Don't try to reach me today; I'll be having a plush TV jazz-rock party in sensuous surround sound...
View attachment 46836
(
Two Against Nature released Leap Day, February 29, 2000--on CD & vinyl, anyway. The DVD-A came two years later. )
Man. I have a hard time being objective about Steely Dan, so take my tens-across-the-board with a large grain of salt if you like. But this album has everything I love about "late-period" Steely Dan: the old wicked wit behind head-bobbing grooves; hip, intricate horn charts; and not just Becker's accents and licks and fills but also (at last!) his understated soloing. Plus, three of the best songs in their entire catalog: "What a Shame About Me," "Janie Runaway," "Cousin Dupree." (Okay, the title track and "Gaslighting Abbie" are pretty damn good, too.) And Chris Potter's jaw-dropping solo to close the album. Add Scheiner's subtle, balanced, pinpoint mix and you've got perfection.
2VN@25: Where does the time go?
Elliot Scheiner and
New Yorker music writer Amanda Petrusich were on WNYC's
All Of It the other day for a "Silver Liner Notes" (get it?) segment. Worth a listen for Scheiner alone, though you have to be willing to forgive both the dopey program host and, inexplicably, Petrusich, for referring to the band's 1997 album as "Ah-zhah."
https://www.wnyc.org/story/steely-dans-two-against-nature-at-25-silver-liner-notes/
And yesterday, Jake Malooley devoted his
Expanding Dan Substack to the great British writer Barney Hoskyns, who averred (in "Librarians on Acid,"
his review of Two Against Nature for The Guardian) that Becker & Fagen's great comeback was "at least partly about the struggle of two middle-aged rock boffins to compete in a world of midriff display.” He also quoted Becker drolly glossing the album's title as “the songwriters’ invocation of their own powers to overcome the natural and supernatural forces that are arrayed against them in this stage of life . . . trying to reassure themselves and help their audience prevail in the face of all sorts of mysterious, frightening, powerful beings and characters and situations--pestilences and plagues and unexplained terrifying disruptions of domestic tranquility.” ("Twenty-five years later," remarks Malooley, "that offer of help feels especially poignant as we try to collectively prevail in the face of all manner of mysterious, frightening, powerful beings.")
So I'll be taking whatever strength and comfort I can today from a deep listen to our heroes' evergreen millennial clash. And after that, even though it's not in surround--dammit--I'll be acting natural, like I don't care, and giving another spin to
Katy Lied, which was released (wait for it)
50 years ago on March 1st. I think you know what I mean.