Fragile provides a wonderful variety showcasing the talents of this fantastic band. I never tire of it.
I'm not sure, but SW's mix may have caused me to enjoy Cans and Brahms.
I'm not sure, but SW's mix may have caused me to enjoy Cans and Brahms.
Right. And the same for Mood for a Day. I find now that it just jumps out as if Howe is in my audio room! Back in the day it was kinda like "whatever"; now I look forward to it.
Right, it isn't surround but being a single instrument combined with the excellent fidelity it comes across as very realistic presentation. I love it because it sounds so real. Subtle reverb might have made it even more life-like. But the sound from the front is going to reverb anyway - especially in my listening room where the rear wall is close to my listening position.I honestly don't like SW's approach for mixing "Mood for a Day" in surround. I would have kept Howe's dry recorded tracks in the front and used reverb to subtly spread the sound out to the surround channels. A concert-hall approach like that one would have worked very well for that piece so long as the reverb wasn't over done like it was for the 2002 DVDA mix. All the same, I can easily skip over that one like I skip over "Clap" on "The Yes Album". However the other four solo pieces on "Fragile" are all great fun to listen to, especially "We Have Heaven" and "The Fish". Fab!
Did Steve fix the problem at the end of Roundabout on the 2003 release? That mix totally f'ed it up, leaving out at least one vocal part. My fear is that, as in so many cases, that part is simply not on the existing multitracks.