Grand Prix d‘Eurovision winner:
https://music.apple.com/de/album/teatro-dira-vol-i/1556035498
https://music.apple.com/de/album/teatro-dira-vol-i/1556035498
I have to admit I’m loving this more and more. I’ll probably still buy big box releases on bands I love but I admit this makes it hard too. the ease and convenience is great.
Great post. I’m stating the obvious here, but I love it when things work as advertised, and it’s incredibly frustrating when they don’t.Yeah, piggybacking on this and @atlantasteve, I was wondering when I would again be facing a seismic shift in the platforms I subscribe to and my go-to apps and hardware... and the combo of the high res upgrade and atmos streaming has tipped me over. I've been having a few thoughts:
1. Roon has been comically unstable for me over the years, regularly not connecting at the exact moment I want it to (having people over and wanting to stream one of my meticulously crafted playlists but... nah, Roon can't be bothered so I retreat to Apple Music), albums regularly disappearing and reappearing (about 3000 are missing right now for some reason, but who's counting)... and as much as I've been trying to make it work, it has started becoming just silly and I'm tired of being an apologist for it even though the UI/UX is beautiful when it works. You can upload lossless stuff to Apple that isn't available for streaming, and boom, it's there, it works, piece of cake.
2. Qobuz is similar. Used it for the high res and the depth of the catalog, but it's super unreliable anywhere other than at home/wired and the native app itself leaves a lot to be desired in terms of UX. I find myself regularly having to bail on it when it's skipping/churning and use Apple Music, because it "just works". Wouldn't it be awesome if Apple Music had high res? WAIT A MINUTE....
3. Others have commented on this, but I've personally found that with an Apple TV 4K into a Marantz SR8015, even on a 5.1 system, it is CAPABLE of sounding tremendous and as good as any disc I pop in. The Tom Petty ("Wallflowers") and the new Lake Street Dive ("Obviously") are just two proof positive examples of how brilliant the experience can be, and the ease of use is just fantastic.
4. So, it is a blast sampling all of the atmos content as they add it (and this thread is pure gold for folks sharing their finds—thank you, and let's keep it up!)... and no longer questioning the hardware, because it is every bit as capable, but the mixes themselves. Some are brilliant, and some are just baffling... Tom Sawyer was never fantastic on disc but this version they've got up here sounds like compression is being turned on and off in various channels throughout... it's... not good. The version of Free Bird they've got up is also nowhere near the one on Southern Surroundings but maybe if you like your music (especially vocals) to sound like it's coming from the other side of a gas station bathroom door, this might be your bag.
Going forward, I think I'm gonna be leaning on:
Stereo listening, both at home and on the go: Apple Music
Multichannel listening: JRiver whenever possible, physical discs for the exceptions
Video content: physical discs whenever possible
The idea of simplifying my setup, platforms, and subscriptions is super appealing... workflow even more so. Feels like the day is here!
Great post. I’m stating the obvious here, but I love it when things work as advertised, and it’s incredibly frustrating when they don’t.
Link here: Don't Dream It's Over by Crowded HouseCrowded House's "Don't Dream It's Over" is another 'hidden' Atmos track worth checking out - the instrument & vocal placements are almost the same as the old DVD-A 5.1 mix, but they restored the missing lead vocals during the chorus.
If you're into this kind of pop, not much my cuppa, but a good mix, I reckon.
Dua Lipa's - Future Nostalgia
https://music.apple.com/us/album/future-nostalgia/1538003494
3. Others have commented on this, but I've personally found that with an Apple TV 4K into a Marantz SR8015, even on a 5.1 system as opposed to full-blown atmos, it is CAPABLE of sounding tremendous and as good as any disc I pop in. The Tom Petty ("Wallflowers") and the new Lake Street Dive ("Obviously") are just two proof positive examples of how brilliant the experience can be, and the ease of use is just fantastic.
'Yello- Point' is on Apple Music too.I have the same receiver combined with the Apple TV 4K and I am at the moment making the most of my free subscription period for both Apple Music and Tidal.
I have 11.2 speakers set up in a not exactly ideal ATMOS configuration, however the quality of sound is definitely as good as any disc. (The Tidal free subscription period is a good option for the access to 'Yello- Point' alone.)
Will likely settle with the Apple subscription alone as it represents better value for money.
'Yello- Point' is on Apple Music too.
I have it in my album list, haven't played it for a while as I have the disc.Will check it out later today.Hmmmmm. I have been using the link attached to the 2021 new release thread- which looks like it is missing a few titles.
Good news though!
Whoa: "Atmos bitstreaming support for all us geeks into Atmos music who don't have (or want) an Apple TV"! Be still, my heart!
Not sure if this has already been mentioned, but the new Atmos version of Keane's "Somewhere Only We Know" on Apple Music is far superior to the 5.1 mix from the Hopes & Fears DualDisc DVD-A. It's fully discrete, with piano and strings isolated in the rear/height speakers. I wish they'd re-do the entire album.
PSA: Unlike Tidal, Apple Music will send a downmixed discrete 5.1 signal to legacy gear that pre-dates Atmos. I attached my Apple TV 4K to one of these units and was able to use it in conjunction with my Marantz 4070 quad amp.
this is very true! i've been doing it all night! some stuff pans out better than others but its all surround-y for sure!
Crowded House's "Don't Dream It's Over" is another 'hidden' Atmos track worth checking out - the instrument & vocal placements are almost the same as the old DVD-A 5.1 mix, but they restored the missing lead vocals during the chorus.
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