Exploring Billboard for Quadraphonic Information

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August 17, 1974

'Q' Catalog
Sought By
Koss Corp.

By ANNE DUSTON

CHICAGO

Koss Corp., in looking for four-channel records to recommend to dealers for demonstrating the quadrasonic sound through headphones, looks for technically superior product as far as separation of sound tones and the quality of the recording.
The material itself has to be timely. Koss has an album review program, but all salesmen are expected to keep abreast of new music, to keep the recommended list up to date.
At trade shows, discrete records are preferred to discrete tape, because they are available and can be changed readily. Dealers are advised to use the "cleanest possible source,” Tom Winkofske, advertising manager for Koss, says. Koss does not supply the records for demonstration.

Below is the current recommended list:

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July 20, 1974

Quadruplex Is
Best Way to Go
-RCA Engineer

LOUISVILLE
-
Although RCA believes in the long run a radically different method of video tape recording will supplant both quadruplex and helical scan, a VTR design engineer with RCA Broadcast Systems says company studies show quad the best approach for the next decade.
Speaking at the recent Southeastern Educational Conference here, Lee Hedlund noted that RCA engineers are now evaluating findings of a field survey in which key VTR users described their current and future video recording requirements.
Among early findings: Standardization is vital, as users will not endorse changes that would make future machines incompatible with existing tape libraries; many broadcast users are attracted to certain modifications if they are simple and adaptable to current VTR models; greatest interest is in operating at 7½ ips tape speed for cost savings, if performance is essentially equivalent to that at 15 ips: lesser interest was shown in simplification of setup and operation, and provision for two stereo audio channels.
The suggestions were given the name Quad IA in a presentation by
RCA at the recent National Assn. of Broadcasters convention showing some of the ways these improvement objectives could be realized.
Quadruplex was a video tape standard used by television stations for many years. It used a rotating head something like VHS (just something to visualize, it’s a LOT different) that used four gaps spaced equally around the head. They were beasts, but the techs at TV stations were able to keep them going, and actually recorded “broadcast quality,” which was difficult in those early days. It really has nothing to do with quadraphonic sound, but thanks for that article anyway.
 
August 24, 1974

Matrix ‘Q’
Dominates
Big Catalogs

LOS ANGELES

It's matrix quadrasonic five to nothing over discrete in the fall-winter catalogs of the mail order giants.
Sears, Wards, Spiegel and Aldens cautiously test opening lines of matrix record/playback consoles plus additional optional quad componentry, while J.C. Penney has one 5-piece component unit only.
Wards offers the largest quad record/tape console array. Its 72-inch-wide Mediterranean oak veneer credenza, housing a 12-speaker 4-channel speaker system, lists at $584.95. Four other quad 3- or 5-piece consoles in a choice of Mediterranean pecan or Colonial maple list at $479.95, with a buyer having the option to buy two more matching large speaker enclosures for $94.95.
Spiegel has a flip-switch stereo that converts to a speaker matrixing process for $299.95. The pecan-finish, 60-inch-wide console has two self-contained speakers and two matching externals.
Aldens' 4-channel console, listing at $329.95, is 52-inches wide with two matching Mediterranean distressed-pecan speaker enclosures.
J.C. Penney is the only one of the five offering a free SQ sampler record to the buyer.
Aldens emphasizes an “instant service" concept, enabling the consumer to call a toll-free 800 number to speak with a qualified company service consultant. They will attempt to aid in servicing a unit not operating properly, or direct the buyer to local or regional service locations.
 
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August 24, 1974

KUSISTO VIEWS

Car Quad Growth Hinges
On Key Market Factors

By EARL PAIGE

SAN FRANCISCO

Oscar Kusisto, head of Motorola's automotive products division, was in the forefront of the introduction of quadrasonic when, along with RCA, his firm bowed a unit at Billboard's second International Music Industry Conference (IMIC-2) in 1970.
As chairman of the International Tape Assn., Kusisto's interests go far beyond car stereo, and indeed into every phase of recording.
Kusisto stands behind all his long advocacy of discrete quad and believes that ultimately there will be growth in 4-channel car stereo.
While at KIOI-FM here, updating himself on the current discrete FM tests, prior to one of his many trips to Japan, Kusisto offered the following comments on quad:
What's holding car quad back?
He notes a number of factors, "The lowest-priced quad model we have is $99.95 at retail and that's plus speakers and installation, and this is considerably more than double the low-est-priced stereo 8 models.
"The unemployment trend, particularly as it affects young people, is another factor. It is young people who are spearheading the car quad consumer demand and unemployment is making this a tough period.
"The software demographics, to get to another problem area, still don't match. There is still a lack of prerecorded quad 8 appealing to young consumers. I think, too, that there is very poor national distribution of prerecorded quad 8. Out of the top 20 in your ‘Top LPs & Tape’ chart, over 10 percent is available in quad but many stores are not stocking them.
“I think basically that there is still a concern over the perishable nature of software.
"Also a problem is dealer demonstrations. I believe some of them are absolutely sad. There is a lack of knowledge about system differences, matrix vs. discrete. And whether you're talking about or selling either one, how to sell it to the consumer is not being properly taught.
“In this regard, I feel that we, the manufacturers of hardware, have to share in the blame.
"I think also that many retailing people have a poor sensitivity to music and quad source listening. The mere fact that a person is in retailing doesn't indicate that he really qualifies on the basis of pure impact in terms of knowledge and sensitivity about quad.
Matrix vs. discrete has been confusing. That's another part of the problem. Certainly I feel matrix is an improvement on stereo, but discrete is far superior to matrix."
Kusisto believes the availability of ICs, FM quadrasonic broadcasting, and dealer education are three more problem areas.
"Up until really recently the semiconductor industry was flat out in terms of keeping pace with demand.
Also, they were looking to major market opportunities and ICs for quad decoders, and demodulators were not a high priority. Now there is more of a norm existing in semiconductor industry and you're going to see more dramatic improvement in deliveries.
"As for FM quadracast, I am absolutely sure we will find the FCC approving a system by 1975.
"Dealer education, however, re-
mains a definite need. I think that in addition to this, there are many artists who do not see the impact quad
is going to have and who lack an appreciation of quad.
"I might have been a little too optimistic in my early estimates of how fast quad would catch on in that I did not realize how this lack of appreciation by artists would affect quad. There are exceptions. Hugo Montenegro is one."
Kusisto believes that in regard to car quad there is a handicap in the consumer wanting more and more features and therefore driving up the price of 4-channel units. "You will have to work your way into this. The timing right now is poor."
At the same time, Kusisto reiterates the disclosure in Billboard (May 11) that '76 Fords on sale next year will be equipped with 4-chan-nel players.
Kusisto also feels that the sweep toward in-dash car stereo will not contradict the growth of car quad as many believe.
It has been pointed out over and over that car quad with four amplifiers, to just pick on starters, not only adds to the size of units but also the price. Size is a critical factor in in-dash and so is price.
"You will just have to approach in-dash car quad differently," Kusisto says. "One way this is being done right now, of course, is though OEM at the car manufacturer level." But he believes the answer to better growth in car quad is tied to many factors and certainly not keyed to in-dash alone.
He also says that the situation in world markets vis-a-vis car quad varies, but closely parallels the U.S. situation. "In Europe, we're just getting started in 8-track. I feel quad 8 is going to be hotter than a red wagon over there. I think this because I believe Europeans have a greater appreciation for music."
Kusisto lists the following as the answer to better car quad success:
• An upturn in the economy and this impact on the spearheading young consumer group;
• The CD-4 commitment.
"There are new vinyls. DuPont among others is developing vinyl that even at a 4-mil stylus size will offer over 100 plays with good sig-nal-to-noise ratio and without losing quad.
"This improvement is not limited to vinyl but is coming in stylus and cutting heads and other technological areas. The availability of ICs for all the hardware associated with CD-4 is all part of this improvement that I feel will see capabilities of 300-400 plays coming very soon.”
 
All the hardware and software manufactures were so optimistic back in 1974! I still blame the greedy top executives and bean counters, for pulling the plug so early. A more controlled entry into quad with more lasting support would have been a better approach!

There was long that rift between those like Lou Doran who thought that discrete was was only way to go and the Matrix supporters. Too bad that they weren't more supportive of each other. Lou envisined discrete quad broadcasting using CD-4 as source material. IMHO CD-4 was much too finicky to be used for broadcast. Had the idea hung on until digital techniques such as the CD were developed discrete broadcasting might of had a better chance.
 
Quadruplex was a video tape standard used by television stations for many years. It used a rotating head something like VHS (just something to visualize, it’s a LOT different) that used four gaps spaced equally around the head. They were beasts, but the techs at TV stations were able to keep them going, and actually recorded “broadcast quality,” which was difficult in those early days. It really has nothing to do with quadraphonic sound, but thanks for that article anyway.
Quadruplex was also Panasonic's name for its Dynaquad-style decoder.
 
August 17, 1974

Victor of Japan to Mfr Erato,
Melodiya Discrete 'Q' Disks

By HIDEO EGUCHI

TOKYO

The Victor Co. of Japan (JVC) is aiming to be the first to manufacture discrete quadrasonic disks from master recordings owned by Erato of France and Melodiya of the USSR.
In Japan the RCA-affiliated Erato label is now represented by Victor Musical Industries (VMI), JVC's software arm. Japanese industry sources say Erato's foreign record licensing agreement with Nippon Columbia expired July 11 and the latter's inventory sell-off period will end Jan. 11.
The first four Erato CD-4 classical albums-including Berlioz' "Symphonie Fantastique" by Alain Lombard and the Strasbourg Philharmonic-are scheduled for release here Oct. 5 by VMI's division for RCA Records, along with an initial 10 other Erato 12-inch LPs.
Discrete quadrasonic disks will eventually be manufactured by
JVC, too, from master recordings owned by Mezhdunarodnaya Kniga, says Shoo Kaneko, director of VMT’s general staff office. The Soviet organization recently renewed its foreign record licensing agreement with the Japanese company. In Japan, the Melodiya CD-4 classical albums are to be released on VMI's Shinsekai (New World) label.
A CD-4 version of "Snowflakes Are Dancing: The Newest Sounds of Debussy" by Isao Tomita, manufactured by JVC from the master owned by RCA Records, will be released here Aug. 25, says VMI, which already lists 77 CD-4 classical LPs including 26 RCA quadradisks.
The expiration of Erato's foreign record licensing agreement with Nippon Columbia will deprive the latter of its best-selling classical label.
According to Music Labo (Billboard's Japanese affiliate), Handel's "Water Music" and Bach's "Brandenburg Concerti" by l'Orchestre de Chambre Jean-Francois Paillard, manufactured by Nippon Columbia from master recordings owned by Erato, were among the top 20 classical best-sellers in the first five months of this year.
In addition, Nippon Columbia's loss of the Erato label to JVC/VMI comes close on the heels of its loss of the MPS jazz label to Teichiku, a
member of the Matsushita group. Its MPS inventory sell-off' period will end next month, Japanese industry sources say.
Also, they say. Nippon Phonogram (JVC/Matsushita-Philips joint recording venture) will release its first classical CD-4 albums this fall.
 
August 17, 1974

Masterworks Cuts 'Burana'
In Quad Surround Sound

NEW YORK
-
Columbia Masterworks recorded Carl Orff's masterpiece for large chorus and orchestra,
"Carmina Burana" for the first time in quadraphonic
"surround sound" Aug. 5 and 6 in Cleveland.
Columbia's artist Michael Tilson Thomas will make his conducting debut with the Cleveland Orchestra at the concerts which preceded the recording. The 120-voice “Cleveland Orchestra Chorus" and a boy's choir also perform.
"I feel that 'Carmina Burana’ will provide a field day in terms of recorded quadraphonic sound," says Andrew Kazdin, who produced the album for Columbia Masterworks. "For example, in studying the score, I found that in many sections, there were little choruses drawn from the larger ones and in one place the composer actually called for double chorus." I feel that only with quadraphonic techniques can this aspect of the music be truly realized. The orchestration of the piece-including seven percussionists and two pianos-is also very exciting, and I think that the quadraphonic recording techniques will help realize this in the fullest sense.
 
August 24, 1974

RAND DENIES SWITCH

EMI Experimenting With
Discrete Disk

By REX ANDERSON
Music Week Staff Writer

LONDON
-
The EMI technical and research departments have submitted tapes to Sonopress in Gutersloh, Germany, for test cutting onto disk using the discrete CD-4 system developed by JVC.
However, Wally Rand, director of technical services, and a member of the EMI quadrasonic committee, says that this should not be taken as an indication of EMI's intention to drop the matrix SQ system.
“We are in the quadrasonic business and are generally interested in what other people are doing,” he notes. "We are committed to SQ inasmuch as we are issuing records on SQ but have the option to pull out of it."
The quad committee, which comprises Rand, group director of records Len Wood, research manager Ted Trendall and former Abbey Road studio manager, Gus Cook, is generally unhappy with CD-4.
Explains Rand: "Being able to cut a good disk is quite a long process and you have to cut quite a few to get something satisfactory. My present feelings are that you are slightly better off with CD-4 but not with the extra problems and cost you get involved in. We think the best compromise is SQ."
He emphasizes that the submission of tapes to Sonopress for test CD-4 cuts was purely experimental to see what the company was doing.
Sonopress is the first custom CD-4 cutting and pressing facility in Euгоре.
DGG-Polygram, which has not committed itself to a quad system, already has a CD-4 lathe and so does CBS, which releases SQ material in the U.S. However, Rand points out that it is a perfectly good lathe for normal stereo cutting.
He adds that it seems unlikely that any form of quad will seize the market for another five years.
Nevertheless, at least one EMI licensed company, Elektra, is already committed to CD-4 as part of the American WEA group. it seems inevitable that DGG-Polygram, probably Europe's largest and certainly most perfectionist record company, will eventually go for CD-4.
Other companies which seem on the point of becoming committed to the system are BASE, which is also having test cuts made by Sonopress and is distributed in this country by Decca, which to date has not decided to go with any 4-channel system, and Ariola, another company in the same Bertelsmann group as Sonopress.
 
August 17, 1974

Test Disks
As Onkyo
Promotion

NEW YORK

In a move designed to help dealers accelerate sales of 4-channel equipment and aid consumers in the correct hookup of quadrasonic gear, Onkyo is offering a free set of two 4-channel test records in SQ and CD-4 with each purchase of a model TS-500 quad receiver.
The promotion, which will run until year-end, according to Onkyo national sales manager Charles Ray, also includes a 4-channel test record offer. This enables the consumer to purchase the albums direct from the producers, Project 3/Popular Science, at a special price and without any purchase.
Each album contains complete instructions for calibration, set-up and checkout on the front side, and a wide range of musical selections on the flip side.
Growing acceptance of the TS-500 as an ideal demo unit by 4-chan-nel dealers is attributed by Ray to its claim as "world's only fully automatic all-mode quad receiver." He says it plays any 4-channel program material in any sequence, merely by setting the automatic switch. All demodulators and decoders are built-in, and a joy-stick control provides 4-channel sound balance in a 360-degree configuration. The unit delivers 25 watts of power RMS per channel at 8 ohms, and is BTL strapped. It lists for $749.95.
New from the Onkyo Sales Section/Mitsubishi International, is the model TX-330 stereo receiver with AM/FM radio and a built-in 4-channel matrix synthesizer. The unit, according to Ray, incorporates SQ matrix simulator circuitry which synthesizes 4-channel sound from existing 2 channel program sources.
It also incorporates such facilities as tape-to-tape dubbing, two tape monitors, record facilities, direct coupled, differential amplifier cir-cuitry, as well as provisions for two pairs of speakers. The model delivers up to 21 watts RMS of power, and lists for $289.95.
Another new component, with a price tag of $429.95 is the Onkyo model TX-560, a medium-powered stereo receiver that features direct coupled/differential amplified cir-cuitry. The unit delivers up to 48 watts RMS power per channel and includes high and low filters. loudness and mode controls, and a frequency response of from 15-30,000 Hz.
 
September 14, 1974

25c Play on
'Q' Jukes?

NEW YORK
-
Seeburg Corp. unveiled its 4-channel jukebox system Thursday (5) to area operators and made a strong pitch for them to raise their price to 25 cents per play on stereo machines.
Jack Gordon, merchandising manager of Seeburg, keynoted a dinner held at the International Hotel in Queens to display the quad machine.
In urging that operators adopt the 25 cent policy, Gordon said that cost factors in equipment and in records were at all time highs and that operators would be hurt unless they raise the per play price on its existing units. The Seeburg quadrasonic units are equipped for 25 cent play.
Gordon also said that the quad/ stereo units installed last year in some 600-700 locations were proving successful, and were now accounting for a large percentage of the location's income.
Gordon also said that Seeburg distributorship would now be handled by Albert Simon for the New York area. It had previously been handled by Atlantic-Seeburg. Some 250 tradesmen attended.
 
May 14, 1974

Diana on Q-8 Tape

LOS ANGELES
-
Motown Records will offer its first Q-8 tape later this spring.
"The Best of Diana Ross." A spokesman for the label said no decision has been made as yet concerning the firm's entry into the quadrasonic disk field.
 
May 11, 1974

Ford's '76 Models to Offer
Q-8 Tape and 'Q'-Radio

DETROIT

Ford Motor Co. will make Q-8 playback units available in 1976 models to go on sale during the summer of 1975. These 4-chan-nel tape cartridge units will be OEM players integrated with 4-channel radio receivers
Oscar Kusisto, president of Motorola Automotive Products Inc. a Ford Motors supplier, declined to confirm that Motorola will be manufacturing the four-channel tape units for Ford. However, he said his company has been contracted to manufacture such units for one of the Big Four car manufacturers.
Kusisto said that the radio receiver will be able to accommodate quadracasts. “I expect that the FCC will have approved the CD-4 broadcasting system by then, and we intend to have the receivers equipped with decoders to handle discrete as well as matrix broadcasts," he said.
Higher cost of the Q-8 and radio unit indicates that they will be available in Ford's top-of-the line cars. Lincoln Continental, Thunderbird, and others
 
May 11, 1974

Sansui to Promote
'QS' Matrix System

By RADCLIFFE JOE


The Sansui Electronics Corp. will launch an intercontinental promotion on its QS matrix 4-channel systems in London and Los Angeles to coincide with the Billboard IMIC conference in London and the AES convention in Los Angeles.
The London demonstrations are being held at the Sansui showrooms on Maple St. and according to Sansui officials IMIC attendees are being invited to see special demonstrations of the new Sansui 20db Matrix IC decoder, as well as an encoded/decoded AB demonstration.
The London demonstrations will be conducted by Sansui's, M. Ishikawa and T. Nishio, and will be run during hours convenient to the IMIC attendees.
In Los Angeles, at the AES show running from Tuesday (7) to Friday (10) at the Los Angeles Hilton, Sansui will demonstrate, for the first time in this country, its innovative band-splitting 24db decoder. This unit which was first shown at the AES Convention in Copenhagen earlier this year, will be demonstrated by Sansui's U.S. director of QS 4-channel promotions, J. Muroi, N. Nakayama, and Jerry Leboe.
Both demonstrations will be supported by display materials, literature and other promotional aids.
Sansui officials said the inter-continental demonstrations will mark the beginning of a massive promotion campaign by Sansui to proliferate the QS 4-channel concept.
 
May 11, 1974

Quadsquads Push Radio 'Q’

By CLAUDE HALL

LOS ANGELES

Quite fondly. you might refer to them as the Quad.squad.
Who are they? They're the highly trained and extremely well-informed, though somewhat prejudiced, men who're paving the way for a future of quadrasonic radio and quadrasonic records. When we say prejudiced, we're referring only, of course, to the extraordinary faith that each of the quadsquads have in their own particular quadrasonic systems.
There are, essentially, only two systems-discrete and matrix. But two variations on matrix exist-CBS SQ matrix and Sansui's QS matrix.
Already, some 200-plus FM radio stations are heralding themselves as quadrasonic stations, but about the only viable decent attempt so far at really promoting and doing a good job at being a quadrasonic station is WSHE-FM in Fort Lauderdale.
Most of the other FM stations are playing some matrix records, either CBS or the matrix material out on ABC, Project 3, Ovation, and A&M, and pointing at themselves as being quadrasonic stations.
Discrete broadcasting is still in limbo. Those field tests in San Francisco continue to drag on.
And a lot of record labels are waiting for the FCC to make up its mind about a broadcasting system. The feeling is that if the FCC is going to eventually approve a discrete broadcasting system-and everyone believes they will-then why commit now to anything?
Without a broadcasting system to promote the product, sales of quadrasonic records, both matrix and discrete, are still marginal to a great extent and even the sales that have been reported are under question by the executives of labels not yet committed to quadrasonic.
Still, the advocates of either and all systems are out there in the field

Quadsquads Push Radio 'Q'

pushing and persuading at all levels for their particular system.
At CBS, you'll find Stan Kavan, chief of diversification and plan-ning. At Sansai, Jerry Lebow is constantly working to pave the way for the QS system. RCA Records, the WEA group of labels, National/ Panasonic, and JVC/ Nivico, have teamed up and their representative is John Eargle of JME Associates, a consulting firm. Basically, they all have the same jobs: Make their particular system No. 1.
Eargle has somewhat of a handicap at the moment. Some people feel that discrete quadrasonic is best, but you presently can't broadcast discrete except by teaming up two FM radio stations.
Until the one-station discrete system (and there are five being tested) is approved, Eagle is devoting a bulk of his time in persuading other labels to join the team of WEA and RCA.
Kavan and Lebow, meanwhile, have done an extraordinary job in getting radio stations accustomed to quadrasonic. In many FM radio stations, even though they aren't ballyhooing themselves as quadrasonic stations, you'll find a special shelf of CBS quadrasonic records. And, yes, they're being played along with the ordinary stereo albums.
Meanwhile, more 4-channel receivers are getting into the field and 4-channel disks continue to be turned out, meaning that the public is growing more acquainted with quadrasonic. One day, perhaps within a year's time, quadrasonic radio in discrete form will be a reality.
 
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May 11, 1974

COMPATIBILITY?

On the opposite page is the best-selling Quadradisc album ever recorded. In the U.S. it was released only on Quadradisc (where no stereo version is available). And in the U.S. we have sold more than a million of these 2-record sets. More than a million already sold to stereo owners and yet not one consumer complaint!
Our Quadradiscs pass the compatibility test where it counts - in the market place.
 
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