Steven Wilson Yes Close To The Edge in Dolby Atmos (out in March!)

[MrMarty]

Okay, I'll bite:
I didn't particularly like his remix of Marillion's 'Brave' or his 'Tales From Topographic Oceans' (Yes) remix. And his efforts on 'A' (Jethro Tull) were not as rewarding to me as some of the other Jethro Tull remixes. So, yeah, some are not so good in my ears. But like I said: it is a matter of taste and all very very subjective.

edit:
Oh, and his 2 ELP remixes are far from stellar. Rumors of outside interference (by Greg or Carl) or very much speculative: I take it on face value and judge those mixes by what I hear and conclude that I don't particularly like his Tarkus remix end his ELP (self titled) remix either.

'Tales From Topographic Oceans' (Yes) remix was a disappointment. I love that album, but the remix and the instrumentals sound flat.

 

[ssully]

Some are, some are not soooo good. It's all a matter of taste.

Hah, I get hackles-raised umbrage here every time I report my disappointment with Wilson mixes.

Seems his work is practically sacrosanct in some quarters.
But I can name four remixers right away whose work I consistently like better
Ellio Scheiner
Greg Penny
Stephen Taylor
Ken Scott

I'd love for any one of those, especially Taylor, to have a crack at Yes remixes.
(Or Eddy Offord, though god knows what Fripp-like revisionism he might feel like enforcing by now.)

 

[minimumtumbleweed]

Hah, I get hackles-raised umbrage here every time I report my disappointment with Wilson mixes.

Seems his work is practically sacrosanct in some quarters.
But I can name four remixers right away whose work I consistently like better
Ellio Scheiner
Greg Penny
Steven Taylor
Ken Scott

I'd love for any one of those, especially Taylor, to have a crack at Yes remixes.
(Or Eddy Offord, though god knows what Fripp-like revisionism he might feel like enforcing by now.)

I don't even think there is an issue with saying that some of his older stuff isn't very good. Part of learning is failure. Elliot Scheiner's older stuff (not even that old, I'm talking 00's) is also not very good, not to mention all the phase and LFE issues with many of his earlier 5.1 mixes. SW's mixes of the past 10 years have been nothing short of revelatory, and he's also managed to vastly improve on some of his older mixes as well. Anyways, him being a fantastic producer doesn't detract from the ability of others to produce excellent mixes as well. If anything, I want to see more excellent immersive audio producers, since one person can't hope to mix everything.

 

[JediJoker]

...Steven Taylor...

Surely you mean *Stephen (W) Tayler?

 

[srbjab]

Personally, I never thought Steven Wilson fully "cracked" the Yes albums in 5.1. To me they were somewhat inconsistent, with parts sounding immersive with other parts still sounding a bit front heavy and flat. There's just something about Yes music that is very dense, and I don't feel he was fully successful in really opening those recordings up. However, his more recent Atmos mixes of The Yes Album and Fragile were massive improvements in terms of immersion and clarity - undoubtedly due to the additional channels/speakers available to utilize as well as a decade of invaluable experience. I'm very hopeful that the upcoming remixes of CTTE will be as revelatory.

 

[ssully]

I don't even think there is an issue with saying that some of his older stuff isn't very good.

Ah, really? You wouldn't know that from reading the old reviews of them here. Gush, gush, gush....

Part of learning is failure. Elliot Scheiner's older stuff (not even that old, I'm talking 00's) is also not very good, not to mention all the phase and LFE issues with many of his earlier 5.1 mixes.

Highly overblown. Scheiner et al get the sound right, most importantly

SW's mixes of the past 10 years have been nothing short of revelatory,

And away we go....

His remixes of Fragile, CttE, Tales, Relayer revealed nothing to me. (I quite like his Yes Album remixes)
I know these albums like the back of my hand. Mostly what his remixes gave me was sense of being just misfires.

and he's also managed to vastly improve on some of his older mixes as well. Anyways, him being a fantastic producer doesn't detract from the ability of others to produce excellent mixes as well. If anything, I want to see more excellent immersive audio producers, since one person can't hope to mix everything.

His best mix in my collection is his own album, The Raven Who Refused to Sing.

How nice that he gets do-overs on others....

 

[minimumtumbleweed]

Ah, really? You wouldn't know that from reading the old reviews of them here. Gush, gush, gush....

Highly overblown. Scheiner et al get the sound right, most importantly

Disagree, but that's fine and it's a matter of taste. Scheiner's mixes in my opinion are super-hot and way too discrete. No immersion.

I can only go based on music I actually listen to. Greg Penny, hit and miss. Some mixes are fine and some not. Stephen W Tayler, I've only heard Marillion - Holidays in Eden and it is one of their worst remixes. Dynamics are all over the place, treble is too harsh, nothing sounds right.

And away we go....

His remixes of Fragile, CttE, Tales, Relayer revealed nothing to me. (I quite like his Yes Album remixes)
I know these albums like the back of my hand. Mostly what his remixes gave me was sense of being just misfires.

OK, I get that you don't like him, that's fine. I did say last ten years so neither Relayer nor Close to the Edge fall within that timeframe, and Tales is cutting it close. But fine, let's say 8 years to make you happy.

His best mix in my collection is his own album, The Raven Who Refused to Sing.

Curious, I find this to be one of his worst self-mixes.

How nice that he gets do-overs on others....

And who cares if he gets do-overs. 20 years ago almost no-one was making really great surround mixes, so I'm happy to hear the evolution of the medium.
By the way with the sheer volume of his output compared to all the others, (not to mention actually making and producing his own music), You could throw away 20% of his mixes and still come out on top. So yeah, I think there is a reason people like him around here. He's not a god but he is one of the best at what he does.

 

[H.A.L.]

It's all good in the face of stereo alternatives, right?

 

[stoopid]

It's all good in the face of stereo alternatives, right?

That's been my conclusion, especially in the past 15 years when the overlap in surround mixes and technology has been maximized. There's really no "bad" mixes anymore released by major labels/artists, aside from perhaps mixes that are lazier than others. But none of them are objectively bad. Even determining standouts becomes tough in such a crowded field of contenders.

 

[stoopid]

Anyways, him being a fantastic producer doesn't detract from the ability of others to produce excellent mixes as well. If anything, I want to see more excellent immersive audio producers, since one person can't hope to mix everything.

This is kinda reflective of the sports fan mentality being applied to everything (music, politics, my shoe choices, etc). You pick a team and die rooting for that team. Trying to convince someone their team sucks is pointless, they've already invested their heart and soul. The human condition is ... painful to witness.

It matters less in music mixes and choice in dining establishments. Matters significantly in politics and selective application of compassion/empathy.

 

[ssully]

Disagree, but that's fine and it's a matter of taste. Scheiner's mixes in my opinion are super-hot and way too discrete. No immersion.

I can only go based on music I actually listen to. Greg Penny, hit and miss. Some mixes are fine and some not. Stephen W Tayler, I've only heard Marillion - Holidays in Eden and it is one of their worst remixes. Dynamics are all over the place, treble is too harsh, nothing sounds right.

OK, I get that you don't like him, that's fine. I did say last ten years so neither Relayer nor Close to the Edge fall within that timeframe, and Tales is cutting it close. But fine, let's say 8 years to make you happy.

Curious, I find this to be one of his worst self-mixes.

A: THM: our tastes are very different

And who cares if he gets do-overs. 20 years ago almost no-one was making really great surround mixes, so I'm happy to hear the evolution of the medium.

B: His getting a do-over means none of those other get a shot at it.

By the way with the sheer volume of his output compared to all the others, (not to mention actually making and producing his own music), You could throw away 20% of his mixes and still come out on top. So yeah, I think there is a reason people like him around here. He's not a god but he is one of the best at what he does.

More quantity indicates there must be more quality?

How about this: maybe you need to throw away 80% of his mixes to leave 20% that are bangers?

tl;dr: See: A