Any system with a powered sub is a biamped system. They remain extremely popular.
In any literature I've read about bi-amping, the sub has nothing to do with it.
Semantics. It depends on your chosen definitions.
Any system with a powered sub is a biamped system. They remain extremely popular.
In any literature I've read about bi-amping, the sub has nothing to do with it.
Semantics. It depends on your chosen definitions.
I hate arguing about semantics but bi-amping is a well-defined process and again, it has nothing to do with the sub.
Any system with a powered sub is a biamped system. They remain extremely popular.
I hate arguing about semantics but bi-amping is a well-defined process and again, it has nothing to do with the sub.
Same here. i always thouhgt bi-amping was using two amps to send the high and low signals, results from an active crossover, to their respective terminals on the speaker. And not that biamping is redirecting low signals to a subwoofer.
Right, subwoofers are popular. Biamping, not so much. Read up on the differences.
I hate arguing about semantics but bi-amping is a well-defined process and again, it has nothing to do with the sub.
That's true. A sub is not a necessary requirement in a bi-amped system. But I can certainly see where a sub equipped system would be considered a form of bi-amping.
Back in the day the idea was that an electronic crossover could be made to sound a lot better than the passive crossovers found in full range loudspeakers, that, and the idea of using separate amps for the two or even three frequency bands (there were also tri-amped systems). In contrast to some of the opinions here, it was not desirable to match the power amps, but rather use lower powered, inefficient, tube or class A amps for the highs and high power, more efficient, solid state amps the low end, strictly because of the sound characteristics they were thought to possess. The crossover point was typically much higher than what is used on todays sub equipped systems. My Magneplanars were crossed over at 1000Hz I think. Which was the purist argument for rejecting a bi-amped system.
Still when you think about it, using a sub is a type of bi-amp methodology.
Bi-amping, and tri-amping is very popular multi-driver powered monitors.
Not as popular and mainstream as subs. Even soundbars have subs. Very popular? Your definition is different than mine. Popular in the studio, yes.
Same here. i always thouhgt bi-amping was using two amps to send the high and low signals, results from an active crossover, to their respective terminals on the speaker. And not that biamping is redirecting low signals to a subwoofer.
That's true. A sub is not a necessary requirement in a bi-amped system.
But I can certainly see where a sub equipped system would be considered a form of bi-amping.
Still when you think about it, using a sub is a type of bi-amp methodology.
Semantics, as Kal mentioned. Most people who care, wouldn't call their system biamped only because they use a subwoofer. Biamping term has grown into something else. Using the term for a simple satellite/sub system implies that someone doesn't actually know what biamping means.
Biamping in not brain surgery. Two amps and two different speakers. It doesn't make much sense unless one of the speakers is bass and one is treble.Semantics, as Kal mentioned. Most people who care, wouldn't call their system biamped only because they use a subwoofer. Biamping term has grown into something else. Using the term for a simple satellite/sub system implies that someone doesn't actually know what biamping means.
This forum is getting away off topic however I'll put my two cents worth in. I've biamped my main system since the late seventies. One set of amps for bass one set for mid/high. The only problem with this approach is the number of power amplifiers required, the cabling alone is a nightmare. But If you want very clean sound it's the only way to go. If you look at a scope display of a typical music waveform and you see a high level low frequency waveform with a bit of high frequency information riding on top of it. If you crank it up as the kids like to do, it clips badly, a squared off waveform contains high frequency distortion products that can damage you tweeters (and your ears!). Filtering out the bass reduces the chance of clipping even at high sound levels. Even if the bass amp is allowed to clip the distortion will be less objectionable as the woofer doesn't reproduce it. Use a high powered solid state amp for lots of heavy base. A tube amp is ideal to get the best out of the Mid/High frequency range. I don't believe that there would be that much to be gained by triamping.
I don't bother with a sub-woofer as I get all the bass I need from the four main speakers.
Back on topic, for music I've never seen the need for a centre speaker. 5.1 was created for movies, it can be used for music however but most systems contain tiny surround speakers not suitable for aggressive surround mixes. Front speakers are usually recommended to be rather close together, good for movies, not as good for music. I down-mix everything to Quad on my main system. In future I might experiment with the centre channel, however the speaker and amps should all be matched! Now just imagine the complexity of a triamped 7.1 system!
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