an off season which is getting better all of the time. One day soon it will be a full season," said Atchley optimistically. "During the off season the showroom is open on weekends.
"Elvis Presley starts our summer season May 4 when the showroom is open seven nights a week. We've moved the season up because Elvis will certainly do well. We also have the Osmond Brothers over Easter week. It's very difficult to get them to appear in a nightclub. My God, they can make a hundred thousand dollars a night on the fair circuit." Atchley, Tom Craven, hotel manager and entertainment director Pat France are all in their thirties.
"This hotel is run by a group of young men. We aren't afraid to take chances and experiment. We might make a mistake now and then, but we only make the mistake once,” emphasized Atchley.
 
March 10, 1973

JVC 'Q' Emphasis on Discrete But Systems Play Matrix Too

By BOB KIRSCH

LOS ANGELES

A new line of quadrasonic equipment, working with various hardware and software manufacturers on setting up possible licensing agreements, trying to get the average retailer more involved in 4-channel and promoting the quadrasonic concept rather than one particular system are keeping Bill Kist, vice president of JVC's hi-fi division busy.
Now that Jac Holzman has made the official announcement of WEA's commitment to discrete, Kist will be even busier and will, of course, be promoting discrete more than other 4-channel systems.
Still, he feels it is the concept that must be put across to the industry and particularly the retailer and consumer.
What is happening with JVC and quadrasonic right now? "I've been visiting a lot of manufacturers, both hardware and software to discuss possible licensing agreements," Kist said. "So far the response has been very encouraging and the key to us is to get the proper distribution and not miss the boat."
JVC is also expected to bow several new quadrasonic units in the very near future.
"Our new line is going to have three switch positions," Kist pointed out. "There will be Matrix One which will be SQ matrix, Matrix Two which is regular matrix and the third switch will simply read discrete. Of course these units are all compatible with stereo and we feel we have universal systems. Once the pilot carrier picks up a quadrasonic signal, it automatically switches over. The user doesn't have to get up and do it manually, which we feel is an advantage.
Kist had no comment as of yet on the prices of these units, but said they will be low enough for the average consumer to purchase.
Kist equated what he called the universal systems with cobalt-doped tape as opposed to chromium dioxide tape. Again, no special unit is necessary for cobalt tape and the cassette playing such a tape will respond automatically to it.
On coexistence, Kist said, "We like the idea of the combination discrete and matrix systems. Obviously we feel discrete is the best format but there is going to be coexistence for a long time. As far as any kind of battle or hassle between systems is concerned, we are looking to take a low posture. In the general marketplace, a controversy doesn't do anyone any good. "What we really want to do," Kist continued, "is to champion the quadrasonic concept, you're seeing a lot of 4-channel equipment coming out at relatively low price points.
This is the opposite of most new technologies, where it takes quite a long time for the price to come down. Quadrasonic is fairly new yet the prices are right for the average guy in many cases, and it certainly helps make the configuration a viable product. This is the difference between quadrasonic and, say, color TV when it first hit the market. It took a long time for those prices to drop.
"So, we think the market is going to open up very rapidly," Kist continued, "particularly now that RCA is releasing more software and the WEA group is set to release product. Another point is. if you promote 4-channel, it's easy to sell. It's a great kind of system to demonstrate, and it has to be demonstrated to sell. It's like cassette hardware with noise reduction.
Quadrasonic is a feature the consumer can hear right away and is impressed with right away.”
Kist also sees more of an interest coming about in good sound on the whole, including stereo, as a result of 4-channel. What about consumer worry over obsolescence?
"All units have detector jacks in addition to audio inputs and outputs so this should keep the consumer from having a feeling of buying a potentially obsolete product. Here is another good selling point for the retailer. I can't stress the importance of the retailer enough. They are the ones who can push the configuration to number one if they just demonstrate the concept. As for the different systems, look at cassette and 8-track a few years back. The firms that made some provision for both are still going strong and there is a place in the market for both."
On some of the often mentioned drawbacks of the discrete hardware, Kist said, "You don't necessarily need special cartridge. We've run tests with plain conical tip cartridges and found no degradation. We do recommend that for best results the consumer use our cartridge, but it's not a must and the price will come down on that eventually. With the new coatings, dust does not really present a problem.
We've chalked records and played through. The playing time is no longer a problem. As for some of the other so-called problems, we feel the industry and ourselves are well on the way to solving most of them. There will be a lot more discrete disks on the market soon, decoder prices will come down eventually and the mastering and cutting time is improving. Our master cutting facility at the RCA building in Hollywood should be in full operation by April 15 and the firm will teach any company how to cut quadrasonic masters.”
 
1694426829789.jpeg


1694427052369.jpeg


CD-4 masters can now be cut in Los Angeles.

CD-4 is no flash-in-the-pan sales gimmick.
It's four-channel perfection.
That's why most major recording companies world wide are using, or planning to use, this format. Now we can cue you into it too.
We're the CD-4 master cutters. In more senses than one. We have the expertise.
We hold the patent.
And we've already established our master cutting center in L.A. -right where it's needed.
If you want in on the CD-4 bigtime, we'll help you.
Write or telephone us now for full information.

JVC CUTTING CENTER, INC.
 
Whenever I see one of these old Billboard singles charts I’m always struck by how short the lifespan of a hit single was back then.
That's because they use ranking. The numbers depend on who has the most sales, not how good the record is. Ranking is garbage statistics.

How good a song is in rankings depends on what else is out there. A very good soing could be #1 for weeks if nothing else is out there, and fail to reach #1 if many other good songs are out there.

I remember hearing a cute song that I thought would be #1 for weeks. It was on the chart for one week. Then Elvis Presley died. Everything else fell off the charts, with old Elvis hits filling almost the entire top 100. That song never resumed airplay.

Another victim of events was "The Smallest Astronaut" by The Royal Guardsmen. It played for two weeks. Then the Apollo 1 fire happened. The song disappeared from the charts and I couldn't even order the record. I finally found an album with it 25 years later.
 
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March 10, 1973

Hitachi 'Q' Compacts

NEW YORK
-
The Hitachi Sales Corp. of America has added three new 4-channel systems to its product line. The compacts feature, in addition to the quadrasonic systems, 8-track tape players, and FM/AM/FM multiplex radio.
Top-of-the new line is the SP-2950 which combines a discrete 4/2 channel phonograph system with an 8-track tape player, FM/AM/ FM multiplex radio.
The unit is supplied with four two-way air suspension speakers and a built-in illuminated balance display, targeting the best listening position.
Each speaker enclosure contains a 6½" woofer and a two-inch tweeter. The FM front end utilizes FET circuitry to squelch interference. The unit carries a suggested list price of $349.95. An optional remote control 4-channel balancer is available at $27.95 list.
Next in Hitachi's 4-channel line is the model SDP-2830, featuring matrix 4-channel speaker terminals, BSR automatic record changer, FM/AM/FM multiplex stereo radio, and an 8-track stereo tape player. The unit is tuned RF and FET on FM, and carries a suggested list price of $339.95.
The model SDT-3430 incorporates a BSR record changer and FM/AM/FM multiplex stereo radio, along with matrix 4-channel speaker terminals and two air suspension speakers. List price on this unit is $389.95.
Next there is the model SP-2811, which Hitachi officials call a basic system that includes FM/AM/FM multiplex stereo and 8-track stereo tape player, along with phono and tape inputs and record outputs.
Suggested list on the unit is $169.95.
Also included in the new product line is a compact stereo system incorporating cassette recorder/ player unit. The model ST-3411 features a combination of FM/ AM/FM multiplex stereo radio with cassette recorder-player. The cassette unit has three digit tape counters, two VU meters and automatic stop mechanism. It lists for $199.95.
The SD-2311 features a four speed BSR record changer with ceramic cartridge and diamond/ sapphire stylus. Also included are FM/AM/FM stereo radio and FM stereo indicator light. The unit which comes complete with air suspension speakers list for $169.95.
The new Hitachi line of cassette recorders incorporate a number of advanced features, which, according to Hitachi officials make them easier to operate.
In the line is the TRQ-258 with built-in condenser mike, push-button operation and auto alarm stop, allowing the unit to turn off itself at the end of the tape. List price on this unit is $54.95.
Next is the TRO.233 which is a stereo unit with a double lock on fast forward and rewind. It also has an auto alarm stop, and lists for $149.95.
I own a Hitachi receiver (no turntable or tape players). It has one big defect: The controls are noisy and can't be silenced. It has discrete, RM, and SQ.
 
JVC 'Q' Emphasis on Discrete But Systems Play Matrix Too

"Our new line is going to have three switch positions," Kist pointed out. "There will be Matrix One which will be SQ matrix, Matrix Two which is regular matrix and the third switch will simply read discrete. Of course these units are all compatible with stereo and we feel we have universal systems. Once the pilot carrier picks up a quadrasonic signal, it automatically switches over. The user doesn't have to get up and do it manually, which we feel is an advantage.
How can it tell an SQ record from a QS record?
 
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That's because they use ranking. The numbers depend on who has the most sales, not how good the record is. Ranking is garbage statistics.

How good a song is in rankings depends on what else is out there. A very good soing could be #1 for weeks if nothing else is out there, and fail to reach #1 if many other good songs are out there.

I remember hearing a cute song that I thought would be #1 for weeks. It was on the chart for one week. Then Elvis Presley died. Everything else fell off the charts, with old Elvis hits filling almost the entire top 100. That song never resumed airplay.

Another victim of events was "The Smallest Astronaut" by The Royal Guardsmen. It played for two weeks. Then the Apollo 1 fire happened. The song disappeared from the charts and I couldn't even order the record. I finally found an album with it 25 years later.
Well of course. It’s a sales and airplay chart. Not some subjective measure of “how good the song is”.

And BTW, that absolutely did not happen after Elvis’ death.


https://www.billboard.com/charts/hot-100/1977-08-27/
 
Well of course. It’s a sales and airplay chart. Not some subjective measure of “how good the song is”.

And BTW, that absolutely did not happen after Elvis’ death.


https://www.billboard.com/charts/hot-100/1977-08-27/

I remember now. I got a similar magazine that listed record sales, not airplay. It was aimed at jukeboxes, not broadcast (I was in the coin-op trade then). I got Billboard in the 1980s.

Does Billboard not report requested plays of old records? Here, the radio stations were constantly playing Elvis records. There would be maybe 3 Elvis plays and then a non-Elvis play each quarter hour.

In the issue you sent, I did find the record I had been watching. And I have quite a few of the records on that chart (I got to keep some of the records removed from jukeboxes).
 
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April 28, 1973

ATLANTIC CONVENTION

Atlantic Puts Accent on Product, 4-Channel Nostalgia

PARIS
-
Atlantic Records used their 25th Anniversary sales convention to introduce a new marketing concept, involving the creation of eight new executive posts with the title regional marketing director.
The company also bowed 19 new albums, showed a 25 minute film, "History of Atlantic Records" that will be shown to dealers and on college campuses later this year, and announced that, by the end of May, nearly 30 four channel albums would be available.
There were sentimental moments too for the 500 delegates attending as Atlantic chiefs. Ahmet and Nesuhi Ertegun and Jerry Wexler presented awards to long serving Atlantic executives and were in turn given awards themselves.
Dave Glew, vice president, marketing, for the company, told the meeting: "We have assigned one man to each of our eight branches who will be responsible for day-to-day direction of the territory's entire sales, promotion, merchandising, advertising and artist relations activities.
“With the regional marketing directors we feel we are creating 'total record men' who will work with the local branch managers in all areas concerning distribution of Atlantic product."
Named to the new positions are Carrol Hardy, Boston; Bill Staton, New York; Ron DeMarino, Philadelphia; Nevin St. Romain, Dallas; Hal Kaplan, Cleveland; Eddie Holland, Chicago; Larry King, Atlanta; and Tom Davies, Los Angeles.
The new regional marketing director will make daily market out-sales reports checks, and inform branches of upcoming and catalog product, said Glew. They will also evaluate treatment of product according to "style and genre” and work with radio, stores and media outlets, he added.
In cooperation with the local WEA distribution arm, the regional marketing manager will help plan his area's media advertising.
In addition, each director will act as the company's regional artist relations official as liaison with touring acts and artists.
Glew also talked on WEA as a marketing arm to WEA delegates present at the sales meeting.
Senior vice president and general manager, Jerry Greenberg, presented the new releases via a short film presentation written by Atlantic special projects executive John Gibson.
The product included albums by Led Zeppelin and the Spinners, already released, as well as upcoming LPs by Yes, J. Geils Band, Cactus, Cross Country, Heads, Hands and Feet, Michael Kamen, Jimmy Stevens, King Crimson, King Floyd, Dave Brubeck, the Ann Arbor Blues and Jazz Festival.
Ray Charles - a repackaging of two live concert dates, and Chick Cores. Asylum releases present included LPs by the Eagles, Ned Doheny, David Blue and Steve Ferguson.
Greenberg also played cuts from upcoming Aretha Franklin and Rolling Stones albums, the latter brought into the meeting by Marshall Chess, of the Rolling Stones label. It was also announced that the new Roberta Flack album, which she and producer Joel Dorn had been working on for almost a year, was nearly complete. "Apart from two small changes," said
Dorn.
Atlantic will also release-in their anniversary year—three double albums that would be, said Nesuhi Ertegun, a "definitive history of the first 25 years of Atlantic Records.” One album would be devoted to popular and rock, compiled by Ahmet Ertegun, one to soul music, compiled by Jerry Wexler and the third to jazz. compiled by Neshui Ertegun. They would retail at $6.98.
The 25th Anniversary convention was opened by Atlantic president Ahmet Ertegun with a short reflective speech on the origins of the company. He stated:
"We were always attempting to get the best of black music on our records." In reference to the aquisition of the company by the WCI, Ertegun stated:
"The major thrust of our company is still that of an indie—we don't want to become a major, fat cat." Speeches were also made at the opening of the meeting by executive vice president Jerry Wexler—“We are on the threshold of a new form of enterprise both nationally and internationally" and president of WEA International, Nesuhi Ertegun, Vice president engineering, Tom Dowd demonstrated Atlantic's first quadradisks featuring Bette Midler, Aretha Franklin, Herbie Mann and the J. Geils Band. The four channel product is set for May release and the company has prepared a four channel sampler for dealers rather than the general public. An explanatory brochure will also be made available, said Dowd.
The convention film, produced by Braverman Productions. traced the history of Atlantic Records from the beginning to the present day, with "cameo" appearances from Atlantic executive personnel.
Following the production demonstrated Bob Rolontz, vice president advertising and publicity, announced the amount of media-trade and consumer- and radio advertising to support the releases.
He also stated that the company would have around 30 television commercials ready to support major product by the summer of 1973. Rick Willard, director of merchandising, in announcing the merchandising campaigns, stated that the new style catalogs which featured both old and current product had "met with universal acceptance."
Nesuhi Ertegun and Joel Dorn discussed the company's new jazz releases with Ertegun stressing the longevity of the product stating that very early product by, for example, the Modern Jazz Quartet had sold over 100,000, while Herbie Mann's Village Gate album had sold 500,000. "And they are still selling,” he added.
May will be Atlantic's Jazz Month, Dave Glew told the delegates with promotion centering around new releases from Herbie Mann, Roberta Flack, Yusef Lateef, and David Newman, Dave Brubeck, the Ann Arbor Festival and Chick Corea, as well as further issues in the two album "Best
Of … " series featuring John Coltrane, Hank Crawford and Freddie Hubbard. Also featured would be product by Coleman Hawkins and Lester Young from the Commodore label, now under the Atlantic banner.
Rick Sanjek, head of the country music division presented the new country releases and LeBaron Taylor, head of r&b, adr, unveiled new r&b singles.
A special trade paper chart seminar was also presented, which included Tony Lanzetta, director of charts for Billboard, and Candy Tuscan, also from Billboard's chart department. Micki Cochnar of Atlantic's merchandising department held a seminar on "Women in the Recording Industry" that included Atlantic executives Bettye Marx, Mavis Barton, Elin Guskind and Margo Knesz on a panel.
Friday evening was devoted to a banquet and awards ceremony.
Joel Friedman, president of WEA, Atlantic's marketing wing, received two awards and his assistants, vice presidents Skid Weiss and Henry Droz also received awards. Mike Elliot, WEA vice president, unable to attend because of illness, received an award in his absence.
Also presented with citations were eight WEA branch managers-Mike Spence, Don England, Bill Biggs, Don Dumont, Ted Rosenberg, Tom Sims, Vic Faraci, and Marv Slaveter.
A special guest at the convention was Max Silverman, of Warie Maxie's music stores, Washington, to whom Ahmet Ertegun paid tribute for help and advice given when the company was first formed. Silverman was given a "Godfather" award by Ertegun.
The Erteguns and Wexler also paid tribute to long-time staff members of the label and presented them with awards. They included Henry Allen, promotion vice president, Noreen Woods, executive assistant to Ahmet Ertegun and Wexler, Lionel Crichlow, Atlantic warehouse chief and Francine Wakschal.
The three Atlantic chief executives also came in for their share of awards, notably a replica of the label's first, his "Drinkin' Win Spo-de-de” by Sticks McGhee which was presented to them by Tom Dowd, (Dowd himself was also given an award). Additionally Jac Holzman, president of Elektra, Alan Cohen, executive vice president of WCI, Borge Ekberg, and Matti Laupe of Metronome, Scandinavia also paid tribute and presented awards to the executives.
 
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