Quadraphonic sound, often regarded as the first commercial technological implementation of ego-centric acoustics, is deeply rooted in our DNA, tracing back to the cave dwellings of 20,000 years ago and the Druid Circles of England and Scotland. These ancient configurations served as primitive quad systems, primarily for percussive beats. According to "Archaeoacoustics," these early soundfields bear a remarkable similarity to modern quadraphonic systems.
In contrast, allocentric soundfields are characterized by a front stage that projects sound towards the back wall with reverberation effects. This setup is a descendant of the acoustic designs found in early European churches, where Gregorian chants exemplified the initial use of allocentric soundfields. Thus, while quadraphonic or ego-centric acoustics harken back to the very origins of human civilization, allocentric soundfields, as exemplified by original cinema and concert settings, represent a relatively newer development in the history of psychoacoustics.