its been a long time since i played the SACD but i think this may have been one of ZTT's 5.1 upmixes..
Hooverphonic, No More Sweet Music (DualDisc DTS 5.1, 2005). I think it might have been a recommendation from @steelydave that led me to this? I gather previous fans of the band weren't thrilled with the direction they took on this album, but it's all new to me, and I'm loving it. Two discs, with two different sets of mixes/arrangements of the same songs: More Sweet Music/No More Sweet Music. Discogs wants to call this "Trip-Hop" or "Electronic," but I don't think either of those shoes fits. Wikipedia suggests "dream pop," which seems more like it. Big, enveloping, cinematic mixes, though to be fair to Discogs, the remixes on Disc 2 might get me out onto the dancefloor if I were a few decades younger.
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"Tomorrow" has the vocal a bit out-of-sync with the music and it just doesn't work.
That release was such a freaking bargain!!!Seriously, folks, when RHINO puts their nose to the grind, who better than to release a definitive THE BEST OF THE DOORS on pristine discrete 192/24 BD~A 4.0 and includes in this lovely edition every single and B~side released by the Supergroup on two RBCDs????
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Speaking of conversions from QUAD OPEN REEL...transferred to BD~A @ 192/24 resolution:
Jóhann Jóhannsson, Virðulegu Forsetar (DVD-A, 2004). I know I'm not the first person to ask, but what is it about this tiny island on the edge of the world that produces so many singular musical voices?
I don't quite know how to categorize this; I guess it's Ambient Contemporary Classical or Slow Minimalism...or something. Whatever it is, it's one of the favorite albums in my collection. Jóhannsson gets tossed into the same bin with Max Richter and Peter Gregson, but I think he has more substance. Tragic to have lost him. It was his Arrival soundtrack that first put him on my radar. Until Deutsche-Grammophon began remixing (upmixing?) some of his back catalogue into Atmos for Apple Music, this was--I think--the only work of his available in surround. I find it mesmerizing. Performed by the CAPUT Ensemble (who also appear on some Sono Luminus titles), augmented by other instrumental soloists. Definitely some pedals on the organ (and/or the electronics?) that descend into the room-shaking LFE register.
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