Listening to Now (In Surround) - Volume 2

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Steven Wilson - The Future Bites

First time listen.


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SW - The Future Bites

First impression, after hearing the album as a whole as I did hear all the pre-release stuff multiple times. Nope, just not for me. I'd have taken "12 Things" and added it to the latest Blackfield album and basically tossed the rest off as a failed experiment. The falsetto he (over)used on the last album is used even more now and while I like that he's more confident with his voice it just is not a great combo with the relatively weak material he tossed together here.

And it's not that it's a genre I don't like...it's not my fave but I'm open to it when I hear something that grabs me...I just don't think he's done it very well here.

I'll give it a few more spins...the fidelity is tops and the 5.1 is immersive band engaging...it's just not great musical content for my taste. Maybe (and I hope) it will grow on me but it may be one I just need to toss off and break that "deluxe set auto-buy" habit with.
 

By now, I think all the members of Patricia Barber's QQ Choir already know about this disc, but having just acquired the Impex 5.1 SACD (after buying a download last fall from NativeDSD), I want to sing one more chorus.

Jim Anderson did a beautiful job with this: it's a subtle 5.1 mix for a (mostly) low-key album. Many of the tunes are spare, slow, even stately voice-and-piano affairs, with bass, guitar, sax and/or percussion joining in more for color than for accompaniment. (Great sax solo on "Pallid Angel," though, and a handful of tunes are full-on piano-quartet workouts.)

The soundstage is mostly spread across the fronts. On several cuts there are touches of snare, cymbal, or hi-hat in the rears, which are otherwise mostly natural studio reverb adding depth & ambience.

Standouts from a mix point of view: "The Albatross Song" (the one tune that most resembles what I like from earlier Patricia Barber albums) and "The Opera Song."
 
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By now, I think all the members of Patricia Barber's QQ Choir already know about this disc, but having just acquired the SACD (after buying a download last fall from NativeDSD), I want to sing one more chorus.

Jim Anderson did a beautiful job with this: it's a subtle 5.1 mix for a (mostly) low-key album. Many of the tunes are spare, slow, even stately voice-and-piano affairs, with bass, guitar, sax and/or percussion joining in more for color than for accompaniment. (Great sax solo on "Pallid Angel," though, and a handful of tunes are full piano-quartet workouts.)

The soundstage is mostly spread across the fronts. On several cuts there are touches of snare, cymbal, or hi-hat in the rears, which are otherwise mostly natural studio reverb adding depth & ambience.

Standouts from a mix point of view: "The Albatross Song" (the one tune that most resembles what I like from earlier Patricia Barber albums) and "The Opera Song."

Just ordered a copy from Elusive Disc of Patricia Barber's Multi~CH SACD [IMPEX] HIGHER along with Joan Armatrading's debut SACD, Frank Sinatra's MONO SACD from the 50's [Sing and Dance with FS] and Michael Tilson Thomas/SFS: Charles Ives Symphonies Nos. 3 & 4 [Multi~CH SACD].
 
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