My post #603 up-thread has now been edited to reflect the correct DAW and 7.x speaker relationship.
Cool animated gif .I had mentioned earlier that surround treatment of "Dancing With Mr. D." is pretty disappointing compared to the rest of the album, but I'm starting to wonder if there's actually a mastering error in this track (proper credit belongs to @HomerJAU and @J. PUPSTER for noticing this first).
If you rip it to 8-channel .FLAC or .WAV and open it in Audacity, it appears there's no audio content in channels 5 & 6. However, boosting that pair 25 dB(!) reveals an isolated acoustic guitar track. I wonder if a fader accidentally got pushed down before they exported the mix or something?
View attachment 56034
It's still not spectacular, but definitely more interesting than before.
I had mentioned earlier that surround treatment of "Dancing With Mr. D." is pretty disappointing compared to the rest of the album, but I'm starting to wonder if there's actually a mastering error in this track (proper credit belongs to @HomerJAU and @J. PUPSTER for noticing this first).
If you rip it to 8-channel .FLAC or .WAV and open it in Audacity, it appears there's no audio content in channels 5 & 6. However, boosting that pair 25 dB(!) reveals an isolated acoustic guitar track. I wonder if a fader accidentally got pushed down before they exported the mix or something?
View attachment 56034
It's still not spectacular, but definitely more interesting than before.
On pretty much every song, the rear channels are a combination of isolated information and ambience/reflections from the front-panned instruments (as is the case with most modern surround remixes). What’s interesting is that, in the 7.1 version, the ambience from the fronts and instruments heard solely in the rears are often separated into the different rear speaker pairs.
Man o' MAN, this thread has turned into a veritable "Science Project." What's NEXT: A QQ Poster attempts to pry the GHS hard covered book from its gooey mooring and then kvetches that as he placed it on his lap, his gonads stuck to his BVDs and he ended up with Sticky Fingers!
I'm curious how these reflecting height speakers sound. Depending on my listening room if/when I upgrade my equipment down the road, I may have to go this route. Many years ago, I owned a pair of Bose 301's that had an angled tweeter which would reflect off the side walls. They sounded pretty good from what I remember.This is what's so awesome about QQ. Nowhere else do we get analysis of the audio wave forms. I used to not really care about that sort of stuff but now I find it interesting and extremely useful.
By the way, when it comes to Atmos I'm in the 5.1.2 camp. Atmos speakers sit on top of my front towers.View attachment 56044
I'm curious how these reflecting height speakers sound. Depending on my listening room if/when I upgrade my equipment down the road, I may have to go this route. Many years ago, I owned a pair of Bose 301's that had an angled tweeter which would reflect off the side walls. They sounded pretty good from what I remember.
Just imagine what Bose 901's, sounded like....I loved those....my friend had them, but I had JBL 4311a's!!!I'm curious how these reflecting height speakers sound. Depending on my listening room if/when I upgrade my equipment down the road, I may have to go this route. Many years ago, I owned a pair of Bose 301's that had an angled tweeter which would reflect off the side walls. They sounded pretty good from what I remember.
Just imagine what Bose 901's, sounded like....I loved those....my friend had them, but I had JBL 4311a's!!!
I know this isn't quite the right forum for this, but Ralphie check out this review/history of the JBL 4311MM, take a trip down Memory Lane with this 1971 Review of the BOSE 901s by esteemed Stereophile reviewer J. Gordon Holt:
https://www.stereophile.com/standloudspeakers/425/index.html
BTW, MM, the BOSE 901s which cost $476 a pair with equalizer in 1971 in today's market would retail for $3,075!
I'm curious how these reflecting height speakers sound. Depending on my listening room if/when I upgrade my equipment down the road, I may have to go this route. Many years ago, I owned a pair of Bose 301's that had an angled tweeter which would reflect off the side walls. They sounded pretty good from what I remember.
With these there was no need for in ceiling speakers. I have them on ceiling:As others have mentioned ceiling speakers pointing down are the ideal setup for Atmos. My PSBs work ok, but I doubt I'm getting the best Atmos results. My audio setup is also used for movies and the up firing does add some nice hight. Unfortunately there's no way I was going to make holes in my living room ceiling to accommodate Atmos speakers.
Here's what my upfiring PSB XA Atmos speakers look like with the grill removed. These can also be wall mounted.
There are many brands available for those with limited options - YMMV.
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