I'm not sure what "Quad Blocking" is.
But I can say that Audio Fidelity is continuing to develop more Multichannel SACD titles for 2016.
Clearly no blocking there....
It's when both the tackles and guards block and the RB goes for a big gain:spot
I'm not sure what "Quad Blocking" is.
But I can say that Audio Fidelity is continuing to develop more Multichannel SACD titles for 2016.
Clearly no blocking there....
I think the quad version is somewhat better.
I would love to hear the original Quad version of "Generation Landside" without the bad fade out at the end of that song which the Dvd-a has.
If Marshall is dropping in to read this suggestion thread, please consider this repress upgrade, you'll have one if the most legendary quad masters to work with, a 10 on all levels. It will be like printing twenty-dollar bills allover again with this title.
Marshall does check in from time to time and finds the suggestions interesting and helpful. As to the "repress upgrade" idea, I'm afraid it doesn't work that way.
If Audio Fidelity wants to release an album in a new format - let's say a Vinyl LP title as an SACD - then the licensing process starts from scratch for the new format.
Audio Fidelity must check to see if the album is available to be licensed in the new format. It it is, a new $ guarantee is negotiated, a new licensing deal is signed, etc.
So, Audio Fidelity - or any other reissue company for that matter - has to ask this question. Will they sell enough copies of the album in the new format to make their $ guarantee money back and make a profit above that?
This helps explain why the reissue companies always check to see whether the album has recently been reissued vs. an album that hasn't been reissued in years.
In the latter case (hasn't been reissued in a long time), the chances to make the $ guarantee back and make a profit are improved.
During the licensing process is AF (or another company) permitted to examine the source tapes BEFORE they pay the fees...or do they pay first and take their chances...
Listening to the source tapes is part of the process. Audio Fidelity has taken a pass on some albums for that very reason (the tapes are in poor condition and have poor sound).
My guess is that A+M titles would fall under that category.
No, the A&M Quad Albums have tapes that can't be found.
There are albums on other labels where tapes are available, but are in poor condition and sound poor and are not licensed for Multichannel SACD release.
Marshall does check in from time to time and finds the suggestions interesting and helpful. As to the "repress upgrade" idea, I'm afraid it doesn't work that way.
If Audio Fidelity wants to release an album in a new format - let's say a Vinyl LP title as an SACD - then the licensing process starts from scratch for the new format.
Audio Fidelity must check to see if the album is available to be licensed in the new format. It it is, a new $ guarantee is negotiated, a new licensing deal is signed, etc.
So, Audio Fidelity - or any other reissue company for that matter - has to ask this question. Will they sell enough copies of the album in the new format to make their $ guarantee money back and make a profit above that?
This helps explain why the reissue companies always check to see whether the album has recently been reissued vs. an album that hasn't been reissued in years.
In the latter case (hasn't been reissued in a long time), the chances to make the $ guarantee back and make a profit are improved.
How sad! I'd rather have an AF Quad SACD of All American Boy than a number of other old Quads. A hidden gem, or sleeper hit that's ripe for reappraisal today, I would suggest.. I shall be playing the SQ thru the Surround Master a lot during my Quad holiday! :banana:
To be honest, I'd love "All American Boy" in quad SACD as well. It's a hot punchy mix with dazzling guitar throughout. But I'm not sure it would be a big enough hit for AF. So I try and keep my requests to what would be a SACD sales home run. From the Sony library, Johnny, Edgar, BOC, Santana, Starship, Airplane, Nilsson, and even Guess Who Best Vol. 2 are far higher priority with greatest sale potential.
But I would like to hear this Rick Derringer decoded correctly, and see it out on AF SACD, and hear what you are hearing for the very first time in my life.
Often when I've been in a meeting and discussing the difficulty of getting a project through to fruition - the meeting ends with me being told to "Make it happen". They don't care what hoops I have to jump through, and they don't need to know, just that it happens. AND it happens!
Listening to the source tapes is part of the process. Audio Fidelity has taken a pass on some albums for that very reason (the tapes are in poor condition and have poor sound).
Alright! You guys have been going on about Derringer's All American Boy for a few days now so you got me curious. I've just listened to the iTunes samples and I think that it feels like a pretty strong album and it offers a nice variety in the writing and playing. Count me in for a AF Quad SACD anytime!
To be honest, I'd love "All American Boy" in quad SACD as well. It's a hot punchy mix with dazzling guitar throughout. But I'm not sure it would be a big enough hit for AF. So I try and keep my requests to what would be a SACD sales home run. From the Sony library, Johnny, Edgar, BOC, Santana, Starship, Airplane, Nilsson, and even Guess Who Best Vol. 2 are far higher priority with greatesr sale potential.
But I would like to hear this Rick Derringer decoded correctly, and see it out on AF SACD, and hear what you are hearing for the very first time in my life.
And don't forget Aerosmith on that Sony list...
And don't forget Aerosmith on that Sony list...
Was Draw the Line ever released as a Quad? I'd love to hear that one, especially for Kings And Queens.
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