He's in the resistance....i know he doesn't do Atmos streaming yet.. but Ralph's quiet..
(he must be busy downloading the world's largest meme )
He's in the resistance....i know he doesn't do Atmos streaming yet.. but Ralph's quiet..
(he must be busy downloading the world's largest meme )
No stone left unturned eh Gene
He's in the resistance....
No 'Fallen Madonna' round ere, eh Adam....allo allo.. listen very carefully i shall say ziss only wurnce..
Or he's in the basement...doing...well, you know....what he does. lmaoi know he doesn't do Atmos streaming yet.. but Ralph's quiet..
(he must be busy downloading the world's largest meme )
Or he's in the basement...doing...well, you know....what he does. lmao
i am way curious how Apple goes about their ATMOS mixes, any insightful Infos available?yes they are both there and sound good!
i think i prefer The Doors track in Atmos to the DVD-Audio tbh, the effects are cool
https://immersiveaudioalbum.com/202...ndh-musician-producer-engineer-and-innovator/What are your thoughts on Apple and Tidalβs Atmos streaming platforms? Do you see this as ultimately becoming a mainstream success, unlike past attempts to market surround music?
As mentioned earlier, I really think Dolby Atmos is the future of music. I think this because itβs the first time that we as producers and engineers can deliver the information needed for manufacturers to create amazing experiences for the listeners. Before, trying to make bigger and immersive experiences from stereo audio files was just guess work for the manufacturers, with upscaling and fake 3D audio images. Now, with Dolby Atmos, they know the artistβs intent and can place the tracks according to the vision from the artist.
That being said, the platforms have done it differently. Tidal took on the Dolby ecosystem and actually uses the format as Dolby intended with the binaural render modes and Dolbyβs binaural engine. Apple however, took the extra step and made their own engine. This Spatial engine sounds fantastic, but it comes with some consequences.
The Spatial engine overlooks the binaural render modes and goes straight to trying to emulate the speaker mix in a binaural environment. As the most common mixing approach today, βkeep it to the wallsβ has everything anchored to the Atmos virtual rooms walls for phase accuracy. Appleβs Spatial motor does everything it can to make these mixes sound as the music is βas far away as possible,β because thatβs how the speaker mix was made. It works fantastic in speakers, but with the HRTF filtering and added room reverb, this βkeep it to the wallsβ approach has to be tweaked to work on Apple Music.
Now, to compensate for Apple Music, Iβm adapting my mixes to Spatial audio, and putting things that are intended to be close to the listener, closer to the middle of the Dolby Atmos virtual room. This way the music sounds fantastic on Spatial, but is a little compromised in phase accuracy in speaker playback. I have come to learn where the limits are and how to adapt the mix without ruining the speaker playback, but it is an ever ongoing process.
WOWGabriel Lundh offers a mixer's take on Tidal's and Apple's respective approaches to Atmos in an interview just posted at IAA:
https://immersiveaudioalbum.com/202...ndh-musician-producer-engineer-and-innovator/
β¦..
Ie Bohemian Rhapsody is off a bit in beginning, but by the time it gets to the rock section, Freddie's vocals all but fade away. It is an abominationβ¦..
β¦.Not to mention the constant crashing Apple does if I am adding tracks to the queue. It clears the list after I may have spent over an hour making one. It crashes like that 5xs a day or more.
Yet overall Apple has a near-stellar collection of things found nowhere else. But they have work to doβ¦β¦
Cheers
Thatβs a bummer about your Bohemian Rhapsody experience! On my system, the Apple Atmos mix is markedly similar to the Scheiner 5.1 mix on Blu-ray. Just a bit of depth added.
Agreed on the ceiling speaker content!That was my experience as well. In fact, I'm not even certain that the Atmos verson is a genuine remix - it sounds as if they took the old 5.1 mix and duplicated some of the rear-channel information in the ceiling speakers.
I think that's what they did with one of the Rush Atmos tracks from Moving Pictures. Took Chycki's so-so 5.1 mix and upmixed some of it to the ceiling...That was my experience as well. In fact, I'm not even certain that the Atmos verson is a genuine remix - it sounds as if they took the old 5.1 mix and duplicated some of the rear-channel information in the ceiling speakers.
Now in atmosHere's the link provided by Dubway Studios on their website:
https://music.apple.com/us/album/john-luther-adams-arctic-dreams/1563815997
WOW
For now that is all I got
What a great reveal
i hope they can fix what needs to be fixed
βNever Too Much by Luther Vandross on Apple Musicprimo Luther Vandross in Atmos?
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