There are moments... that are so ruthlessly fucking smashed to all holy hell with compression and distortion that you'll wonder if you're damaging your speakers. Yet, it probably isn't the mastering, as there are crystal clear parts during these moments. It's a tool they use on specific multis. IMO, this album and this mix is kind of a "fuck you" to audiophiles. "You don't own us," type of thing.
When this disc is at its best it's incredible. At its worst it's a bit annoying. And I don't think TFL give one shit about my opinion.
I very much agree with the above sentiments.
On May 26 2016 the Flaming Lips will perform this music with the Colorado Symphony Orchestra at Red Rocks, our premiere outdoor amphitheatre. For this reason I brought out the disc to see if I belong in the venue. So here is my take:
Short take: the surround mix is adventuresome and recommended. The sonics leave me colder to the music than I might otherwise be.
So I am neither a Flaming Lips fan, nor am I a hater. I like their willingness to take chances with the musical form (ie, the pop song) - there is a real hodgepodge of influences here, and some quite nice melodic progressions amid the leaping and jumping of styles and sounds. It is hard for me to call them a novelty act, as to me this implies a lyrical humor that I do not find here. I am fine with using the term avant garde as an influence, but there are real poppy and hooky elements here that you would never find in true avant garde music as I understand the term. One definition of avant garde states "experimental or unusual ideas," which is certainly true here, but in music I tend to associate the term with being inaccessible to the average listener, and I am not sure that is true of everything on this disc. In the end labels are useless anyway, but I am just trying to convey my impressions to anyone reading this who has not heard the music and is considering a purchase.
As stated in the quote, parts of this music sound distorted and raw. Whether this is intended or not is of little consequence to me. I am taking points off for unpleasantness to my ear. If they wanted that, well, mission accomplished!
As for the surround mix, which is why most of us are here, well heck - fans of aggressive mixing owe it to themselves to buy this disc. The mix is very discrete and open, and many others here have described just how aggressive the mix is. Since I am a fan of aggressive mixing, I am willing to wade through the crunchy sections to experience the beauty of the mix.
This disc is fairly common in shops selling used product, so should not be tough to find. I am seeing it for $25 on Amazon now in used condition, but I would be surprised if you could not find it cheaper in a city with good record stores.
I give it a 7, with the mix being a 10 and the sound being a 5 in places.
Oh, and as for the concert - judged on purely musical terms it is non-essential listening for me, and I will pass.