Mo’ copies =As a charity offering, that just might be a good thing.
Mo’ money
Mo’ copies =As a charity offering, that just might be a good thing.
I missed “Pyromania”There wasn't much to write about last week, just a refurbished version of Yes' latest effort and two EP downloads via IAA, Mushroom Plant by vantablack and Birdsong At Morning's Vigil. That of course changed today with the announcement of Pyromania by Def Leppard coming on blu-ray in April
Not a bad album, although pretty much all of the songs are completely overshadowed by the title track. Similar case with marillion.com and Interior Lulu. Unfortunate that they have not moved on to Atmos mixes, although Marillion's overall approach to immersive audio has been half-hearted at best. Like they feel they have to be doing it, without really wanting to.Marillion's manager Lucy Jordache has confirmed that a deluxe-edition with 5.1 mix of their "This Strange Engine" album is set for August this year. I thought I had already seen that one in the list but it seems to have disappeared again.
The next one will be the Marillion.com-album but that one will quite likely be 2025.
Agreed on all points. The so-called Castle Years (TSE, Radiation and .com) have never stood out. And somehow even the mighty Steve Wilson has not been able to really hit a home run with the 5.1 mixes they commissioned to him (Misplaced Childhood and Brave). By their own admission, no one in the band cares for immersive audio. I think they are missing a trick. Putting up a selection of songs in Atmos on Apple Music might very well generate them new fans that subsequently will buy their releases. Same if they were to team up with the SDE store. Paul Sinclair does seem to like their output.Not a bad album, although pretty much all of the songs are completely overshadowed by the title track. Similar case with marillion.com and Interior Lulu. Unfortunate that they have not moved on to Atmos mixes, although Marillion's overall approach to immersive audio has been half-hearted at best. Like they feel they have to be doing it, without really wanting to.
I thought those were both pretty great?And somehow even the mighty Steve Wilson has not been able to really hit a home run with the 5.1 mixes they commissioned to him (Misplaced Childhood and Brave).
These were fine. I think there just really wasn't much to be done with Misplaced Childhood; the stereo mix was already very good and it is a very sparse mix without many elements for surround. Brave felt like a good mix when it came out, but I find that I am not as keen on it today. It didn't fix some of the mastering and mixing issues of the original mix, namely that it is too quiet and a bit thin-sounding, and the bass is a bit muddy.I thought those were both pretty great?
True... that being said, I would buy them just to hear This Strange Engine and Interior Lulu. Radiation has already been done, and it's one of their worst albums. I agree that Marbles would be a great one to tackle, but again I don't see that even if they did it would be really amazing. Michael Hunter is fine with his mixes but he is not very ambitious. Anoraknophobia is another one I could pass on. Somewhere Else is actually one that has grown on me over the years. I would pass on Happiness is the Road as well; too many stinkers on an overly stuffed double album.Agreed on all points. The so-called Castle Years (TSE, Radiation and .com) have never stood out. And somehow even the mighty Steve Wilson has not been able to really hit a home run with the 5.1 mixes they commissioned to him (Misplaced Childhood and Brave). By their own admission, no one in the band cares for immersive audio. I think they are missing a trick. Putting up a selection of songs in Atmos on Apple Music might very well generate them new fans that subsequently will buy their releases. Same if they were to team up with the SDE store. Paul Sinclair does seem to like their output.
That said, spending time and resources to make Atmos mixes of the Castle years albums (with a relatively large amount of duds on them) does seem like a waste when there are albums like Marbles who would be much more suitable for a proper Atmos treatment. And the album will have it's 20th birthday this year. Seems like a missed opportunity...
Queen Rock Montreal + Live Aid 4K Ultra HD Edition on May 10!
https://store.udiscovermusic.com/co...ts/rock-montreal-live-aid-4k-ultra-hd-edition
The release that was announced this week is a retail version of the Blu Ray they released D2C last year (Part One of the Marillion 2023 weekend movie), so not really a new release. Still excellent though!Marillion are going to serve their last album in a concert version
I've often seen that name on shipping notifications, but I've deleted all my older emails, and honestly don't remember who that is. Something tells me it could be importCD or similar.Does anyone know which if any of the titles mentioned are being distributed by Alliance Entertainment?
I have (presumably) a disc coming Tuesday from them, but have looked at all my invoices and seen no mention of Alliance.
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