Brilliant and worthy of the epic content. I will write about what I like after a few more listens. But I have a question/complaint. Is Guthrie unaware he can actually use the center channel? It sounds like it's just a muted L+R with the bass boosted to center it, and no vocals or anything else. WTH?
I realize everyone can't be Steven Wilson and understand how the center should be used for vocals etc. But Guthrie panned the vocals to the center anyhow. why use up that sonic territory on the L&R to just put the vocals where the center is already sitting. One of the beautiful things about immersive sound is the air each musical element gets from having 1-3 more speakers to bring it to life.
The sound on this mix is phenomenal and there is absolutely a more spatial feel and clean luscious sound. But I'm stuck wondering how much better it could have been if all the available drivers have been fully utilized.
I love this album, always have. I do love this mix too. It gave it tons of new space for all the instruments to have their own turf.
BUUUUUUUUUT!
I'm angry.
It's probably unfair and it's even possible that I'm wrong but I don't think so. I A/Bed it against the '77 stereo mix and the difference is massive.
My absolute unchallenged favorite part of this whole record is the machine gun guitar riffs after the lines in Sheep. such as
"Only dimly aware of a certain unease in the air" then the super cool morph of the voice into a synth.
THEN
Gilmour shredding the darkness and smoke with a jagged, ripping riff that busts out of they soundstage and splatters blood all over you. Happens multiple times in different styles, but each time it leaps to the front of the mix and freakin' attacks.
This is Sheep, they are about to run amok and kill the Dogs & Pigs. Gilmour is foreshadowing that with a powerfully menacing growl that no Sheep has even made before.
AND
It's just a savagely wicked riff, a great guitar line, a brilliant part of a great song.
AND
They killed it.
They are now buried in the mix, audible but neutered and harmless like the mewling of a kitten with a ukulele. Well, in comparison to the originals. Oh, they are there and one of them is at least slightly forward in the mix.
BUT
I was waiting excitedly through the whole record, loving every second leading up to it, because they were great upgrades to the original, which was already great.
THEN
They killed the killer guitar, and I cried. Well actually I cursed loud enough to be heard over the 85 or so decibels of Floyd. My wife asked what happened and I told her. "They killed the killer sheep" and she said "That's awful dear" in that way she has to acknowledge a basically insane statement without calling it that.
I'm truly sad and am considering a commando raid to grab the multi tracks and fix this. Who's with me?