markshan
1K Club - QQ Shooting Star
If I get a good 5.1 of What's Going On out of it I'm thrilled.
ya I agree but one question, I have a phone that can do 5g it is capable of Dolby Atmos, there is a selection in the menu for it??? Samsung Galaxy j3 vWhile the 'prospects' sound enticing for those who are currently equipped to handle 7.1 Dolby Atmos in their home systems, my question would be the actual DOLBY ATMOS Standard for dolby~atmos equipped movie theaters was 62[!] speakers and the recent D~A demo at the Capitol studios utilized 16 speakers [why 16?] so what are they trying to sell us. Is this another MQA~like enticement to sell more music....and hardware?
As we at QQ forum are well aware, it has been a long, tough and IMO, rather fruitless effort to sell Joe Q. Public on 5.1 systems for their homes/vehicles. And while more modern receivers are equipped to handle up to 11:2 speakers, there is NO current software, AFAIK, to properly test such a system. Auro 3D [9:2] remains the closest.
So theoretically, will mixing down 16 channels of music to 7:1 be even feasible with current technology if this what the Capitol Studios demo 'suggests?'
And will [gulp!] Meridian's MQA play a part in 'streaming' [squeezing?] all those channels over the internet to our home computer devices?
Yes, DOLBY ATMOS music would be wonderful for older and of course more current music 'remixes....' but are consumers who have been unwilling to even go the 5.1 route buy into this latest enticement from Universal Music which in the not so distant past certainly botched their Blu Ray Audio launch?
Dolby is also looking to entice 'other labels' meaning, I assume, Warner and SONY ......... but even if they do sign on will DOLBY ATMOS for MUSIC become as mainstream as DOLBY LABS is anticipating? And what uber~talented remix engineers are going to be tasked with the remixes and what picking and choosing of back catalogue and newer material will 'enjoy' the D~A upgrade. Sounds like another QUAD/5.1 potential disaster to me...in terms of execution.
Stay tuned for this ONE!
If Wilson, Scheiner, nor Clearmountain are available I suggest they contact our own Sean/skherbeck to do the mixes.
If there is one thing I have learned in this hobby, it is that announcements and predictions do not always pan out. Where is my Are You Experienced SACD? Where is my Five Leaves Left surround mix? Pink Floyd Animals & Obscured By Clouds? Even things that are finished go unreleased. I almost didn't read this thread because much "future talk" does not pan out.Remember when the morons tried to make DualDisc the ultimate replacement for DVD-A's and SACD's, and there were a ton of announcements of "hundreds of titles" being prepared for DualDisc release?
Ya
Human intervention...there will be a human at the controls...but having said that...with more channels...there will be more latitude about where instruments are placed....I'm sure some on here will be distraught...I can imagine the posts now...."why did they put the drums on channel 9...it's right over my head"
Wishful thinking? Or do you have an inside source?
Paying quality engineer's to remix a thousand songs would be very costly. Call me skeptical but I don't think it will happen.
Reminds me of the shf thread a couple years ago when the shill for MQA, leeS, was going on about how he knows thousands of albums are going to be remastered for the format. When asked about how many sound engineer's it will take to perform this process all I got was silence. Using simple math it just didn't add up...
If I get a good 5.1 of What's Going On out of it I'm thrilled.
It hints of streaming-only or -mostly
As you have seen Steve's post...he is working on Atmos mixes in the studio at Nashville...of course I'm skeptical about the numbers they are talking about as well...it will probably depend on sales...
Reminds me of the shf thread a couple years ago when the shill for MQA, leeS, was going on about how he knows thousands of albums are going to be remastered for the format. When asked about how many sound engineer's it will take to perform this process all I got was silence.
Yes, I am very involved in the Atmos mixing we are doing here and in our Nashville studios. We have 2 rooms on line now, and two more being built as we speak. I can't tell you how much fun it is to mix in this format.
The streaming route would be interesting. This means they would have to compress the heck out of it. As a consumer, I wouldn’t want that. And, that’s coming from someone who listens to Apple Music quite regularly.
I’m very positive on this but if it’s Streaming Only I won’t buy anything. If it’s Downloading I’m definitely in.
Just to clarify the difference:
Streaming means the music is located in the cloud on someone else’s server. You need to connect to it over the internet to play it in real time (Netflix style). You don’t own the content. It may disappear in the future if their server is switched off.
Downloading means you do a once off download to your system. You get to keep the file forever.
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