Jon Anderson releasing new surround material ("Olias of Sunhillow" upmix out in March!)

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I should know this, but: do we know that the tapes are missing or incomplete for those 3 (GFTO, Tormato, Drama)--or is it just that Wilson wasn't previously interested in doing them?

I think "90125" is also amongst the missing and presumed dead. And that's probably one of my favourites from the Yes Catalogue . To me that is their mighty comeback album .

But I sure wouldn't mind a 5.1 of "Time And A Word". That early album really takes me back to my late teens.

🍼
 
Slightly old thread, but didn't wanna ruin the fun people have in the poll thread - I'm still mad. Seething, even.

Man when this thing was announced I got so hyped, I put that preorder in RIGHT AWAY because y'know, Olias is screaming to be multichannel with its wide soundstage and immersive atmosphere. I smashed that "Cancel preorder" button so hard and so bitterly when it was revealed to be an upmix however many days later.

The worst part is, I knew, deep in my grey matter. I thought to myself, "Wow, isn't that the one Jon recorded and mixed in his garage? The same Olias that took an entire night to get the sync on the multitracks right to make a master? They did *that* album in 5.1?" I knew it wasn't plausible, but I had hope. Hope crushed :) I know some people still like the upmix but Olias hurt my soul, very sad.

Can we have uhhhh Animation in 5.1? Oh wait, the tapes for that are long gone too, right? How about uhhh City of Angels? Earthmotherearth? The more plausible choice would be the Anderson/Stolt collab Invention of Knowledge from 2016, or maybe 1000 Hands pt1. All dreams in the metaphorical winds of surround music, the most frustrating format.

And yes, I am entirely too invested.
 
Slightly old thread, but didn't wanna ruin the fun people have in the poll thread - I'm still mad. Seething, even.

Man when this thing was announced I got so hyped, I put that preorder in RIGHT AWAY because y'know, Olias is screaming to be multichannel with its wide soundstage and immersive atmosphere. I smashed that "Cancel preorder" button so hard and so bitterly when it was revealed to be an upmix however many days later.

The worst part is, I knew, deep in my grey matter. I thought to myself, "Wow, isn't that the one Jon recorded and mixed in his garage? The same Olias that took an entire night to get the sync on the multitracks right to make a master? They did *that* album in 5.1?" I knew it wasn't plausible, but I had hope. Hope crushed :) I know some people still like the upmix but Olias hurt my soul, very sad.

Can we have uhhhh Animation in 5.1? Oh wait, the tapes for that are long gone too, right? How about uhhh City of Angels? Earthmotherearth? The more plausible choice would be the Anderson/Stolt collab Invention of Knowledge from 2016, or maybe 1000 Hands pt1. All dreams in the metaphorical winds of surround music, the most frustrating format.

And yes, I am entirely too invested.
There was talk that Roine Stolt was doing a mix of Invention of Knowledge in 5.1 back in June of 2017. I asked him about it at Cruise to the Edge in 2019, but there wasn't any progress being made on it.
 
There was talk that Roine Stolt was doing a mix of Invention of Knowledge in 5.1 back in June of 2017. I asked him about it at Cruise to the Edge in 2019, but there wasn't any progress being made on it.
Haha that's great|awful news. Yet another album I'd die in an arson to have in multichannel. Presumably that little project is dead now yes? I thought I read about Jon and Roine planning a second collab as well, ages ago.
 
Slightly old thread, but didn't wanna ruin the fun people have in the poll thread - I'm still mad. Seething, even.

Man when this thing was announced I got so hyped, I put that preorder in RIGHT AWAY because y'know, Olias is screaming to be multichannel with its wide soundstage and immersive atmosphere. I smashed that "Cancel preorder" button so hard and so bitterly when it was revealed to be an upmix however many days later.

The worst part is, I knew, deep in my grey matter. I thought to myself, "Wow, isn't that the one Jon recorded and mixed in his garage? The same Olias that took an entire night to get the sync on the multitracks right to make a master? They did *that* album in 5.1?" I knew it wasn't plausible, but I had hope. Hope crushed :) I know some people still like the upmix but Olias hurt my soul, very sad.

Can we have uhhhh Animation in 5.1? Oh wait, the tapes for that are long gone too, right? How about uhhh City of Angels? Earthmotherearth? The more plausible choice would be the Anderson/Stolt collab Invention of Knowledge from 2016, or maybe 1000 Hands pt1. All dreams in the metaphorical winds of surround music, the most frustrating format.

And yes, I am entirely too invested.


How's about Jon Anderson and Vangelis-The Friends Of Mr. Cairo ?
 
Fans of "Olias of Sunhillow" (or just of Anderson), probably know he's been supposedly working on a follow-up "Zamran" for what seems like decades (46 years apparently). Well, maybe it's actually closer now (with a bit of "Tales From Topographic Oceans" thrown in as well):

This unusually long preview sounds promising. So promising that it made me play The Revealed Science of God :)
After all the issues he had with his voice, Jon is sounding rejuvenated
 
Slightly old thread, but didn't wanna ruin the fun people have in the poll thread - I'm still mad. Seething, even.

Man when this thing was announced I got so hyped, I put that preorder in RIGHT AWAY because y'know, Olias is screaming to be multichannel with its wide soundstage and immersive atmosphere. I smashed that "Cancel preorder" button so hard and so bitterly when it was revealed to be an upmix however many days later.

The worst part is, I knew, deep in my grey matter. I thought to myself, "Wow, isn't that the one Jon recorded and mixed in his garage? The same Olias that took an entire night to get the sync on the multitracks right to make a master?

That tale actually applies only to the track NAON, iirc.
 
Just a side note - Jon Anderson's new album True is released today, Aug 23. I am sure most of us seek a physical edition of this new Jon Anderson album as it has been completely mixed in Dolby Atmos and has a real throwback sound to the progressive 70's. Although it is less likely Frontier Records will issue a Blu-ray version with the Dolby Atmos mix, I think they could be persuaded to offer a download through a site like IAA. I strongly suggest contacting the label and letting them know that you are seeking a physical release, I have done this by sending an email to [email protected]
 
Just a side note - Jon Anderson's new album True is released today, Aug 23. I am sure most of us seek a physical edition of this new Jon Anderson album as it has been completely mixed in Dolby Atmos and has a real throwback sound to the progressive 70's. Although it is less likely Frontier Records will issue a Blu-ray version with the Dolby Atmos mix, I think they could be persuaded to offer a download through a site like IAA. I strongly suggest contacting the label and letting them know that you are seeking a physical release, I have done this by sending an email to [email protected]
From your lips to Gods ear! This is a brilliant album and I'd love to have a lossless BD Atmos mix here !
 
True is easily Jon Anderson's best work in a long while - musically there are moments (not necessarily entire songs) that absolutely nail the sound of 70's Yes, including bass and backing vocals. The Atmos mix is pretty good - not bad by any means but not cutting edge either. However, the album artwork is an epic fail, even by Jon Andersons pretty low solo standards (excluding Olias, of course). And the name The Band Geeks? Sheesh.
 
And the name The Band Geeks? Sheesh.
Well The Band Geeks are outstanding musicians, they have used that name for a very long time on Youtube, back when they were playing (better than anyone else I know) Yes covers just as any other fan. It's absolutely amazing that they eventually end up playing live with Jon and recording a full lenght album of brand new music with him. I'd absolutely love to see them live, but it's unlikely they ever come here. Maybe the name sounds a bit cheesy now, but I can understand they wanted to keep it. Maybe it's just me - I somewhat got used to it back in the day.

On the other hand, I find the album cover absolutely atrocious indeed. I hate that I pay so much attention to that, but I simply refuse to buy an album with such terrible cover, and if I haven't even streamed it yet it's also because of that. I love Jon, and Yes is my favorite band ever (together with norwegian prog metal band Conception), so I guess I'll be able to forget about that artwork once I start listening to the music, but I really don't feel like playing it now.

As an apparenly obvious attempt at bringing back the old Yes magic (according to what I'm reading everywhere), they should have gone for a 70's Yes style artwork, IMO. That would have been an epic win.
 
True is easily Jon Anderson's best work in a long while - musically there are moments (not necessarily entire songs) that absolutely nail the sound of 70's Yes, including bass and backing vocals
Agreed and funny. The first time I played it what struck me was the bass, I thought damn that sounds just like Chris Squire. That led me to search out Band Geeks and learn what has now been posted here about them. The whole feel of True is pure 70s Yes, and to me that's a good thing. I guess I must be a terrible art critic, I hear a lot of negative remarks but I thought it was pretty good, a picture of Jon singing, whats so bad?
YMMV :p
 
Agreed and funny. The first time I played it what struck me was the bass, I thought damn that sounds just like Chris Squire. That led me to search out Band Geeks and learn what has now been posted here about them. The whole feel of True is pure 70s Yes, and to me that's a good thing. I guess I must be a terrible art critic, I hear a lot of negative remarks but I thought it was pretty good, a picture of Jon singing, whats so bad?
YMMV :p
It IS funny! With Jon's name and album title in gold glitter, him with silk scarf and sunglasses clutching the microphone with both hands, it looks like a parody of a glam rock cover - certainly not a credible throwback to 70's progressive music. But as many have commented, the awful cover takes nothing away from the music inside. I just hope potential listeners aren't turned away by it. :cool:
 
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True is easily Jon Anderson's best work in a long while - musically there are moments (not necessarily entire songs) that absolutely nail the sound of 70's Yes, including bass and backing vocals. The Atmos mix is pretty good - not bad by any means but not cutting edge either. However, the album artwork is an epic fail, even by Jon Andersons pretty low solo standards (excluding Olias, of course). And the name The Band Geeks? Sheesh.
I haven’t seen the artwork, but can it possibly be any worse than “In the Court of the Crimson King?”
 
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