EV-4 Matrix was also referred to as the Feldman/Fixler Matrix.
I used a EVX-44 back in the day but eventually moved up to a Lafayette full logic decoder. Sometime in the 80's I picked up three EVX-44's (probably on eBay?) and eventually sold two. I still have one NOS EVX-44 in storage - if anyone is interested, make me an offer I can't refuse. For more info, there's this thread: https://www.quadraphonicquad.com/forums/threads/decoder-electro-voice-evx-44.14311/Was EV-4 encoding / decoding any good. I don’t recall any sophisticated decoders with logic ever being released.
I love it when you post these as I go and buy them, some good old Blues arriving on ThursdayMy Latest QS CD
Brownie McGhee & Sonny Terry -I Couldn't Believe My Eyes.
BGOCD407
View attachment 113992
I love it when you post these as I go and buy them, some good old Blues arriving on Thursday, .................. my wallet however isn't happy!
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I'll have to look on Discogs, the amazon UK seller contacted me and said sorry the last one had "I Couldn't Believe My Eyes" gone!Just doing my best ,Duncan. While you can still get these CD'S.
And one more .
It came today approximately an hour ago.
Hollins And Starr -Sidewalks Talking
QS CD
View attachment 114072
I found one last night on Discogs after the amazon seller phoned me to say he hadn't got a copy left (he was interested that it was a hidden Quad!), the Discogs listing said sealed, so might even be new, should arrive in the next day or so.Duncan , I think I got mine from discogs , u might try that route.
I found one last night on Discogs after the amazon seller phoned me to say he hadn't got a copy left (he was interested that it was a hidden Quad!), the Discogs listing said sealed, so might even be new, should arrive in the next day or so.
"I Couldn't Believe My Eyes" turned up today, and its brand new and sealed!Oh , that's great. I know all of the Bluesway artists that had QS encoding , and pickings are slim for CD.
Note 3-7-25 Not Quad:
Tommy - Original Soundtrack Recording; Polydor 841 121-2
{Long rumored to be QS encoded. Consensus is that LP and CD's are
merely stereo}
Please see the “Definitely Not Quad” section at bottom of page:
https://www.surrounddiscography.com/quaddisc/quadcds.htm
Original Post:
—————————————————
Is This the Quad Version of Tommy that was listed? I found this at amazon.
http://www.amazon.com/Tommy-1975-Fi..._bbs_sr_3/002-8183280-6891246?ie=UTF8&s=music
More info here:
Tommy - Original Soundtrack Recording; Polydor 841 121-2,
QS encoded
{Double CD. This one is done from the same masters as the vinyl
release which was an unmarked QS release.}
http://members.cox.net/surround/quaddisc/quadcds.htm
I’ve added this to my original post of November 1, 2006. Wow, almost 20 years ago. I bought the older CD, but it didn’t convert into QS Quad. As far as I could tell.
Note 3-7-25 Not Quad:
Tommy - Original Soundtrack Recording; Polydor 841 121-2
{Long rumored to be QS encoded. Consensus is that LP and CD's are
merely stereo}
Please see the “Definitely Not Quad” section at bottom of page:
https://www.surrounddiscography.com/quaddisc/quadcds.htm
I can't vouch for that CD version , but it's my opinion the 1975 vinyl is QS encoded.
I know this is contrary to others who say it's stereo .
The 2014 steelbook blu ray of the film has both the original "quintophonic" 5.0 and 5.1 lossless audio, if you want to re-live the visual as well as audio experience from 50 years ago....“Tommy” the movie came out near my 16th birthday.
I was able to see it in a “Quadraphonic” version at its Bay Area premiere at The Paramount Theater, in Oakland, California...
...I certainly heard the Quadraphonic effect in the theater in Oakland, that was setup for it.
The original 35mm magnetic prints of Tommy were a hybrid of discrete and QS. There's a very prominent QS logo in the end credits because the left and right magnetic tracks on the film were QS encoded while the center channel track was...well, the center channel. Theaters that sprung for the QS decoders and had the speakers wired correctly could get full quintophonic sound (hard center and QS-encoded corners) while other theaters could simply run the same print as then-standard LCRS, using the normal surround (or "effects" as the old-timers call it) track on the film, which wasn't used at all for quint playback.This was my experience, such as it was, during the Quad era. “Tommy” the movie came out near my 16th birthday. I was able to see it in a “Quadraphonic” version at its Bay Area premiere at The Paramount Theater, in Oakland, California. The theater was setup with Sansui equipment.
The original 35mm magnetic prints of Tommy were a hybrid of discrete and QS. There's a very prominent QS logo in the end credits because the left and right magnetic tracks on the film were QS encoded while the center channel track was...well, the center channel. Theaters that sprung for the QS decoders and had the speakers wired correctly could get full quintophonic sound (hard center and QS-encoded corners) while other theaters could simply run the same print as then-standard LCRS, using the normal surround (or "effects" as the old-timers call it) track on the film, which wasn't used at all for quint playback.
As far as I know, the only other film using the same system was Ken Russell's next one, Lisztomania.