You probably have every note of DSOTM etched in your brain from commercial radio, plus there a few more "surprises" on this mix compared to the DSOTM Quad vs Stereo mixes.DSOTM is, and always will be, the king, the gold standard in my book. So why am I playing this one more often?
Because it's friggin' AWESOME!DSOTM is, and always will be, the king, the gold standard in my book. So why am I playing this one more often?
I know your question is rather old now, but imo, since the SACD is missing the 70s quad mix of WYWH, it is a total deal breaker. That quad mix is one of the most important ever done on a rock album. One must own that unless you simply like 5.1 surround, and can accept you are missing a part of the history of the recording.I know this post is specifically about the Blu-ray of WYWH, but does anyone have thoughts about the SACD version? It seems pretty reasonably priced for new. Just curious. Thanks!
I know your question is rather old now, but imo, since the SACD is missing the 70s quad mix of WYWH, it is a total deal breaker. That quad mix is one of the most important ever done on a rock album. One must own that unless you simply like 5.1 surround, and can accept you are missing a part of the history of the recording.
But that it has been restored back in on the BR SACD disc? No, I didn't know that.One thing to remember about the blu-ray, it has a few seconds cut out of the quad version near the beginning of SOYCD part VIII. I recall being told it was trimmed so the 5.1 and quad would be in synch. I don't know about audio streams/disk authoring/etc so I have no idea if that's a requirement.
But that it has been restored back in on the BR SACD disc? No, I didn't know that.
But I am not aware that different mixes are ever considered needing to be in sync of the same length on a given disc.
BR SACD is BR / SACD fyi. Both.I don't know what a "BR SACD" disk would be. If BR means Blu-ray, I don't think something can be both a blu-ray and an SACD. The SACD does not have the quad mix on it, so there is nothing "restored" there.
There are digitized recordings from analog releases of the original quad mix of WYWH. Those digitized analog releases have a few extra bars of material in SOYCD part 8 when compared to the blu-ray release.
BR SACD is BR / SACD fyi. Both.
What "releases" are you speaking of? Or, maybe you must mean digitized analog recordings. A typo? Or unreleased digitized recordings?
It was a choice made to accommodate authoring the Blu-ray such that all audio programs were contained within one video program, facilitating seamless switching between mixes. Thus, the track lengths needed to be identical across all three mixes. They could have just as easily included the quad mix as part of a separate video program without trimming the additional length, but that would have meant no seamless program switching to it.Why were the few seconds trimmed on the 2011 blu-ray? I have no idea. I've been told it was necessary for technical reasons, but I do not have the expertise to validate that.
I've done it to compare DTS vs Dolby. Its not often you can do it with 4.0 vs 5.1 because most disks don't have both.I can't recall ever switching between mixes in the middle of playing one of them. I just listen to the entire album in whatever mix I've chosen.
I can't recall ever switching between mixes in the middle of playing one of them. I just listen to the entire album in whatever mix I've chosen.
I believe they simply did not want Richard's odd little funky keyboard part to be a part of the album. Nothing to do with various layers syncing up, and switching issues.