That version only has the Atmos mixes for the original 11 track album. Go for the 50th Anniversary edition - it has those 11 tracks PLUS 4 bonus tracks in Atmos.
I'll meet you halfway, @perzon57! I'm happy with the sound quality of many of the Atmos and Dolby Audio offerings on Apple Music, especially those things that I don't want to shell out the big bucks for anyway! (Like All Things Must Pass, for instance.) But even after correcting for expectation bias (and "I spent good money on this, so by god it will sound better!" bias), some things just sound better on disc.
Some knowledgeable-sounding person--maybe it was @pat bateman?--posted about this on one thread or another, sometime in the last few months, and I think the gist of the post was: depending upon what-all is going on in the music at any given moment, sometimes 768 kbps is sufficient for transmitting all the relevant audio information. Sometimes not.
But at the end of the day, I agree: it all depends upon how much that matters to you. Amazingly, there are other things to spend money on besides multi-channel music...
Comparing M4A (the codec used for streamed Atmos music)
A slight correction Pat. M4A is a container. It’s E-AC-3 (Dolby Digital Plus) that’s the high efficiency codec used for streaming Atmos that gives all the benefits you mention (not the M4A container).
Is this her new Ocean to Ocean album?The Tori Amos album mix is so good.
I haven't heard anything else in atmos that comes close.
I love the heavy use of the rears for rhythm and instrumentation. Fantastic mix.
YessirIs this her new Ocean to Ocean album?
The standards on Kelly Clarkson’s second Christmas album are almost unfair to other interpreters — she is that nimble a singer. (See “Last Christmas,” especially, rendered here as a vivid roller coaster.) However, it’s Clarkson’s originals — which she sings with the kind of verve most singers not named Mariah Carey don’t bother putting into their holiday releases — that make “When Christmas Comes Around …” truly stand out. “Santa, Can’t You Hear Me” with Ariana Grande is pure Motown, and “Glow” with Chris Stapleton is a worthy howl-off between two powerhouse vocalists. It’s also striking just how uncelebratory some of these songs are: “Merry Christmas (to the One I Used to Know)” is haunting; “Christmas Isn’t Canceled (Just You)” is a blissful tsk-tsk; and “Merry Christmas Baby,” about sloughing off a deadbeat partner, is deliciously icy: “Have yourself a merry Christmas/Hope it’s not as cold as you.” JON CARAMANICA
I agree that this is one of the best atmos mixes I've heard in awhile. While the album is one of Tori's better efforts in some time, it's the atmos mix that really elevates the material and increases the impact. Whoever did the mix really understood the music and its layered production, opening things up and revealing tremendous detail with very active surround and height channels. I wish all of these streaming only mixes were this good.
I agree that this is one of the best atmos mixes I've heard in awhile. While the album is one of Tori's better efforts in some time, it's the atmos mix that really elevates the material and increases the impact. Whoever did the mix really understood the music and its layered production, opening things up and revealing tremendous detail with very active surround and height channels. I wish all of these streaming only mixes were this good.
Enter your email address to join: