Interesting question... Checking.Could it be that the DTS HD was changed more than the LPCM?
***They appear to be exactly the same. I just think the center phase correction helps quite a bit on one of my systems.***
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Interesting question... Checking.Could it be that the DTS HD was changed more than the LPCM?
In Absentia Deluxe Review
Did They Fix the 5.1 Mix?
With the LFE delay, depending on the tempo of certain songs, it can appear inverted, relative to the neighboring tracks. Maybe that contributed to Thomas's comment back when. I sincerely believe it's only delayed and low in amplitude, not inverted.Great to hear you are investigating the issue on the LFE channel. It would be good to solve this matter once and for all
I remember @Plan9 mentioning on the other forum that both centre and LFE channels are inverted. I'm looking into the In Absentia files as I type, and am not that confident the LFE is inverted. I can clearly see there's delay and the volume is low, but as you mentioned @edisonbaggins, it's hard to gauge whether that was a deliberate choice or a mistake. Like you, I'm happy with the blu-ray as is, but am curious and would like to get this right!
In Absentia Deluxe Review
Did They Fix the 5.1 Mix?
With the LFE delay, depending on the tempo of certain songs, it can appear inverted, relative to the neighboring tracks. Maybe that contributed to Thomas's comment back when. I sincerely believe it's only delayed and low in amplitude, not inverted.
Looking quickly at the original IA 5.1 release, at Deadwing DVD-A and FoaBP DVD-A, it appears that IA and FoaBP are both delayed by around 10ms, but Deadwing is not.About the 7.6dB boost for the LFE, IIRC (that was 3 years ago) I arrived at this conclusion by analyzing the original mastered 5.1 channels; that is the amount the LFE need to be boosted to arrive at the maximum admissible level for a LFE track, and compared with the levels of the other channels. It was also consistent with the filtering needed for a lossy DTS track at the time. Not sure if I'm being clear, but it was purely a deduction as I didn't have the un-mastered 5.1 mix to check against.
As for the 10ms delay, I remember noticing it at the time, but after checking I didn't think it made a difference either way.
I passed on the information to Steven.
My system incorporates bass management and all 3 releases sound wonderful to my ear. Would have never guessed at the delay as Colin Edwin’s low end typically sounds massive.Looking quickly at the original IA 5.1 release, at Deadwing DVD-A and FoaBP DVD-A, it appears that IA and FoaBP are both delayed by around 10ms, but Deadwing is not.
Can you think of some kind of tool or process that might introduce such a delay? It's good that it doesn't seem to affect sound much (maybe it does on systems that rely on bass-management most heavily though?).
I don't want to get paranoid and start checking all LFE's for how well they're synced. This just became interesting suddenly (to me, at least) because of IA Deluxe.
Is the LFE full frequency or band limited? As a 10ms group delay for a Low Pass Filter which is 3dB down at 100Hz would not be excessive, its one complete cycle of 100Hz.
That might be why there is a delay, it is inherent in any filter digital or analogue. So the delay will be larger the higher the filter order, and also therefore the quicker the filter rolls off. Of course it could just be a 'quirk' introduced in the file outputting by the source program.IIRC it is indeed Low Pass filtered
Any idea why a filter would do that?That might be why there is a delay, it is inherent in any filter digital or analogue. So the delay will be larger the higher the filter order, and also therefore the quicker the filter rolls off. Of course it could just be a 'quirk' introduced in the file outputting by the source program.
This is just the basics of how filters operate. Typical digital filters utilize delay elements (called time taps) to create time delayed versions of the signal. These are then added together in various combinations to create desired frequency responses. There are of various types of filters, however they all introduce delay components in one form or another.Any idea why a filter would do that?
Difficult to easily explain! Mathematics and graphs are really needed to show it.Any idea why a filter would do that?
All I know is that raising the LFE like you describe really works for my ears.About the 7.6dB boost for the LFE, IIRC (that was 3 years ago) I arrived at this conclusion by analyzing the original mastered 5.1 channels; that is the amount the LFE needs to be boosted to arrive at the maximum admissible level for a LFE track, and compared with the levels of the other channels. It was also consistent with the filtering needed for a lossy DTS track at the time. Not sure if I'm being clear, but it was purely a deduction as I didn't have the un-mastered 5.1 mix to check against.
As for the 10ms delay, I remember noticing it at the time, but after checking I didn't think it made a difference either way.
I passed on the information to Steven.
Man, there sure are some subjects on this forum that go right over my fu**ing head. I'm glad someone out there understands the nuts and bolts of this stuff, it just isn't me.Difficult to easily explain! Mathematics and graphs are really needed to show it.
The best explanation I can give is that the filtering 'action' introduces a phase shift which is different for different frequencies, a phase shift in a filter is a time delay. Group delay is related to the filters transient response. So if you put a step pulse into a Low pass Filter the output will not be a step but a 'ramp', this due to the higher frequencies being delayed by more than the lower ones, plus higher frequencies will also be attenuated as it is a low pass filter. So a delay is inherent in any type of filter.
The lazy explanation is its magic
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