You've got me intrigued with your description of the Dutton title. It's now on my to-buy list.
Agreed that La Stravaganza is not very discrete. Is is though, to my ears, the most engaging, high fidelity, "live-sounding" classical title I've heard. In truth the performance and recording are so good I'll take it any way I can
This is often a quandary for me...do I want a mix to sound "real", or discrete? Both are attractive in the right musical scenario.
+1 I love La Stravaganza.
And, a lot of the time these days, I'm lucky if I can sit in the "sweet spot" for a few minutes here, a few minutes there. It's all about the music and how good it sounds. Half the time I have a fussy baby making discrete noise or I'm in the kitchen or something. @::music@: