I don't understand then why the m4a files
The MKV to m4a with MMH Extract Audio from MKV is lossless 24bit TrueHD Atmos
You are encoding to lossy Dolby Digital Plus 16bit with DDE.
Why do you think lossy should be same size as lossless?
I don't understand then why the m4a files
The question is whether this m4a atmos lossless, achieved in this way, preserves the metadata of the spatiality of the original BD.The MKV to m4a with MMH Extract Audio from MKV is lossless 24bit TrueHD Atmos
The thing is that this m4a 24/48 atmos lossless is not playable by portable dacs (daps, like Shanling M6 ultra). So, I need a m4a atmos lossy 16/48 (5.1 or 7.1) that is readable by daps, but keeps the original spatial metadata, how can I get it?Yes. MMH just takes the original TrueHD stream and copies it to an mpeg container. This is a copy of the stream on the disc and is identical to the stream played by a BD player. There is no decode/encode.
I have some conclusions about ATMOS m4a format from an Atmos BD, please correct me if they are not true.Why do you need Atmos mixes for your dacs? The one you mention is stereo only? If you want to listen to hires stereo rip the stereo stream.
Your players are probably expecting ALAC in the m4a not Dolby Encoded streams. The MMH tool copies stream’s codec to m4a it doesn’t actually convert to any other codec like ALAC etc.
Looking at https://professionalsupport.dolby.c...#:~:text=Dolby Digital Plus JOC (Joint ObjectMore and more confused. I don't understand then why the m4a files I get with DEE from wav 7.1 decoding MKV tell me MediaInfo:
1664Kbps, 48Khz 8channels E-AC-3 JOC (Blu-Ray Disc)(Dolby Digital Plus with Dolby Atmos)
JOC are not metadata?
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