Listening to in Dolby Atmos Streaming, via Tidal/Apple/Amazon

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Can anyone here recommend a Lana del Rey track or two on Apple Music in Atmos? Planning a little demo for a couple of people who love her music and who have not heard surround music tracks...thanks!
 
So I've made my way through the first two letters of the alphabet (this is gonna take a while--hoping to be finished by Valentine's Day!), and to my tastes, the standouts with Atmos mixes so far are:

Les Amazones d'Afrique, Musow Dance. The latest iteration of a decade-old supergroup, doing a nice mix of old- (which is to say: classic Afro-Parisian '80s & '90s) and new-school West African beats. Immaculate production and a fine 5.1 mix, though the overheads are underused.
Baby Rose with BADBADNOTGOOD, Slow Burn EP. Torchy retro neo-soul, with Nina Simone-ish vocals drenched in reverb. Atmos mix is OKOKNOTBAD.
Brittany Howard, What Now. Holy cats: musically speaking, this is all-over-the-place adventurous, and the mix isn't meek.
(See the original post for the link.)
Honorable mention to Billie Eilish's Hit Me Hard and Soft, which doesn't hit me nearly as hard as her previous efforts. Album I Most Want To See In Atmos (from this batch): Bey's Cowboy Carter, which is a WILD ride. (Other exceptional non-Atmos albums, IMO, include Agalisiga's Inage Nidayulenvi (It Started In the Woods), Being Dead's Eels, Ben Allison's Tell the Birds I Said Hello, and Ben Wolfe's The Understated.)

C - D:
I wasn't wowed by many of the albums with Atmos mixes in this segment of the alphabet: I'm not enough of a poptimist to make much time for Chappel Roan or Charli XCX; Christian McBride & Edgar Meyer's two-bass album is a worthy project but a one-and-done listen (and not well-suited to Atmos); Clairo's breathy indie-pop is pleasant but slight; and I never cared for The Cure and still don't. DIIV serves up generic doomy/downtempo indie rock, and while I liked Dua Saleh's acting in Sex Education, their music, more conventional than it's made out to be, doesn't grab me. As always: YMMV.

Carly Pearce's Hummingbird is smart, catchy "New Country" with a serviceable mix, more 5.1 than Atmos:
Octogenarian tenor saxophonist Charles Lloyd's The Sky Will Still Be There Tomorrow is one of the year's most moving records, I think, though it's mixed in that minimalist-Atmos Blue Note house style:
And Doechii's Alligator Bites Never Heal is the one real knockout of this bunch.
Otherwise, the albums I'm gonna return to from this batch are stereo only: Caleb Klauder & Reeb Willms's Gold In Your Pocket; Caroline Shaw & So Percussion's Rectangles & Circumstance; Cassandra Jenkins's My Light, My Destroyer; Chanel Beads' Your Day Will Come; Chris Potter's Eagle’s Point; Church Chords' elvis, he was Schlager; Clarissa Connelly's World of Work, the Devin Daniels Quintet's LesGo!, Dummy's Free Energy.
 
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