However - I am a bit bummed about two things, one being the master tape situation with Sextant (obviously not the fault of D-V) and the other being that the MFSB release isn't a two-fer with the quad mix of Love Is The Message (which included "TSOP", the Soul Train theme). I guess they're saving one for another batch down the line.
Philadelphia Freedom would have been a 2fer with
Love is the Message but it is (or at least was, at the time that D-V enquired) under license to another label in the UK at the moment so it wasn't avaiable. I'm sure if the situation changes in that regard in the future that it will definitely be on D-V's radar, especially if the
Philadelphia Freedom/Summertime disc sells well. So there's no nefarious reason for this happening, and it's not due to any missing master tapes either, I can put that supposition to bed.
I know stereo mixes are a secondary concern for people here, but as a long-time collector of this kind of music I've heard pretty much every digital release of the stereo versions of both
Philadelphia Freedom and
Summertime and every single one of them has had its dynamic range compressed to some extent. The ones I ended up living with were both DR10, but these albums should be more in the DR12-DR14 range and I'm looking forward to retiring these versions when the new D-V SACD shows up.
ps. pedantry time, do the Quads Miller Nevada did on DTS CD licenced from Universal/Polygram count? the Moody Blues, the Clapton's, Allman Brothers, Bachman Turner Overdrive, etc.?
I didn't count those because they were done before all of the mergers that created the UMG we know today. Whichever way you slice it however, this is definitely the first hi-rez quad "pop" reissue licensed out of the Universal vaults.
I am posing this question which I'm hoping to receive a candid reply [if you're at liberty to do so]: Has D~V EVER been in negotiations with RHINO/WARNER to release any QUAD product? Or is/was that a myth? Would love for that nagging question to be answered once and for all and I know I'm not alone.
I think for obvious reasons, I wouldn't be able to comment on this regardless if it were true or not. Mike is fully aware of what's "out there" in terms of quad (and I've provided him detailed spreadsheets for every label as well) so I'm sure he'd take an opportunity with Warners if it presented itself.
Speaking of two-fers, do we really need to get two Tomita albums as standalone releases? I’d like to have Daphne and Chloe to replace my Japanese CD-4 (the one that I haven’t played since 1980). And I wouldn’t mind Firebird from the master tape. But with the crapbunch of quad Tomita’s out there, can’t we pair them up? Or does Isao’s output somehow command a loftier position than — oh, I dunno — Art Garfunkel? Or Billy Paul?
If that’s how it must be, then be it must.
I’d just like to know why.
There are a variety of reasons that an album could be a single (legal, financial, etc.) that we'll never be privy to, but the simple fact of the Tomita releases is that
Daphnis et Chloe is over 50 minutes long, and
Firebird is well over 48 minutes, so even if D-V wanted to do them as a 2fer it wouldn't be possible given the 78-80 minute constraint of a single hybrid SACD.