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Now back to Rhino Quads , which is what this thread is all about.

Steve ? (@ForagingRhino )

-something begging for a clarification, at least on my part , did you , or have you , come across any unfinished quad masters ?
I mean some tapes that may have had only 1 or more quadraphonic songs mixed ?
Or even some artist's tapes.... whereby a bonus quad track is included ?

Anything that's akin to the Jethro Tull quads for example . Whereby Songs From The Wood , had only 4 tracks mixed in quad , and War Child quad master had 2 bonus tracks (in quad).
I apologize on behalf of all of us who have derailed this thread with so much Croce talk. It doesn’t belong here. Perhaps some enterprising young moderator would like to gather up all the posts and put them in their own thread? It does seem to be a topic that comes up quite a bit.
 
Now back to Rhino Quads , which is what this thread is all about.

Steve ? (@ForagingRhino )

-something begging for a clarification, at least on my part , did you , or have you , come across any unfinished quad masters ?
I mean some tapes that may have had only 1 or more quadraphonic songs mixed ?
Or even some artist's tapes.... whereby a bonus quad track is included ?

Anything that's akin to the Jethro Tull quads for example . Whereby Songs From The Wood , had only 4 tracks mixed in quad , and War Child quad master had 2 bonus tracks (in quad).
Sure.
 
So given that there are some whereas only an incomplete quad is present...is there a good chance that someone the likes of Bruce Botnick can finish the album's complete quad mix ?
Is this scenario being considered for any new quadio product ? or are there too few to bother ?
Probably not. The likelihood of a release recouping the expense to produce it is extremely small. Unless of course it was a sure-fire title that the artist wanted to bring to completion. Even smaller likelihood.
 
Out of fantasyland, and back to realty for a few minutes.

I think I could handle a clue or two. Like: how about the main color for each of the album jackets for these new upcoming amazingly thrilling Quadio bundled titles? Or maybe the spines photographed.... unless that is useless and will only provide more frustration than real clues?
 
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Probably not. The likelihood of a release recouping the expense to produce it is extremely small. Unless of course it was a sure-fire title that the artist wanted to bring to completion. Even smaller likelihood.

How about a Quadio titled "Some quad mixes by acts with WMG" which would contain the existing, finished quad song mixes for partially competed quad albums (maybe 20 to 25 songs from several different acts on one Quadio)?


Kirk Bayne
 
Probably not. The likelihood of a release recouping the expense to produce it is extremely small. Unless of course it was a sure-fire title that the artist wanted to bring to completion. Even smaller likelihood.

Ok, thanks , Steve . So I'm going to hope for the "Unless Of course " scenario.

And as mentioned previously , Rhino might try a Special Quadio Compilation, for the 1 to 3 track quad album incompletes, that can not be tacked on to any future releases.
Anyways it's just a suggestion , for consideration.
 
This is not directed at anyone or any specific comment.

The reality is that these quadio releases are sitting on a shelf almost ready to go. They are low hanging fruit that can be plucked, shined up, and put out to market with very little up front investment. Acquiring the rights, having to take the original masters and create something new from them requires a lot more up front investment.

I have no idea what the profit margin per disc is or how many quadio discs are being sold, but I'd assume it relatively low given that most physical disc sales are low across the board. The point being, that if the up front costs are too high then the profit margin shrinks even more, and no company is going to go through the exercise if they aren't going to have a worthwhile return.

The people that green light projects like this aren't doing it to make us happy, they are doing it to turn a profit and that profit has to be worth the effort. If they were to take on a new project from scratch then it most likely would have to be an album that was multi-platinum. I think the best thing we can do to support this process is buy those recent releases: Fleetwood Mac, The Doors, Alanis Morresette and Hootie, more so than the quadios.
 
Some of the Quadio titles might barely break even. While others sell double what was expected. But whatever happens, at least Rhino has the timing right here. This year, and at where home surround has saturated to the point of people familiar and comfortable with the idea and experience finally.

And the online forums and websites provide grassroots promotion and advertising that actually makes up plenty for the decline of print ads.

It’s all good really, ain’t it!
 
This is not directed at anyone or any specific comment.

The reality is that these quadio releases are sitting on a shelf almost ready to go. They are low hanging fruit that can be plucked, shined up, and put out to market with very little up front investment. Acquiring the rights, having to take the original masters and create something new from them requires a lot more up front investment.

I have no idea what the profit margin per disc is or how many quadio discs are being sold, but I'd assume it relatively low given that most physical disc sales are low across the board. The point being, that if the up front costs are too high then the profit margin shrinks even more, and no company is going to go through the exercise if they aren't going to have a worthwhile return.

The people that green light projects like this aren't doing it to make us happy, they are doing it to turn a profit and that profit has to be worth the effort. If they were to take on a new project from scratch then it most likely would have to be an album that was multi-platinum. I think the best thing we can do to support this process is buy those recent releases: Fleetwood Mac, The Doors, Alanis Morresette and Hootie, more so than the quadios.
Yes. I suspect the new quad mix done to complete the Joni set was a one-off we won’t likely see replicated.
 
In fact why not an early Rod Stewart box set?
Say the first four solo lps.
I know they'd have to be newly mixed for surround but Rhino did a Joni box set and she has what 10 million world wide record sales?
Sir Rod absolutely crushes that with 120 million plus world wide record sales
Seems to be an artist that would generate the ROI needed
BTW, Universal Japan's Stereo SHM~SACDs of EVERY PICTURE TELLS A STORY and GASOLINE ALLEY ARE EXTRAORDINARY!
 
This is not directed at anyone or any specific comment.

The reality is that these quadio releases are sitting on a shelf almost ready to go. They are low hanging fruit that can be plucked, shined up, and put out to market with very little up front investment. Acquiring the rights, having to take the original masters and create something new from them requires a lot more up front investment.

I have no idea what the profit margin per disc is or how many quadio discs are being sold, but I'd assume it relatively low given that most physical disc sales are low across the board. The point being, that if the up front costs are too high then the profit margin shrinks even more, and no company is going to go through the exercise if they aren't going to have a worthwhile return.

The people that green light projects like this aren't doing it to make us happy, they are doing it to turn a profit and that profit has to be worth the effort. If they were to take on a new project from scratch then it most likely would have to be an album that was multi-platinum. I think the best thing we can do to support this process is buy those recent releases: Fleetwood Mac, The Doors, Alanis Morresette and Hootie, more so than the quadios.
I think the most reasonable thing to hope for is that the labels are churning out a ton of Atmos mixes these days for streaming, including some legacy titles, and that once these mixes are already made it should not only not cost them TOO much more to release them on physical media, but doing so might help recoup the costs of the mixing that streaming doesn't provide.

So yes, supporting these releases will certainly help.
 
How about a Quadio titled "Some quad mixes by acts with WMG" which would contain the existing, finished quad song mixes for partially competed quad albums (maybe 20 to 25 songs from several different acts on one Quadio)?


Kirk Bayne
Then you would need to get coupling rights for all of these different artists to allow their tracks to be co-mingled with other artists. If this was a KTEL comp, we'd be good to go!
 
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