Of course I'm biased, but here's some play-by-play on the Atmos mix: https://immersiveaudioalbum.com/steven-wilson-the-overview-5-1-surround-sound-dolby-atmos/I see Jonathan is credited with checking the mix.
Of course I'm biased, but here's some play-by-play on the Atmos mix: https://immersiveaudioalbum.com/steven-wilson-the-overview-5-1-surround-sound-dolby-atmos/I see Jonathan is credited with checking the mix.
Jonathan, great review of the albumOf course I'm biased, but here's some play-by-play on the Atmos mix: https://immersiveaudioalbum.com/steven-wilson-the-overview-5-1-surround-sound-dolby-atmos/
Interesting. I didn't listen to the separate tracks, but I did notice as I was listening to the longform that the times for the separate tracks didn't quite match up logically. For example, "Perspective" is 4:57 long in the separate tracks, but is only 4:42 in the long track.One thing I noticed was interesting with regards to the stereo version - on the streaming services, you get the choice of just listening to the two long tracks or to each of the separate movements that make up each side. But on these separated movements, some of the transitions seem to have been altered.
For example - "Objects: Meanwhile" immediately cuts into "The Cicerones" (when the acoustic guitar starts to fade in after the big sax blast) when you listen to the full-length side 1. But on the separated tracks, "Meanwhile" plays to a clean ending - and then the acoustic starts to fade in on the next track after a second or two of silence. Same thing on "Ark" into "Cosmic Sons of Toil" - the former plays to a clean ending, and then the swirling synth that kicks off the latter fades up from silence instead of starting immediately.
Personally I like it better as the two big chunks without fades between movements (and that seems to be your only option for listening in surround), but curious what other people think.
I didn't. Thanks!My bluray has arrived today from Rarewaves, and the signed cd has arrived from Amazon. They need to wait until I get back home from work before I can listen.
Did you see that he's announced tour dates in Australia for November:
https://stevenwilsonhq.com/tour-dates/
Almost identical experience for me, except it's the orchestral version that has grabbed me first. It's a grower for sure, this album, which can be the way with prog.Steven really has come along way on his musical journey from those early beginnings, Porcupine Tree and now this very interesting release.
Now it may come as a bit of a shock but on first listen I was slightly underwhelmed.
It just didn't grab me by the balls and say listen to this you knucklehead.
I'm now listening to the instrumentals. WOW it's come alive. True I tend to prefer instrumental versions on most releases.
Back to the album then, now I can hear what he's achieving with his vocal arrangements that really make this release a gem.
I see Jonathan is credited with checking the mix.
Don't worry folks, I'm now fully on board with this clever, interesting and enjoyable release by our very own Mr Steven Wilson.
I'm looking forward to seeing him live, in May, with my brother at the London Palladium.