luketsu
Active Member
- Joined
- Jan 23, 2016
- Messages
- 68
I'm a bit confused...have you spoken to the Pentatone folks about a change in their plans, or is this just from reading their public site? They just released the Boston Symphony / Bartok SACD, and I'm looking forward to hearing it when it arrives. It's giving an error message on the Pentatone site, but it's showing in stock at retailers. Their release planning page shows that the next releases in the series are going to be at least most of the Kubelik Beethoven cycle (presumably to be completed), which will probably be collected into a box set later.
One of the things I've found about being a classical fan who listens in surround that you're so much better off being pleasantly surprised by what comes from Pentatone and others than you are trying to impose what releases you think they should be making. Pentatone changed over their management a few years ago when the Philips folks retired, and they've focused somewhat more on new recordings - but managed to get access to DG.
An expectation that Pentatone would be releasing 100 albums in the near future of remastered quads just doesn't seem realistic. You can call the clearance and licensing process that gets Pentatone access to the master tapes bullshit, but that won't get rid of a fairly complicated legal framework the music business operates in.
And it really seems like you're focused on Pentatone getting access to the titles DGG has kept in print as individual discs, even though that's the exact opposite of what we've actually gotten, which have mostly been titles that only got released on Eloquence or via box sets.
Put another way, the sky isn't falling, and the only real thing we can do is continue to support them. Pentatone knows they'd make a killing on the William Steinberg recording of the Planets, but perhaps Universal doesn't want to cannibalize sales of the 96khz transfer they offer at HDTracks, and there's not much we can do about it.
I have followed this series with great interest since it was launched in 2014. As soon as the first albums came out I purchased four of them (Beethoven/Eschenbach, Berlioz/Ozawa (Fantastique), Mozart/Vasary & Ravel/Ozawa). Speaking about quadraphonic sound I was very impressed what the recording engineers managed to capture back then and PENTATONE's carefully made remasterings (with Polyhymnia International BV) have brought a new lease of life to them.
I'm not a recording engineer - just a young musician who has found totally new way to listen to classical music through Super Audio CD. I have done cooperation with PENTATONE for almost ten months - most of their Spotify playlists from September 2016 to July 2017 are my selections.
The only thing what they told me was that "we definitely will release more albums in the future, there will be plenty of them". As we clearly know the Philips RQR Series contains more than 100 albums, including those 2016 newcomers. Therefore I assumed it would be possible to gather together equal amount of DG quad remasters in the years to come. I am just frustrated for this silence and uncertainty. They included Tchaikovsky's "Pique Dame" for the DG licensing wish list few years ago but the result is still covered with dust. I know most of these already released quad remasters have been available in stereo on Eloquence, Grand Pix or Originals.
Finally it's quite difficult to understand enthusiasm like this if classical music is not as great passion as it is for me. I can't live without classical music. I have found a new world where I can run if things goes badly. I have grown with the music of Sibelius, Grieg and Tchaikovsky. Just close your eyes and imagine. For instance Mahler's First Symphony tells a story between two lovers.