The vinyl analogy would be more accurate if the analogy was creating a new version with a slightly different speed. (Not an increase like doubling tape speed to pursue more fidelity. More like a 1% just to be obnoxious for no performance reason but to create a compatibility issue.)
We weren't complaining about having to install a new bluray optical drive in the computer in 2011 and we weren't taken aback that the DVD drive wouldn't read bluray. We're complaining when some 3rd party takes the existing format and puts a lock on it and tried to charge for access.
It's just a weird new arena with software spoofing really gone wild. I have some sympathy for software and media makers too. Digital storage lead to being able to clone data 1:1 and led to no physical medium needed for a master file. Everyone sets up with these modular computer thingies and takes command of their media and everything else. Just swap in and out new parts and upgrades as they come up. And that led to not being able to sell software and media anymore!
So... planned obsolescence for the computers, encoding and cryptic twists in software, and tying media consumption to hardware purchases. It's all leveraged by software spoofing. Pretty desperate and dishonest IMHO. You can zoom out and forget anything you knew about computers being modular and programmable and how software works. Just look at the product as advertised and what it claims to do. When you grew up with the technology you just find yourself constantly spotting this and saying "Hey, that's not how any of this works! What're ya up to there?"
Yeah, it's easy to spot this stuff and call it out when you know. And there's way too much of this behavior right now! I still say this is a golden age of audio now and the glass is more than half full. You just have to pay a little attention and cut off the spoofing stuff when it comes up.
You had to calibrate tape decks or try to chase phono preamp calibration before you even got into futzing with the surround decoder tweaks to coax signals out of the older analog formats. Actual engineering chops were sometimes needed. All you need to do today is find the correct decoder software. And when someone like Dolby gets greedy and starts refusing to even sell it (what started this whole conversation), people tend to look for other solutions. Can't very well encourage that response but I can sure say I told ya so! I suspect it's really the case that they can't sell media anymore and this was the only choice anyone could come up with.
Again though, we win this one in the end. We now have an extension to surround in the form of 7.1.4 12 ch mixes and that is never going away. I give the current grifting a couple more years before someone "liberates" the Atmos decoder and there are a wave of pissed off consumers stuck with crippled AV receivers that can only take a 12ch input via an encoded Dolby signal over HDMI.
There are examples in the past if anyone wants to go down a rabbit hole on youtube. Multiple formats for vinyl with intentional competition by altering the design just enough to make products not cross comparable. There was an early cassette that had 1/8" bigger cartridge. This was riskier when you had to make actual physical products. Now with everything software controlled and micro computer design you can program it to behave any way you want to and create artificial spoofing with software. Apple can blank out certain controls based on a subscription service. Sounds fair enough. Or they can send out a software or firmware update that they wrote to detect if a 3rd party part they just found out about was installed on a device you already purchased and program it to disable some features if it has. Still sound fair? If not, you still have plenty of choices but you might have to poke at a few things.
One thing never seems to change that gets taken advantage over and over. Alert someone that someone ripped them off and they respond by getting mad at you!