stoopid
is as nasty does
This is my bookmark for QQ, I never miss a minute of the action.
https://www.quadraphonicquad.com/forums/whats-new/posts/?skip=1
https://www.quadraphonicquad.com/forums/whats-new/posts/?skip=1
From Ten Club? Meanwhile, still waiting for it to be sent to me a mere few hours south of H.Q. in Seattle...Amazingly, this arrived here in Australia yesterday. The clarity is glorious.
From Ten Club? Meanwhile, still waiting for it to be sent to me a mere few hours south of H.Q. in Seattle...
Mine from Ten Club arrived today on this side of the pond.From Ten Club? Meanwhile, still waiting for it to be sent to me a mere few hours south of H.Q. in Seattle...
Mine tooMine from Ten Club arrived today on this side of the pond.
I predicted long ago that eventually sales of physical product would get so low that suddenly our little niche would be worthwhile to the labels. For years labels like Rhino scoffed at the idea of dusting off old quad mixes just to sell a few thousand copies. Now? Those are probably some of the best sellers in their catalog.I personally think that there is some momentum building for physical Atmos releases. Clearly the demand exists, and artists/labels understand that sales will be modest yet still worthwhile. SDE’s successful program is partly responsible. Rhino’s too.
Also the economics. How many times must an artist’s Spatial Audio be streamed to match the revenue created by the sales of a physical release? Plus these mixes are being made primarily for streaming, so a physical release incurs little additional expense.
Along similar lines, I've been saying for a while that if a profit can be made the labels will seize on the opportunity, even if it's not much it's something and multiply that across several dozen releases each year they would be foolish to leave that money on the table. Hopefully they're learning burying surround mixes could burn them with overstock as people shy away from a bloated price tag. It's about finding a balance that appeals to the gamut of fans/music buyers.I predicted long ago that eventually sales of physical product would get so low that suddenly our little niche would be worthwhile to the labels. For years labels like Rhino scoffed at the idea of dusting off old quad mixes just to sell a few thousand copies. Now? Those are probably some of the best sellers in their catalog.
We seemed to have hit a sweet spot where not only is our niche suddenly of interest to the labels but it’s at a time where so much music is being mixed into Atmos for streaming anyway.Along similar lines, I've been saying for a while that if a profit can be made the labels will seize on the opportunity, even if it's not much it's something and multiply that across several dozen releases each year they would be foolish to leave that money on the table.
Pearl Jam, as a band, has always been a bit of a music industry outlier (especially considering their well publicized concert ticket pricing war). It doesn't surprise me they're doing surround now, bucking the majority of the industry. I'm just surprised it took them this long.
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