harync
Senior Member
I think defining "early" is critical here. Tidal has a number of recordings from the 1960s. A lot of those recording sessions used 4-track machines. Perhaps more problematically, they sometimes merged four tracks onto one track to make more tracks available. It wasn't until the 1970s that 16-tracks or beyond became commonplace.huh, early engineers were obsessed with laying down as many tracks as possible, not the other way around?
Today, it's accepted (which is why music sucks ass today), but back then was fought against until resistance (against the Studio) was futile
Not sure what your second comment is trying to say? Because artists today have unlimited access to recording tracks, their music sucks?