Both the LFE and left front speaker need to have their phase inverted relative to the other 4 speakers.
STOP PRESS:
I just looked at all of the tracks in Nuendo, and relative to the other tracks, the Front Left and LFE tracks are out of phase. When you correct this there is tons of bass.
Just for those who don't know about phase, in simple terms audio waveforms can either be positive or negative, and you want all the channels in your mix to be the same, because if positive overlaps with negative, they cancel each other out just like a mathematical equation. This is especially apparent with bass, because it's usually a mono signal mixed in equal amounts to more than one channel - so lets say you have bass in FL and FR, and one of them is out of phase: positive bass and negative bass cancel each other out and you have zero bass. If you had either positive and positive you'd have bass, or negative and negative you'd have bass. In the case of this mix (I listened to it on headphones) you have bass in 5 channels: FL, FR, RL, RR and LFE. When you have your speakers set to small, the bass from all those channels is sent to your sub, and because the FL and LFE are out of phase, they cancel out the bass from the FR, RL and RR. What you're left with is some kick drum and some fuzzy indistinct bass guitar.
I know the internet is full of hyperbolic opinions, but I think this is a pretty major mastering/authoring error - I would encourage Roadrunner to recall the disc and fix this error, because it's not a simple thing for a layman to fix. Nor should the end user really have to jump through a load of hoops just to make the thing they paid good money for sound as it should, really.
I checked out the drums as well and they seem fine - I listened to the 5.1 mix with the FL, FR, C and LFE in one ear, and the RL and RR in the other ear, which gives me a good idea of the front/back panning. The drums are pretty standard SW style, with the bulk of the kit in the FL & FR, with the toms pulled out to the mid-sides and some of the cymbals further back toward the rear, with reverb from the kit in the rear speakers. When you fix the phase problems the drums sound a lot more normal and coherent, so that may be the problem. I also found the center channel to be used more sparingly than a lot of SW's recent mixes - it's used almost exclusively for lead vocals and lead guitar and is silent most of the rest of the time.
ETA: I wasn't able to rip the two live bonus tracks using either AudioMuxer or DVD Audio Extractor so I'm not sure if they suffer the same issue or not.
I just now finished listening to the album after inverting the front left speaker's and LFE's phase and this solved the issue, as expected. Of course, inverting the phase like that will throw off all other albums with correct phase correlation and therefore I'd rather have Roadrunner fix the issue instead of having to flip the phase manually everytime I want to listen to this.
For anybody who doesn't know which effect an inverted phase has to the audio signal, please just listen to a standard stereo CD and flip the phase of one of the front speakers. The mess you'll hear after you did is exactly what is happening with the front channels of this release.
Roadrunner really screwed it up. I hope they're willing to fix it.
How can one change the phase on speakers? Don't think I've ever tried it.
Do we have an email address we can all write to?
If they don't see bad reviews on Amazon, they won't care.
If they don't see bad reviews on Amazon, they won't care.
Just flip plus and minus on the left front speaker connectors and you're done
Just did the LF polarity swap. It solved the problem for me also.
I wonder if Roadrunner will even bother correcting it. Maybe if SW gets wind of it, he could put some pressure on them.
I swtiched the phase of the FL. Not a night and day difference, though the soundstage is a bit fuller. Wrote to the Stereoboutigue where I purchased the deluxe edition.
It is nothing to do with stereoboutique.
Enter your email address to join: