http://www.5point1.com/introtohigh.html
Brad Miller was a surround sound guru, starting with a few sound effect Quadradiscs.
and the FOUNDER of MFSL!!!! Which is why he'd go nuts about all of this quad blocking
http://www.5point1.com/introtohigh.html
Brad Miller was a surround sound guru, starting with a few sound effect Quadradiscs.
Wonder if every copy of the CD-4 is so blighted, or if there might just be a hot stamper out there that tracks like a good'un..?
("hope springs eternal..!" as QQ Ryan would say! )
The AQ-4090 is a legendary CD-4 LP. The engineers at Arista knew it would be the last so they pushed it to the very max of the spec. If you have one, you'll notice that the run out groove area is huge compared to a regular LP. They put the grooves with the music very close together cramming as much data as they could into the vinyl. I may have some of this wrong, but Nick Perugini knows more about it that I remember. It's considered a true test of a CD-4 demodulator. If yours can play this LP without issue, it's set up perfectly and it's a good demodulator. Cheap units will not cut it.
From what I've heard many people have had problems with it when it gets close to the end of a side.
and the FOUNDER of MFSL!!!! Which is why he'd go nuts about all of this quad blocking
Bah.. that's what all the girls say!
- "Get up would you darling and flip it over..? its the end of the side.."
- "I can't get up right now, dear.."
Ahem.. :ugham:
anyway, moving swiftly on, one last AF Surround suggestion for tonight if I may.. and no big surprise coming from me I guess as its EJ.. but I offer here for your consideration, Hugo Montenegro's Rocket Man Tribute to Elton John..! :worthy
What a surround hootenanny! :woopie
There's covers of a number of Elton's big 70's Hits (***** is Back, Philadelphia Freedom, Rocket Man, Your Song, Daniel, Goodbye Yellow Brick Road.. an appropriately trippy Lucy In The Sky With Diamonds and a nice album cut in Take Me To The Pilot..) plus a couple of Montenegro Elton-inspired originals that are rather funky too! :banana:
The standard of Musicianship throughout is high, imho.. You've got Larry Carlton, James Jamerson, Jim Gordon, Chuck Findley all giving it their all on guitar, bass, drums and horns respectively.. plus a load of whacky synths and stuff.. very cool
(image courtesy of 8trackheaven.com)
Regarding MFSL and quad blocking, a lot of MFSL releases are limited edition, so the quad blocking may be limited too... MFSL released Chicago Transit Authority, Chicago II & VI on stereo SACD a couple of years ago (2014, 2015, 2013 respectively) and this year we got all of them on Quadio blu-ray!
Regarding MFSL and quad blocking, a lot of MFSL releases are limited edition, so the quad blocking may be limited too... MFSL released Chicago Transit Authority, Chicago II & VI on stereo SACD a couple of years ago (2014, 2015, 2013 respectively) and this year we got all of them on Quadio blu-ray!
Has anyone heard Gil Evans Orchestra Plays the Music of Jimi Hendrix Quad Lp? It is bloody brilliant I tell thee.
Has anyone heard Gil Evans Orchestra Plays the Music of Jimi Hendrix Quad Lp? It is bloody brilliant I tell thee.
I've got the RCA-Victor CD it is good - I wonder if it is Quad encoded? Probably not - just spotted Adam's post saying it was CD4
I've got the RCA-Victor CD it is good - I wonder if it is Quad encoded? Probably not - just spotted Adam's post saying it was CD4
I have the remastered RCA Gil Evans/Hendrix RBCD as well (in gatefold packaging) and it sounds great but unless it has Dolby Surround on it (which it doesn't) not likely it's surround encoded in any way.
IMO, would make a GREAT QUAD SACD.
Then riddle me this: Columbia released Blood, Sweat & Tears on single-layer stereo SACD in 2000. MoFi released it on hybrid stereo UHR SACD in 2009. Then, AF released it on hybrid SACD—with the quad mix—in 2015. So, it had been out in DSD (on SACD, no less) twice previously, yet AF released it on SACD for the third time anyway.Audio Fidelity are not interested in doing SACD reissues of titles that are or were out in a DSD release previously.
Then riddle me this: Columbia released Blood, Sweat & Tears on single-layer stereo SACD in 2000. MoFi released it on hybrid stereo UHR SACD in 2009. Then, AF released it on hybrid SACD—with the quad mix—in 2015. So, it had been out in DSD (on SACD, no less) twice previously, yet AF released it on SACD for the third time anyway.
A lot of the Jazz master tapes seem to have survived the years, the older engineers took a lot of care in the recording and it was regarded as more 'art' than 'pop'. My youngest brother seems to listen to nothing post-1965 and is always buying good audio quality re-releases, so I wonder if the Quad master of this survives?
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