I reckon this sounds as good- if not better than my SACD.
https://music.apple.com/au/album/winelight/321974938?i=321974945
"Let it Flow" is on Tidal as well, but not on AM.
https://listen.tidal.com/album/209409460
I reckon this sounds as good- if not better than my SACD.
https://music.apple.com/au/album/winelight/321974938?i=321974945
Just make sure you turn off the lyrics view. It ain’t Dylan.
I know you are listening to this on blu-ray so lyrics aren't likely viewable, but on Apple Music there is an option to view the lyrics. I tried this once with Yello - Point, and it was bad. Really bad. But as you imply, the lyrics aren't the point of this kind of music. And the mix is that good.
Oh, I know both sides of that coin soooo well. But the days when it all clicks are very good days.Do you ever wake up, turn on the rig, start listening to your selection and think, man, this sounds great, I have the best rig I ever owned in my life?
Today, one of those days. I have spent so much time working on this beast, and I am very critical of my work, but today the light turned green and I won the race, nice to feel that once in awhile. Tomorrow might be different.
Good music, but I don't remember the Atmos being very good?Going for it today with the Big Guns.
INXS-Kick 30, Dolby Atmos ripped from disc, solid rip, no chapters as JRiver does not play gapless with a MKV file, it will play gapless with a DSF or FLAC file. What's cool about Kick 30 is when you playback a continuous rip (like a movie) it plays back the video of the chapter selections, so you always no where you are at. There are a few other Blu Ray rips to MKV that I need to do that to, all the gapless like Abbey Road etc. I know, I know, there is a work around with JRiver, but I like my way.
Kick 30- true HD rip, 24/48 MKV file DR is 15.
BTW, all my Blu Ray rips, regardless of format are done using MKV as the ripping software and then using MMH as the tagging/editing software, super simple, 100% successful.
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I kinda want to get this, just wish it was a little cheaper.Loreena Mckennitt -The Visit BD, I keep coming back to this, it's really good both music and mix wise.
It's worth it!I kinda want to get this, just wish it was a little cheaper.
I read an article in this morning's New York Times about English electronic musician Sam Shepherd, a/k/a Floating Points, collaborating on a new release with Pharoah Sanders and the LSO--and thought: "This guy's music would be a natural candidate for Atmos." And sure enough: three years ago he did a live performance at Ministry of Sound--in Atmos (64 speakers/22 channels)--of his album Ratio. But neither that album nor any other has actually been released in Atmos. What gives?
https://www.nytimes.com/2021/03/25/arts/music/floating-points-pharoah-sanders-promises-review.html
https://hyponik.com/news/floating-p...roject-remastered-dolby-atmos-ministry-sound/
https://www.documentjournal.com/201...he-perfect-soundtrack-for-our-existing-chaos/
https://floatingpoints.bandcamp.com/music
What a bummer. I've been into a Floating Points kick for these past weeks. The last album is hands down a masterpiece of jazz/electronic experience
These Hozier releases appear to not be visible on Tidal in Australia; does anyone else have this issue?
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