I was so excited when I heard this album was getting an Atmos mix, because Roosevelt is one of my favourite new 'finds' of the last few years, but I also feared that as an indie artist he might get either a lame (or fake) Atmos mix because of the $$$ involved. Turns out I needn't have worried, because while it's maybe not a Steven Wilson surround extravaganza, it's still great, in equal turns immersive (which makes the recording sound huge) and discrete. Obviously it takes time to fully digest an album and decide how it measures up to an artist's previous work, but I think the fact that this one has been getting daily spins here so far bodes well for its longevity with me.
Roosevelt is a ridiculously talented as a songwriter, and a musical polymath - he plays
guitar, bass, drums, keyboards and engineers and produces his own albums, so basically everything you hear on the record he's responsible for. He also has a sideline as a club DJ, and I think as a result of that he has basically an encyclopedic knowledge of dance music from the last 40 years - on almost every song you can hear influences of '70s disco (especially in the guitar - he actually had Nile Rodgers from Chic guest on his last non-album single called
Passion), '80s electronica and pop (I feel like his vocals are somewhere in between Morrissey and Bronski Beat), and '90s and '00s EDM, especially in those huge synthesizer chords. If you have any interest in songwriting-first electronica or dance music, give this album a spin, and if you like it at all I'd encourage you to go back and listen to his previous three albums
Roosevelt, Young Romance and
Polydans. His non-LP cover of Womack and Womack's
Teardrops is an absolute banger too. I hope
Embrace is successful enough in streaming that it spurs some more Atmos remixes of his back catalog.